Redwarmin This movie is the proof that the world is becoming a sick and dumb place

BroadcastChic Excellent, a Must See

ActuallyGlimmer The best films of this genre always show a path and provide a takeaway for being a better person.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Andres Salama This film by Iranian director Asghar Farhadi (A Separation, About Elly) is well made, though in my opinion he has done better. There are elements in this movie you see in other films of the director: heated marital discussions, secrets and lies coming to the light, cultural differences between the middle class and the working class. However, the end result is not as compelling as in other of his movies.The action transpires on a single day in Tehran during the celebration of the Iranian new year (a holiday where a lot of fireworks are thrown). The young Rouhi (played by the pretty and talented Taraneeh Alidosti, who was in About Elly), is a working class woman that will soon marry her boyfriend. She gets a temporary job cleaning a apartment in a middle class neighborhood. Upon arriving at the apartment she finds herself in the middle of a heated domestic dispute between Mojdeh and Morteza. Mojdeh (Heyde Tehrani, who's great) suspects that her husband Morteza is cheating on her with the next door neighbor Simin, a woman who set up a beauty salon there after her own marriage broke up. Over the course of the day, Rouhi, the fighting couple, their small son, the wife's sister and husband, and the beautician engage in a series of exchanges and confrontations, as the truth unfolds.Of course, the central conceit of the film, that the residents of the apartment complex would trust this cleaning lady they barely know so much they would confide to her all their problems, is absurd. At one point, Mojdeh even asks Rouhi to pick her young son at school (she has only known her for a few hours, and already trusts her to fetch her son, whom Rouhi has never met!)Not knowing much about Iranian culture, I was intrigued by the relationship between Rouhi and her boyfriend. I suppose Iran being a culturally conservative country their relationship before marriage is non sexual, yet they seem so close and loving, especially at the opening scenes of the movie. But the movie doesn't dwell too much in this, a pity since you don't see much about young love in Iranian movies.

Martin Teller A wide-eyed bride-to-be gets a temp job as a housemaid, and finds herself in the middle of an explosive situation, and not just from the fireworks celebration of the New Year. Yet another fantastic movie from Iran, brimming with intense yet somehow understated family drama... something like Cassavetes, perhaps. The performances are all really good, especially Hedye Tehrani as the jealous wife (to continue the Cassavetes comparison, she's got kind of a Gena Rowlands thing going on). Although the commentary on gender roles will have more meaning to an Iranian audience, there is a universality to the situation and the interactions. These could easily be American characters, in an American city. Using the noise of the fireworks to punctuate the drama, however, is a little too obvious.

arya_zangi One of the best Iranian movies ever! chaharshanbe-soori is about love,family and truth.Mojde,a housewife,suspects his husband of having affair with a woman next door.A young girl who is going to get married comes to their home for cleaning and gets involved in their problem.Like people who are watching the movie,she thinks the husband is innocent and helps him to win the fight against his wife.All these events, take place in chaharshanbe-soori,an old Iranian ceremony.Movie has got excellent acting,Hedie Tehrani is unforgettable,and excellent directing by Asghar Farhadi.One of those movies that stick in your mind for ever!

m-mirehei If we have two or three of such movies per year, that will be more than enough for our society to break down. One of the best Iranian traditions, Chaharshanbe-soori, has been shown like a dangerous street riot throughout the film and the sound of explosions is heard in all scenes. Is this really all we have in "Chaharshanbe-soori"? The house cleaner "Roohi" does nothing but eavesdropping, lying and interfering in Mojde's private life and goes happy with her fiancé at the end with no punishment for her behavior. The worst part is that the hairdresser "Simin" who is the cause of this entire scenario (beside Morteza of course) appears as an angle requesting an end to her affair with Morteza because Mojde is under intense pressure due to their relationship (as she says)!!!! So real!!! If this angel really has a heart like this why has she started this affair not thinking about Mojde but her little son who may lose either his father or mother as a result of her joy (mentioning that Simin herself has a son who is experiencing a different life because of separation of his parents). While the only positive point of the movie is that apology that Morteza gives to her wife because of his behavior in the street, Morteza believes that he has the right to cheat on his wife because she is a terrible housewife (Morteza: go and ask neighbors to see when has been the last time that they have smelled food from our home?); as no where in the movie this idea is denied, it seems to be the final belief delivered to the viewer, but is this really the solution???...