Marketic It's no definitive masterpiece but it's damn close.

Intcatinfo A Masterpiece!

Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.

Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.

madeleine-mcbride My husband, Clay McBride, was the screenwriter hired to pen a 'Page One' rewrite of DELTA FORCE ONE: THE LOST PATROL (not my husband's title choice, by the way)--and HE hates this movie. Hired over thephone by long-time friend, seasoned director, Joseph Zito (who was already en route via jet to the location in Israel), Clay was given seven days to create a top-to-bottom new script from an existing disaster already 'locked in' for production. My husband's version was a COMPLETE 'first line to last' new creation. (His only creative limitations were existing sets and contractually predetermined casting.) Accepting the assignment from Joe Zito--who my husband continues to think of as a friend and solid professional--Clay jumped into the project, often working twenty-hour days. He faxed each new batch of pages straight to Director Zito in Israel. My husband had been promised a respectable rewrite fee by Producers Yoram Globus and Allan Greenblatt for his efforts. In the end, Clay was paid only 50% in an 'up front' fee. To this day, despite Director Zito's attempts to rectify the injustice, Clay has still been cheated out of his remaining 50% fee! (Amazingly, DESERT FORCE ONE: THE LOST PATROL continues to make money. Clay McBride--the SCREENWRITER--has not been paid a single penny of his remaining fee.) Having seen the finished film, I have no doubt you will find the following statements impossible to believe. However, I can tell you the final film shares virtually NO similarity with my husband's original--and genuinely entertaining--written draft. Though hammered out at a hellish pace, Clay's script was truly clever. It featured a logical--yet surprising--narrative. It sparkled with witty, tight dialogue. It was a inspired, solid piece of screen writing. I can tell you Clay and I were quite excited at the prospect of his draft seeing production. How my husband's crisp, creative script was ever turned into the finished TRAVESTY of a film you've all seen, I cannot even begin to imagine. I DO know director Joe Zito was plagued with production and budget nightmares from 'Day 1' of the shoot. The film was hideously under-funded and, frankly, it is a testament to Joe Zito that he succeeded in delivering anything even remotely resembling a completed feature. Having acknowledged the crippling production circumstances, however, my husband is still at an utter loss to explain the complete BUTCHER JOB done to his script. I sat at the screening with my husband. I can tell you actual TEARS spilled down his cheeks as he watched this nightmare unroll before his eyes. And when the film reached its utterly bizarre ending--featuring that awful freeze-frame sequence (a sequence my husband had absolutely NOTHING to do with)--I could actually feel Clay's fingernails digging painfully into my palm. The astounding tragedy of the entire experience was this: prior to the start of production, my husband received numerous overseas calls from the 'above the line' powers, praising his "excellent and exciting script." Clay was told repeatedly that his script had "saved the production from disaster" and that "words did not exist to convey the gratitude of the entire company for reviving the production." (We still own the recorded phone calls on cassette tape.) From one and all: "Clay McBride is the savior of the film!" Your guess is as good as ours concerning how Clay's script was so celebrated before shooting began--and, damn it, it DESERVED to be celebrated!--and then it was utterly DESTROYED during production. All I can do is defend the marvelous talent of my husband, and weep over his shuddering embarrassment at the finished product. Clay McBride wrote a sharp, fast-paced and entertaining screenplay for director Joe Zito, and producers Yoram Globus and Allan Greenblatt. How it came to such a miserable end is a tragedy only THEY can explain. (And when you ask Globus and Greenblatt, remind them that they still owe the talented and professional Clay McBride the remaining 50% of his screenplay fee!) Thank you for your patience in giving me a chance to tell the truth regarding my husband's efforts and clear his good name--most importantly, the truth that this does not reflect his tremendous talent. Best wishes to you all.

Falconeer "Delta force One" promotes itself as another 80's style mindless action flick, so surprisingly this turns out to be a more serious, even thought-provoking film. Warring nations in the Middle East are the reason that the Delta force Patrol is brought together; soldiers from different lands working together to locate and deactivate a missile aimed at one mid east Nation. The highlight of the film is the tale of a young Arab boy, who upon witnessing the brutal death of his father, embarks on a journey of revenge; he will find and kill the people responsible for his death. The story follows him effectively through rough desert terrain, through mosques, and crowded Bazaar's in search of a way to fulfill his destiny of vengeance. Meanwhile the Delta force, who consists of a couple American officers, A British officer, and Isreali female medical officer and an Arabic tour guide, aka "desert tracker" work together while they are beset upon by angry, warring tribes from all different directions. For me the quality of this film came as quite a surprise; effectively, and sometimes beautifully filmed on location throughout Isreal, and featuring dazzling sets and authentic traditional Arabic clothing, this is a very polished film. Some attempt at comic relief is used, successfully, but mostly this one has a sombre and serious tone. "Delta Force One" will most likely disappoint action fans, as there really isn't a whole lot of action until the films climax. instead we get a fascinating look at conditions in the mid East, and whether or not this is an accurate portrayal, it is always interesting. Gary Daniels makes for a strong and handsome leader, and mike Norris provides a lighter mood with his over wound second-in-command, and their Arab "desert tracker" who eventually confesses that he has no idea where he is leading the team is extremely likable. But the one who steals the show is young Tamil, the Arab desert child played by Orr Malka. For a young actor, Malka plays his difficult part with an impressive and believable level of bloodthirsty fury. Judging by the ridiculously low rating here, this one was obviously seen by the wrong audience. "Delta Force One" is actually a well-made little film, both technically and artistically.

poyapictrs This movie is not for everyone. Especially non-Americans. That said, it kicks ass! The action is great and the story is fun. I rented it and feel as though i got my money's worth. This is just pure entertainment throughout

joseayarza When watching an action movie, I don't ask much: I just wanna have a good time!!! i don't care stupid plots, bad acting, I'm long as I'm entertained by it. But in this movie, you really can't be entertained. Its action sequences are boring, since the team does not confront real action. They seem to be in a picnic. They are attacked by their enemies one by one, so they can defeat them easily. The characters can survive a long time despite being injured by a bullet, and they don't even seem like they're dying. And I won't even go into this movie's moronic plot, terrible acting, awful script, dumb characters and horrible special effects. Worst movie ever?? I think so!!