Cloak and Dagger
Cloak and Dagger
NR | 28 September 1946 (USA)
Cloak and Dagger Trailers

Italian partisans help a professor sent by the OSS to find an atomic scientist held by Nazis.

Reviews
Ensofter Overrated and overhyped
Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
Sienna-Rose Mclaughlin The movie really just wants to entertain people.
Brooklynn There's a more than satisfactory amount of boom-boom in the movie's trim running time.
BasicLogic first of all, the screenplay is so stupid and so shallow. a professor without any field training could become involved and acted like double o seven, flew first into swiss, then infiltrated into Italy, it's just such a naive screenplay. the sound track of the music synchronized with every gesture and movement of the actors, so over-the-top dramatic and exaggerated like Walt Disney's cartoons, sometimes very patriotic, sometimes sentimental, Christ on a crutch, givemeabreak. then when the guy sneaked into Italy, all the morons started smoking in the rear of the truck, when met Italian army's road block, the car was stopped, then easily let go, but then another stupid scenario put into play, the truck stuttered and couldn't drive away, then the Italian soldier lifted the canvas, used flashlight to check the back. the soldier must got a flu so serious that he couldn't even smell the cigarettes smoke those morons (including the high i.q. American physicist) just lit up and snuffed out a moment ago. then the stupid music accompanied the movie's actions and tempos going on and on. i don't want to mentioned the stupid arrangement of a beautiful Italian woman, Gina, the change her wet clothes in front of those men. the woman did another clothes changing in front of the American professor again, and warned him not to stare at her. the whole screenplay was just so stupidly drafted with contrived dialog, and the directing was also primitive. but the most annoying thing is the music. Jesus, sometimes even with so romantic violin score. stupid romance during the war, what a drag.
ma-cortes Conventional and slick spy-thriller set during wartime from Fritz Lang at his best. However , Warner Bros reedited the movie into an usual spy melodrama with some action and intrigue . It deals with a scientific enlisted by the secret service and undertaking dangerous adventures throughout Europe . During the last years of WW2 the US learn that the Nazis are investigating an atomic power so the OSS (organization strategic services) asks for help to University Professor Alvah Jasper (Gary Cooper), an American scientist leading the way to atomic bomb development in the USA . They assign him to go to Europe to meet Dr. Polda (Vladimir Sokoloff), an atomic scientist being kidnapped by the Nazis and he is helping them to build the bomb . As Jesper working for the OSS must bring him to the United States, but he first must meet up with his old professor from college Dr. Katerin Lodor (Helen Thimig) who explains him that Polda is in Italy . Then there happens a shockingly casual execution . Later on , Jasper must go to Italy in search of the scientist. In Italy he is accompanied by a group of Italian guerrilla fighters led by a brave American (Robert Alda) and a valiant resistance fighter named Gina (Lilly Palmer). After that , Jasper has a brutal fight (Marc Lawrence) against a Nazi in an alley . And of course Jesper gets the girl and both of whom fall in love for each other.Interesting espionage film about the dangers of the atomic age with an intrepid physicist who becomes into secret agent working for the O.S.S . Good performance of Cooper as scientist who spend most of the time trotting round Germany , Switzerland and Italy ensuring the Germans don't obtain the atomic bomb . An attractive Lilly Palmer steals the show as sensible female fighter Gina , someone with whom Cooper forms an enjoyable bond in part because she brings out him sensitive qualities . Considered talent involved at the movie as the classic musician Max Steiner who composes a fine score and atmospheric cinematography in black and white by Sol Polito . The version filmed by Fritz Lang was considerably more strong and exciting carrying on to suggest that German scientific has discovered the secret of atomic bomb and escaped with it to Argentina , then Warner Bros got into the act and cut it .The film belong to the Lang's trilogy about Nazi time along with ¨Man hunt¨and ¨Hangmen also die¨. Lang directed masterfully all kind of genres as Noir cinema as ¨Big heat , Scarlet Street and Beyond a reasonable doubt¨ , Epic as ¨Nibelungs¨, suspense as ¨Secret beyond the door, Clash by night¨ and Western as ¨Rancho Notorious and Return of Frank James ¨ .This standard espionage drama with some good and thrilling moments will appeal to Gary Cooper fans .
blanche-2 For Gary Cooper, it's "Cloak and Dagger" in this 1946 film directed by Fritz Lang and also starring Lilli Palmer (in her American film debut) and Robert Alda. Toward the end of WW II, it comes to U.S. attention that the Germans are developing a nuclear bomb. The OSS recruits a midwestern university scientist, Alvah Jesper (Cooper) to go to Switzerland. There, he is to speak speak to a German scientist Dr. Loder (Helen Thimig) who has escaped to Switzerland, where she is now hospitalized. But Alvah's cover is blown, and he is being watched. In Italy searching for the scientist working with Dr. Lodor, Polda (Vladimir Sokoloff), Alvah is protected by guerrillas who include Gina (Palmer) and an American, Pinkie (Alda).A bit slow at first, "Cloak and Dagger" picks up steam as it goes along. The most stunning scene occurs when, as a Italian sings a folk song outside, Alvah and an Italian Gestapo agent, Luigi, (Marc Lawrence) fight inside a building. And by the way, Michael Burke, the OSS member who was the film's adviser, and an agent named Andreas Diamond, showed Lang the hand-to-hand combat used in this film. Apparently, Gary Cooper had problems with the scientific dialogue (as he had problems with not understanding his speech at the end of The Fountainhead), and Warner Bros. records state this fight scene was the only one he did well. A very suspenseful, exciting, and raw scene, the best in the film. The thrilling ending is top-notch as well.The love that develops between Gina and Alvah is poignant, and beautiful Lilli Palmer gives a fantastic performance. I agree with others, Alvah seems pretty sharp and experienced for an untrained agent. Cooper is very good in a heroic role - strong but gentle and as usual, terribly handsome.The ending of this film was changed from an antiwar one and anti-nuclear weapons, since by the time the film was released, since the bomb had just been dropped on Hiroshima.Well worth seeing, if not ultimate Lang.
Alex da Silva Gary Cooper (Professor Jesper) is a nuclear scientist who is sent on an espionage assignment into Switzerland to discover and report back what progress the Nazis have made in developing an atomic bomb. It's World War II and the race is on to blow each other up. He is told that respected scientist Helen Thimig (Katarin Lodor) is to be his point of contact but his assignment turns into a rescue mission on meeting her. When this fails, he switches his focus to Italy where he links up with the Italian Underground movement in order to rescue Vladimir Sokoloff (Polda), another super-brain scientist.The film reminded me of a James Bond style spy story. The cast are all OK and there are plenty of sequences that propel the plot forwards, although the film loses it's pace a bit with the romantic section between Cooper and Resistance fighter Lilli Palmer (Gina), which slows things down for about 20 minutes. As regards the plot, I'm not sure it makes sense. Jesper is sent to find out information and report back, but he ends up in the front-line as a spy with a gun who has to fight and defend himself and is involved in a kidnapping plot. Totally unreal but it really doesn't matter. It's an enjoyable film with a collection of memorable sequences, eg, the French Resistance at the beginning, the scene when Cooper confronts undercover Gestapo agent Marjorie Hoshelle (Ann Dawson), the Italian Resistance and the episode in the truck, and the fight scene between Cooper and Marc Lawrence (Luigi).