Entre Nous
Entre Nous
| 25 January 1984 (USA)
Entre Nous Trailers

In 1942 in occupied France, a Jewish refugee marries a soldier to escape deportation to Germany. Meanwhile a wealthy art student loses her first husband to a stray Resistance bullet; at the Liberation she meets an actor, gets pregnant, and marries him. Lena and Madeleine meet at their children's school in Lyon in 1952 and the intensity of their relationship strains both their marriages to the breaking point.

Reviews
SnoReptilePlenty Memorable, crazy movie
SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction
Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.
Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Bob Taylor Diane Kurys made four films out of her childhood and adolescent experience; that's one of the richest mining for memories in cinematic history. Besides Coup de foudre/Entre nous, there are C'est la vie, Diabolo menthe/Peppermint soda, and Cocktail Molotov (which I have commented on). Kurys's experience is growing up Jewish in post-war France, where the social values are secular but the traditions of the community she belongs to are not.The story of Lena and Michel may seem bizarre to North Americans--they meet and marry on the same day to escape deportation to the death camps--but it must have seemed quite understandable to the people who had to live through that madness. That Michel loves Lena passionately while she finds him dull and vulgar is also normal. These people are making-do with what they've been given, as are Madeleine and Costa, the other unhappy couple.You either love or hate Isabelle Huppert--I must admit to the latter many times over the years, but Miou-Miou is worth whatever the rental or purchase price for this picture is: she's just wonderful; the smallest gesture of her hand carries so much meaning. One great scene has Costa, the world's worst businessman, bent over the sewing machine trying to add sleeves to shirts with only one sleeve that he's bought on the black market; Madeleine stands in the next room working at a sculpture, simultaneously trying to console Costa and quietly make him realize what a mess their lives have become.
KS-8 For years, I've heard glowing praise of this movie....now that I've seen it, I feel the praise is largely undeserved. The movie gets off to a bad start: It's unclear (at least from the subtitled version I saw) where the heck the characters are. It's obviously Europe and some kind of World War II era camp, but that's all I could glean....And in the early scenes with Miou Miou, where her first husband gets shot, it wasn't clear who was doing the shooting and/or why. According to the description on this site, it was the "resistance," whatever that means....(to be fair: perhaps most Europeans in 1983 understood the history without needing reference books, but this U.S. home video viewer in 2002 would have appreciated a bit more historical context)As for the rest of the film....Slow, slow, slow. And with a lot of extraneous elements that never seemed to go anywhere. Frankly, I was hoping for more romance between the two women, which you never really see. You just get Isabelle Huppert's husband being angry all the time. And for the record, I didn't like the way the Miou-Miou character kept insulting her young son. None of these characters were particularly likeable, not even Isabelle Huppert. The ugliness of the characters detracted from my enjoyment of this, too.I suppose this was considered really "avant garde" or something, in terms of subject matter, back in 1983, when it was released. But today it just falls really flat. A disappointment.
Gerald-21 This is a wonderful film, the story of two women whose lives gradually become entwined that each can fully bloom. The story of their meeting their husbands, becoming disillusioned with them and then discovering each other is a lovely story. There are problems with the sub-titles in the DVD, so if you were to rely wholly on what you read, the film would not work as well. Overall I enjoyed this film very much. A lovely story of discovery and awakening, with much left to the viewer's imagination, but all the details add to the whole.
Glesener Subtitles are unevenly paced, often uncoupled with dialogue, in the version I saw. I had to rewind frequently and sometimes use the pause button to catch everything.
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