Chocolat
Chocolat
PG-13 | 10 March 1989 (USA)
Chocolat Trailers

On her way to visit her childhood home in a colonial outpost in Northern Cameroon, a young French woman recalls her childhood, her memories concentrating on her family's houseboy.

Reviews
Cleveronix A different way of telling a story
Seraherrera The movie is wonderful and true, an act of love in all its contradictions and complexity
Billie Morin This movie feels like it was made purely to piss off people who want good shows
Cheryl A clunky actioner with a handful of cool moments.
Michael Neumann Elusive, introspective memories of a childhood in colonial Africa are recalled through the eyes of a self-possessed young girl with the telltale name France. In her calm, observant demeanor she is, herself, almost African, and likewise the film is beautiful and aloof in a way that speaks volumes with a minimum of words. Nothing is ever made explicit, least of all the suppressed attraction between France's young mother, left in charge of a remote homestead while her husband is away on business, and the handsome native houseboy who suffers his servitude with a proud but uneasy forbearance. Writer director Claire Denis shows a strong affinity for the landscapes and people of her adopted continent, maintaining a beguiling ambiguity about who exactly has the upper hand: the French masters or the passive, patient native servants.
lastliberal The story is about a little girl growing up in colonial Africa, but it is so much more than that.Anyone growing up in the South would experience the same things. A longing for another, one of a different race, that cannot be consummated. Even a glance is forbidden. There are no words needed. Their facial expressions say everything.It is the story of a black servant, Protée (Isaach De Bankolé) and a white woman, Aimée (Giulia Boschi). Their desire for each other is so strong that they torture each other because they cannot have each other.The little girl, France (Cécile Ducasse) is lonely and spends all her time with Protée. She really can't see this dance.One of the more irritating aspects of the film is the laziness of the colonials. They cannot even get undressed for bed by themselves. There world is about to end; they just don't know it yet. Their racist attitudes will be erased with their presence.I think I would like to visit this Africa. It seems so quiet; especially at night when you only hear the animals.
suling I don't know what the previous reviewer was watching but I guess that's what reviews are, personal taste. Missed in this movie was the depth, a very deep film, many layers of emotion, affecting. Undercurrents of withheld love because of submission to societal beliefs, taboos of the times and classes, race relations not being in a very good state of equality, guilt, yearning, hate, confusion, very dark emotionally I thought, under the skin, you have to submit to the aire of it, a flowing movie, not slow as stated before, release yourself to the flow of the film, the emotions will show themselves, characters reveal their flaws, their nasty insides, excellent and actually very cruel!
pablopaz Unfortunately, because of US viewers' tendency to shun subtitles, this movie has not received the distribution nor attention it merits. Its subtle themes of belonging, identity, racial relations and especially how colonialism harms all parties, transcend the obvious dramatic tensions, the nostalgic memories of the protaganiste's childhood, and the exoticism of her relationship with her parents' "houseboy," perhaps the only "real" human she knows. We won't even look at her mother's relationship with this elegant man. There! i hope i've given you enough of a hook to take it in, whether you speak French or like subtitles or not. I challenge you to be as brave, strong and aware as La P'tite.