An Angel at My Table
An Angel at My Table
R | 19 May 1991 (USA)
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Based on the autobiographical work of New Zealand writer Janet Frame, this production depicts the author at various stage of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success helps her move on with her life.

Reviews
Hulkeasexo it is the rare 'crazy' movie that actually has something to say.
Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
Mandeep Tyson The acting in this movie is really good.
Brooklynn There's a more than satisfactory amount of boom-boom in the movie's trim running time.
gavin6942 In 1920s and 1930s New Zealand, Janet Frame grows up in a poor family with lots of brothers and sisters. Already at an early age she is different from the other kids. She gets an education as a teacher but since she is considered abnormal she stays at a mental institution for eight years."An Angel at My Table" was the first film from New Zealand to be screened at the Venice Film Festival, where it received multiple standing ovations and was awarded the Grand Special Jury Prize despite evoking yells of protest that it did not win The Golden Lion. I respect that this was the film that really got New Zealand on the film map, but beyond that...At no point did I care for the heroine. I feel like they exaggerated the main character's hair and appearance to the point where it was humorous and just not believable. I don't know Janet Frame, but nothing about this film made me want to go out and read her books.
taulapapa Oddly enough this is my favorite Jane Campion film. It's simply told, and the Janet Frame story comes through clearly, not with the rawness or complexity of Janet Frame's writing, but still with an honesty and beauty that is a part of what's best about great New Zealand film-making. Grant Major (Lord of the Rings) also did the design and visually it's a great reflection of what New Zealand of a certain time was like. But basically it's the story that's remarkable, dealing with how society treats the insane (it's probably a precursor and better version of Girl Interrupted), and how artists and writers find themselves.
futures-1 "An Angel at My Table" (New Zealand, 1990): It's been three years since I've last watched this film. There is NO further reason to wonder if it should be in my "top" category. It is created by Jane Campion from the writer Janet Frame's autobiographies of her harrowing life. We join Janet during childhood, move through the teenage years and into adulthood, as she struggles for a place - ANY place - in the world...but deep down, writing is her one reliable love. Three actresses were needed for the role of Janet, and all do wonderful jobs, especially depicting someone who always feels on the outside, and longs to be included. Jane Campion, one of my favorite film makers, presents a powerful, subdued, and melancholy work of Art. It is not an amazing film due to every camera shot or the quality of sound recording… THIS work is great for its acting, and its story telling. It has as much emotion as one heart can hold for 157 minutes.
zclark8 An Angel at My Table tells the story of famed New Zealand author Janet Frame. We are drawn into the quiet world of the shy, red-haired girl who struggles with her life, but succeeds through her exceptional talent of writing. Since her autobiography was written in three separate volumes, we are treated to a film in three separate parts, beginning with her journey through childhood. The film does an excellent job at portraying the character of Frame, and her nervous attitude when brought into social situations. Every ounce of shyness is felt off-screen, which is a kudos to the direction of Campion, that plays an important part in making sure that this woman is brought to life, as realistic, and as close to the truth as possible.Growing up in poverty, with two hard-working parents, and 4 siblings, life must've been hard. But when you're thrust into such a difficult situation, it somehow seems normal and it doesn't bother that it's a much harder life than other people currently living are. But Janet lived through her childhood, finding that she would love to spend her life as a poet, or just writing. A depression hit her hard during her teenage years when an unexpected tragedy occurred, and she had chosen to write, instead of being with that person beforehand. Not knowing she was a depressed young person, Frame was sent to a mental hospital, and forced to undergo several shock treatments, under the incorrect diagnosis of schizophrenia. However, Frame persevered through it, using writing as a way of expressing her own thoughts. While still in the mental hospital, she was able to publish a book. The years inside the hospital are the most unpleasant of film, and Campion perfectly captures the deranged conditions that Janet experienced. The most remarkable part about the direction is how it doesn't go over the top to deliver a nauseating film in those scenes. Rather, she plays to the quiet personality of Frame. The film is kept with the same pace, and focused in a way that never wants to show itself off, but keeps the main character always in the center, without losing that focus.The blown-up biopic `Malcolm X' was released around a year later, and while I admire that film, it was also very hyped-up before it's release. I found a strange drawing power in the fact that Jane Campion's film wasn't about spectacle, but about someone's life that is done more sincerely, and realistically, paying close attention to details, both period and human. Something you wouldn't find in a Hollywood biopic, such as Milos Foreman's `Man on the Moon,' which I openly despise.The writer and director surprised me a bit concerning a small detail in the film. In films concerning `writing', and an exceptional author (Wonder Boys, Finding Forrester), there is never any real proof of how good the writer supposedly is. We are never allowed to read the great book they wrote, nor are there much of any excerpts written to prove to us that the writer is indeed as great as it is suggested. In films, I realize that it really isn't possible to show such a thing, since film is a visual medium instead of a literary one. Campion and the screenwriter know this, and without subjecting us to Frame's writing, she adds in some narration, using actress Kerry Fox's voice. The narration is spread out in small bits throughout the film, never taking control of telling the story. Instead, it conveys the thoughts going on in Frame's mind, which are all little excerpts from the writing contained in her autobiographies. It begins with narration and ends with it. A surprising detail that is small, but adds much to the overall film, and gives the ending a sweet, and optimistic touch to an amazing film. Frame was (is) talented at what she did most of the time, without knowing the talent was there. She only knew that she loved to do it, and wanted to continue doing it for the rest of her life. That is true talent. She had it, even at times when she thought there wasn't any hope; she had the ability to write. And because of that ability, that talent, she was able to gradually come to terms, and live comfortably with her life. ****1/2 of five or (9/10)