Helllins It is both painfully honest and laugh-out-loud funny at the same time.

Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Kimball Exactly the movie you think it is, but not the movie you want it to be.

sddavis63 In today's day and age, this movie should probably be required viewing for all who seem to feel that only Muslims are terrorists. "Fifty Dead Men Walking" is set in Belfast, Northern Ireland during what is euphemistically known as "The Troubles" - a time of violent and deadly sectarian violence between the Catholic IRA and the Protestant paramilitaries and the British Army. I thought the film, directed by Kari Skogland, successfully captured the sense of chaos that existed in Belfast at the time, as violence and killing simply became a part of the daily life of the city. The movie is based on the biography of Martin McGartland, a young man who joined the IRA and began to rise through its ranks, while also serving as a British informant. The title (of both the book and the movie) refers to the number of lives he believed he saved by being an informant. The sense of chaos which permeates the film revolves around McGartland. It's seen in his early life of petty crime; in his growing involvement with the IRA which causes moral qualms to rise within him; in his work as an informant, putting his life and the lives of those around him in danger; in his increasingly complicated family life - a girlfriend and a child, with a second child on the way. His life spiralled out of control from the moment he took the oath of loyalty to the IRA.Jim Sturgess played McGartland and I thought was very convincing in the role, while Ben Kingsley also worked as "Fergus" - his main contact with the British authorities. Fergus was also an intriguing character - a man who seemed to have little life except his work for British intelligence, but who developed a fondness for and a loyalty to McGartland. The performances made for a compelling story.The movie starts a bit slowly, offering through narration a bit of historical background to "The Troubles" - not the most exciting way to open a movie, but probably necessary to have everything in context without needlessly prolonging the movie by having to portray the history. Once it picks up, though, it's compelling viewing, and offers what I thought was a good look into the tactics of the IRA - especially its willingness to torture those who it felt had betrayed them. Unlike some movies, it's not at all sympathetic to the IRA, and to me at least made clear that they were not the "freedom fighters" their apologists made (and still sometimes make) them out to be. They were thugs and murderers and terrorists - as ruthless at times toward the people of the parts of Belfast that were under their "protection" as local law and order broke down as they were to the British. Those who want to continue to glorify the IRA as anything other than thugs and murderers and terrorists should really watch this and do some research to learn what they're glorifying and defending. True - the movie is one sided. I'm not suggesting that the Protestant paramilitaries were much better. But it's not a bad idea, I think, to have a movie that portrays the IRA in a realistic light, rather than in the noble light often shone on them.It's worth noting that McGartland himself didn't like the film and disavowed it. He said "the movie is about as far from reality as Earth is from Pluto," or something like that. If you know the story, you realize that right off, as you wonder about the bewildering and inexplicable decision to have McGartland being shot six times by an IRA gunman - but in Canada rather than in England, where the incident actually happened. The movie was partly funded by Canadian companies - but was that a reason to erroneously (dishonestly, in fact) make Canada the site of the shooting? I just couldn't figure that decision out. There are other incidents that are, if not fictional, then certainly exaggerated - but I can accept those as a part of movie-making. I think there's enough truth in this to make it honest to say that it's "based on" a true story.The other thing that might put some viewers off are the heavy Irish accents. I found the accents hard to understand for a while, although as the movie progressed I must have gotten used to them, because it started to seem easier. Still, even if you have trouble following every word of the dialogue, you can pick up the basics of the storyline just from watching. I found it a compelling movie. (8/10)

irazig I am unable to provide an accurate review of this film for one reason: NO SUBTITLES! How do you distribute this film on DVD and streaming without the one necessary tool needed to fully understand the dialogue. The accents are very thick and after 30 minutes, I decided to stop trying. If they are not going to provide subtitles, I'm not going to struggle through it. I need the subtitles because, at my age, I am slightly hard of hearing, so I always use close captioning / subtitles. Add the fact that it is difficult to pick up what the characters are saying and it's a waste of time. Too bad because it appears to be a good film!!

