Cosh Boy
Cosh Boy
NR | 29 May 1953 (USA)
Cosh Boy Trailers

Roy Walsh is a brash and enterprising thug who bullies his friends into subservience. He and his gang assault and rob people on the street, but things get increasingly dangerous when their behavior escalates to larger crimes.

Reviews
Stevecorp Don't listen to the negative reviews
Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Sanjeev Waters A movie that not only functions as a solid scarefest but a razor-sharp satire.
MartinHafer "Cosh Boy" (also known as "The Slasher") is an incredibly Oedipal picture that takes advantage of post-war worries that the youth were running amok. It begins with Roy Walsh and a friend committing a mugging (a 'cosh') and soon getting caught. They are placed on probation and Roy acts very contrite and decent in court...and almost immediately after, he's planning his next crimes! His idea is to use the Youth Club his probation officer wants him to attend. He and his gang will go there...and use it as a cover for their criminal activities. In the process, Roy discovers a pretty young lady (Joan Collins)...who he treats like dirt.Through the course of the film, Roy continually ups the ante--with his criminal behaviors getting worse and worse. He clearly is without a redeeming quality...though his co-dependent mother makes excuses for him. The only one who sees right through the punk is his mother's boyfriend...he knows that Roy needs a very firm hand. But here is where it gets rather Freudian...as Roy throws a weird temper tantrum and swears no one will have his mother as she is HIS! What's next? See this weird little film.James Kenney is quite good as Roy--snarling, nasty and incredibly two- faced..as well as hopelessly in love with his mother..though he and his mum don't seem to realize it. My biggest complaint, however, is that the film tries to say that who Roy is turns out to be because he has a super-permissive mother. In fact, the preachy prologue says exactly that! Oversimplified to say the least! Overall, it's not a great film at all...but it IS entertaining and worth seeing!By the way, although the film seems very tame by modern standards, it received the brand new X-rating--which was very unusual for the 1950s. Perhaps this was because the film talks about teenage pregnancy and is a tad violent...all of which would lead to a PG or PG-13 rating today."Get up you little rat...you're making me sick!!!"--best line in the film.
hildagrenshaw Interesting film. It was filmed in Leamore Street in Hammersmith. My Mum lived there. The film crew gave them ice creams and skipping ropes to play in the background of some scenes (though on a quick look through the film, I didn't see much of this). The beginning shows them running down a high street and I suspect this was the main street in Hammersmith.I have just bought it for my Mum's 70th birthday as she had never seen the film due to it being an X and of course, there were no DVD/Video recorders in those days!Feels a bit over acted in places, but an interesting historical document of life in the 1950s. Joan Collins is impressive though.
allankelb this film screened in the early am last night on abc1 in Australia. I note that some reviewers thought the acting was poor however I found that the actor who played the lead role was brilliant, I grew up on the wrong side of town so I am familiar with what these creatures are like, these types are universal regardless of time and place.That actor really nailed the archetype snivelling, gutless psychopath, I am surprised that this actor did not goonto bigger and better roles. I wonder if Peter Sellers saw this film as one of the thugs has a comical high pitched voice identical to one of Sellers many voices! And the young Joan Collins, what a beauty!
FilmFlaneur Don't miss this, now available as THE SLASHER as part of a Kit Parker Films DVD double bill under the moniker British Film Noir (along with TWILIGHT WOMEN). Strictly speaking I would class neither of these two productions as 'film noir' - more social problem and crime films. THE SLASHER is actually the American renaming of good old COSH BOY, a title which has occasionally surfaced on UK's C4. It's the main reason why I, and I suspect others, will want this disc - a minor cult item featuring a memorable central turn for James Kenney - who also appears, to less effect in another recent release (from the UK this time) GELIGNITE GANG. Kenney plays Roy, the anti-social, selfish, cunning and manipulative thug, about whose short career as a petty criminal the film is about. Highlight of the film is the corporal punishment meted out to Roy by his new stepfather in the final scenes - something strikingly and splendidly un-PC: much more more intense and yes, satisfying in effect than any amount of more establishment-accommodating endings familiar from other films of this ilk. I'm no supporter of the belt, but by God you will be crying out for Roy, who has betrayed his girlfriend (a very young Joan Collins) his mother, his grandmother and almost everyone else, to get the taste of it by time of the end! THE SLASHER may have its weaknesses, including an obvious black-and-white view of behaviour, but with such a powerful ending, together with Kenney's memorable performance it is a must-see. Those who criticise some of the acting (viz: one of Roy's stooges, a particularly whining individual) miss the point - this is British exploitation at its best. The DVD quality is excellent btw except for one or soundtrack drop outs with the present release.
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