Doctor Blood's Coffin
Doctor Blood's Coffin
| 15 May 1962 (USA)
Doctor Blood's Coffin Trailers

After being thrown out of medical school for ethical violations, Dr. Peter Blood returns home to a small Cornish village, where he sets up a research laboratory in a secluded cave. There, he attempts to revive the dead, using kidnapped humans -- who he views as unworthy of life -- for their body parts, specifically, their hearts.

Reviews
Sexylocher Masterful Movie
ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.
Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.
Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
James Hold The title doesn't make any sense but I've come to expect that from movies so it's no biggie.My only complaint is they spent a long time building to the climax. Once it came, it was rushed and unsatisfying. They should have added more interaction between Hazel Court and her resurrected husband.Otherwise it is an entertaining movie. I enjoyed the Cornish scenery, the old mines and the sea. Very nice. And Hazel Court was nicer still. A lovely lady by all counts.
Leofwine_draca DR BLOOD'S COFFIN bears all the hallmarks of a classic slice of British Gothic horror: it's got an eerie setting in the deserted Cornish tin mines (also put to good use in the similar PLAGUE OF THE ZOMBIES), it features an actress many consider to be Britain's best scream queen (the delectable Hazel Court), and the Frankenstein-style plot features a misguided scientist who performs experiments on the living and the dead in a bid to become a pioneer heart transplant surgeon. What's not to love?Quite a lot, it actually turns out, and not least the clunky script, which routinely AVOIDS every moment of possible excitement in favour of talky, talky, boredom. A full twenty minutes or so of the running time is taken up with a guy CRAWLING – incessant, repetitive, and yawn-inducing. The potential horrors of the script are diluted and avoided, with a single snippet of bloody surgery the only horror we get until the climax, in which a fine-looking zombie (that would look great in a Hammer or Italian zombie film) shows up for some last-minute action.Before then, we get a staged romance between Kieron Moore and Hazel Court, who can really do better. There are some locals with silly accents and some nice locations in then-contemporary Cornwall, but that's about it. Sidney J. Furie, who later on made the supremely scary THE ENTITY, doesn't distinguish himself in this forgotten outing. Kieron Moore is miscast as the protagonist: we needed someone of Cushing's calibre to make this guy likable, but Moore is just a schmaltzy jerk and Court's the sole decent actor mired in a sea of muddle headed wrongness. Funnily enough, the execrable script was written by Nathan Juran – the director responsible for colourful fantasy classic THE 7TH VOYAGE OF SINBAD!
irearly Pretty straight forward little thriller, one I've always wanted to see, that interestingly makes a monster out of a doctor who wants to do heart transplants! And this was about 4 or 5 years before it actually happened for real! I wonder how Christiaan Barnard felt about that! OK I just checked the first heart transplant was 1967.Dr. Blood himself is pretty over the top not hesitating to sacrifice the useless and unworthy to further his pursuits.It's close and a little clammy when down in the mine tunnels but the location work is good and I want to add my praises for Hazel Court who is too attractive for her role. There's a great bit in the first two minutes. She's a nurse and when the village Dr drives up she runs over to help with his packages. He loads her up with an armful of five or six boxes then wanders off to jaw with the locals. Pretty funny bit no matter how you parse it from a period or contemporary perspective.I wouldn't recommend it. It's OK of its kind but the ending, which the whole movie builds up to, is ludicrous and let's all the steam out of the slowly, but effectively, developed tension.
robert blau Saw this one (again) on (Chicago's own) "Svengoolie" this weekend, and was amazed how interesting and well-done it was, considering the preposterously bizarre and grotesque underlying story. Also, how they make sympathetic, and almost get you to root for, the main character -- a guy who makes Dr. Mengele look like Hippocrates.Meanwhile, it's striking how appealing Hazel Court is. Definitely a woman with a quality, she's developed nicely since "Devil Girl from Mars" (1953).So, if you're up for a movie about a warped physician performing hellish experiments on (unwilling) human subjects, this is definitely the one to see. Mellow and affectionate.