juneebuggy This was good, a little dry in places and possibly too long? -they had a lot of material to cover through. Amazing true story of a young street hustlers induction into the IRA and subsequent recruitment by the British Intelligence.Martin walks a fine line between the two, develops a friendship with his handler (Kingsley) and eventually gets sold out by the British. The last 45 minutes of this movie is flat out and makes up for the slower sections. I can't believe Martin made it through this alive (not really a spoiler since he wrote the biography this is based on) after so many attempts were made on his life and just how ruthless the IRA was. Kingsley (who is as always great) inadvertently becomes his personal bodyguard. The scene where Martin throws himself out the window after being tortured...jeez. Sweet and heartbreaking love story here too. Martin is still on the run today. 04.13 It was only after a couple days that I realized just how good this movie really is, as I'm still thinking about it. Might be worth reading the biography.

bob the moo As with any film on Northern Ireland it is good to see the message board full of debate about who the "good guys" were in Northern Ireland, who was in the right, who was in the wrong etc etc with occasionally someone talking about the film. I'll leave all of that to those guys but, as one has to do with these films for some reason, I will lay out my colours for all to see. Although I moved away around age 20, I was born in Belfast and grew up as a Protestant in North Antrim. I don't think I brought any of that to this film but for some that will be enough to explain why I didn't like this film.Actually, it will probably be enough for viewers from both side of that political spectrum because the film manages to be such a thing that it is possible to side with both the IRA and the police/army. To a certain point this is a good thing because it asks you to sympathise/dislike both groups, which is true I guess because in the conflict nobody is 100% right or wrong – both sides have fundamental points but yet have done so much wrong as to make them a distant memory. However, this is only "to a point" because it doesn't strike me as a deliberate thing so much as it is a side-effect of the film not really getting to the heart of the matter or the characters. The Northern Ireland of the film is secondary to the central "Donnie Brasco-esquire" story, which again is not a problem in and of itself, just that you're not used to that with Northern Irish films, but it does cause a problem because by not doing a good job of laying out a convincing base, the film does feel a little superficial.This is made more evident by the way it is directed but also the way that accuracy is often set aside in favour of having set pieces and action. Such sequences don't really work and stand out awkwardly as being out of place and not belonging in a film set in this time and place – it is not as bad as The Devil's Own in this regard but you get my point. All this aside though, the film should work in the same way Donnie Brasco did because I didn't come to that film moaning about the lack of convincing mob detail etc etc but rather really enjoyed it as a film. Sadly the things that this film should be taking from Donnie Brasco and repeating are lacking. This problem comes from the material because it doesn't engage as it should and the characters, beyond Lara, don't do that much. To be precise what I felt was missing was key relationships for Martin. His relationship with his handler isn't that good in their shared scenes, while he lacks a "Lefty" in the IRA. This takes away the majority of the opportunities for scenes in which the strain comes through and we get to see conflicting sides of Martin, like we did in Donnie Brasco, and this is a shame because it does mean the film loses a lot.It is still a solid watch though, so don't take my negativity as a sign that it was awful – just that it seemed to miss a lot of what it could and should have been doing. It is all helped a lot though by Sturgess in the lead. Now part of me wonders why more actual Northern Irish actors couldn't have been used at that level but Sturgess does do a good job and clearly could have done more with better and more complex material. Funnily enough Kingsley is part of the problem. He is far too stiff and too clearly "acting" – he prevents much in the way of chemistry and does nothing to tell us how he was able to reach Martin. The supporting cast do their turns reasonably well but only Press really stands out as she brings a bit of emotion and discussion to the film.Overall Fifty Dead Men Walking is more about what it is not rather than what it is. As a film set in the troubles, it doesn't do a particularly good job depicting them. As a thriller it doesn't manage to be engaging enough to thrill. As a Donnie Brasco type story set in Northern Ireland (which is what it is) it doesn't do the things that made that film successful. It is still OK in most regards but it never really becomes the film it should have been.