BroadcastChic Excellent, a Must See

SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Catherina If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

walter radunsky One of the great qualities about many Korean filmmakers is their ability to reinvent Hollywood genres. Drawing upon the intellectual and moral sensibilities of their own culture, they transform genres that in America traditionally consist of incredibly simple-minded narratives into something far more human, complex and literary. In the film "Crying Fist," it is the boxing movie genre that is wonderfully reinvented. Rather than presenting the audience with gratuitous action scenes involving a hero and a villain--as American audiences are so used to seeing--"Crying Fist" carefully and sympathetically develops the lives of both fighters. In the end, we are left with not only empathy for both fighters but a thoughtful drama that seeks to deepen our insight into the human condition.

KineticSeoul This is a emotional and uplifting film that revolves around two characters. They both have separate stories but they come down to one goal at the end. And both fighting for different reasons. One of the main aspect that stands out about this movie is how it shows the two protagonist being pitiful and despicable. And as the movie progresses you get to know more about both characters and they become likable or at least sort of understandable of why they are the way they are. One main gripe I have is how the movie moves along in a way where the relationships and bonding isn't really clarified sometimes, it just happens. Which makes it seem like the movie is missing few scenes or just not well developed. Also if there was at least some connection between the two characters besides them both hitting rock bottom it would have been better. Especially when they both face each other in the ring. What is really hard to watch is how you care for both characters one maybe slightly more than the other...But the point is you want both of them to win, but only one can come out winning.7.5/10

refresh daemon Another day, another Corean film, but another good one. This one is a boxing movie. But it's not really a boxing movie in the sense that Rocky is a boxing movie. It's rather a drama foremost, about down-and-out losers and their sad pathetic lives, and then a boxing movie: boxing being the means by which they can lift themselves out of their conditions.The two characters are quite different in some sense, one being a former silver medal winning Asian Games champion with no job and on the brink of losing his marriage and family and the other being a troubled street youth with a compassionate family. At some point, both characters lose out and find their hope in boxing, whether on the streets as a human sandbag or in the prison gym. And then a greater hope is found.Of course, unlike a typical boxing movie, you have two protagonists and when their paths cross, you don't know who to root for. Both are sad sacks and hard to love people, but have enough humanity still in them that you can't help but wish for them to make it in the end. But... the movie brings up the strange conflict of... who? All the same, that sort of conflict is fairly realistic in any one vs. one story when you think about it. There's hardly a truly villainous villain like the villain of Rocky IV.The film is shot in two different styles, for each characters stories, although they're tied together well by overarching style elements and the characters are fairly well developed and superbly acted. I will admit that the younger character's story is a little incredulous sometimes and a small bit contrived for extra sympathy, but the movie is generally so watchable overall that I was able to ignore it. With mostly solid writing, great acting, excellent direction and high production value, I'd have to say that Crying Fist has turned out to be one of my favorite boxing films and possibly even sports film. Which isn't to say it's one of my favorite films.Some of the contrivances are still glaring, and it's hard to fully ignore, but all the same, this is a solid effort and a film that I could recommend highly. Good stuff! 8/10.

Simon Booth Ryoo Seung-Wan is one of South Korea's more interesting directors, if only for the fact that each of his 4 feature films has been very different to the others, though all have an element of action/violence. Last year's Urban Martial Arts Fantasy ARAHAN was an eminently watchable commercial film that deserved a worldwide release on the scale of KUNG FU HUSTLE in my opinion, but was denied it. 2005's CRYING FIST is about as different as a film can be, and is much more suited to the art-house circuits than the multiplexes. We'll see if it gets even that :) Basically, CRYING FIST is a Boxing Film. One might argue that there have been entirely too many boxing films already, as the sport has always been a favourite for underdog stories - the visuals of a boxing match being particularly evocative for a tale of triumph over adversity, I guess. Since there have been so many boxing films, including some that are good to great, it's pretty easy for a new one to be dismissed as formulaic, clichéd and entirely redundant in the grand of scheme of things - because they usually are. CRYING FIST escapes this fate because it's a boxing film with a difference! It's not a big difference by any measure, but it's enough to make the film a worthwhile entry in the genre.CRYING FIST follows too mostly independent stories, both revolving around underdogs and boxing. CHOI Min-Sik is an ex-boxer who had some moderate success in his youth, but at 40 years old finds himself penniless and generally under-qualified, with his home life in such a mess that he's sleeping on the streets before the film has run too long. To try to make enough money to eat he sets up a "business" on the streets where people can pay to use him as a human punch-bag.RYOO Seung-Bum (the director's brother) plays a young thug with a tendency to violence and anti-social behaviour that quickly lands him in prison. The prison has its own boxing team, and RYOO is encouraged to join, to channel his aggression and learn self-control, to make himself a better man and all that.CRYING FIST presumably derives its name from the fact it's a bit depressing, and may produce a liquid response from the viewer in places. It focuses heavily on the characters, who are pretty crappy people in many respects, but hurting enough that the audience can't help feel sympathy for them, even care for them. CHOI Min-Sik has already proved that he can make just about any character come to life and make the audience care for them, but it's quite a surprise that RYOO Seung-Bum was able to achieve the same effect, since he was mostly annoying in ARAHAN and is generally listed as the reason people didn't like the film (wrong people, obviously). He's still not up to Choi Min-Sik's level of acting, but so few people in the world are that it's a little cruel to have to compare them.The visual style of CRYING FIST is entirely different to that of ARAHAN, closer to NO BLOOD NO TEARS but still different. The film uses a lot of rapid exposure film, creating that stroboscopic effect during fast movement and simply being left to overexpose in other scenes, meaning the visuals are generally quite intense. Colour is used sparingly, appropriate for a film that's much more gritty and downbeat than the lurid ARAHAN.Writing and direction is top-notch, and the film generally feels very maturely and expertly directed. It does perhaps veer a little too close to cliché towards the end, particularly an extended training montage that was just too ROCKY IV to be taken seriously (a shame RYOO couldn't find a newer way to show it). That misstep is pretty much the only one in the film though, with other scenes being quite inspired.Of course there's some actual boxing in the ring in the film, and these scenes are shot very powerfully and realistically - completely opposite in style to the fights in ARAHAN. The fights are mostly filmed in extended takes which leave no doubt that the actors are doing the fighting themselves, absolutely no stunt doubles or clever editing. If it weren't for the way the camera moves around the ring and between the cameras I'd say the fights were unchoreographed, so convincing do they look. The actors must have undertaken a lot of training to learn how to box, and their stamina and resilience is a credit to them. I wasn't always sure the bloody bruises on their faces were done with makeup! Although CRYING FIST is arguably the "better" film, I didn't enjoy it is as much as ARAHAN for the simple reason that it's not as much FUN. But then it's not meant to be, and there'd be something wrong if it was. It's not as easy a watch as ARAHAN and probably doesn't have the same (potential) universal appeal, but it has much more "substance" and is likely to make a deeper impression on those who find what they're looking for in it.So, if you're looking for a boxing film that might just make you cry, CRYING FIST comes highly recommended. At the very least it proves that the RYOO brothers deserve close attention in future, if only to see which direction they go in with their next film.