Teringer An Exercise In Nonsense

Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Scott LeBrun What we have here is a generally compelling, viscerally effective Western drama, the first of six teamings between actor Charles Bronson and filmmaker Michael Winner. Written by Gerald Wilson, it spins the yarn of Pardon Chato (Bronson), a half-Apache man who guns down a bigoted sheriff in self defense. A character named Quincey Whitmore (a rock solid Jack Palance) gets together a fairly large posse to hunt Chato down, but they are led into forbidding territory where their quarry seems to hold all the cards.Fear, ignorance, lust, and hatred rear their ugly heads in "Chato's Land", as good as any an examination of the poor attitudes that white men harbored towards Indians. Quincey is a lone dissenting voice; even while taking the mission seriously, he at least has respect for, and some understanding of, the man his team is hunting. Unfortunately, among this group we have the Hooker family, consisting of a horny creep, Earl (Richard Jordan), and a thoroughly racist heel (Simon Oakland), who ends up wanting revenge.Winner assembles here a very fine male ensemble (the kind of thing that Walter Hill would end up doing so well several years later), one in which women have not much of a role to play. (Sadly, the one woman who does, Chato's girl (Sonia Rangan), is molested and left tied up in the nude to serve as bait.) The cast features very reliable stars and character actors. Bronson offers one of his most stoic and mystical roles. He has VERY little dialogue to utter. Palance and Oakland are standouts; also co-starring are James Whitmore, Richard Basehart, Ralph Waite, Victor French, William Watson, Roddy McMillan, Paul Young, and Raul Castro.Excellent music by Jerry Fielding and vibrant photography also help to make this good entertainment. Be warned, however: it does get rather grim, racking up a large body count by the time it has finished.Seven out of 10.

pheonix2279 Chato's Land is another classic from the legendary Charles Bronson.He was a man who's actions spoke louder than words and this is proof of that fact.Bronson plays Pardon Chato,an apache who shoots a racist sheriff in self defence and is then hunted by a posse led by Quincy Whitmore played brilliantly by Jack Palance.The hunt then turns against the hunters when Chato leads them into apache territory where he is in charge and knows it inside out.The hunters then realise they have underestimated their opponent because in Chatos land Chato is the hunter and Whitmore and his posse are now the hunted.Charles Bronson probably speaks 10 lines at the most and most of his lines are spoken in apache while a lot of focus is on the supporting cast.This was the first of six movies starring Bronson and directed by Michael Winner.Though Winner has become the butt of jokes and criticism in recent years his movies of the 60ties defined the decade and in the 70ties his revenge movies set the bar for all revenge movies that would follow and that should not be forgotten when talking about Michael Winner.This is a gritty,violent revenge story and is an underrated masterpiece.Far better than modern westerns of today.

Spikeopath Chato's Land is directed by Michael Winner and written by Gerry Wilson. It stars Charles Bronson, Jack Palance, James Whitmore, Simon Oakland, Richard Baseheart, Ralph Waite and Richard Jordan. Shot on location in Andalucia, Spain, with photography by Robert Paynter, it's musically scored by Jerry Fielding. Plot finds Bronson as half Apache, Pardon Chato, who is forced to kill the local sheriff in self defence and finds himself being hunted by a town posse led by Captain Quicey Whitmore (Palance). However, as the posse trail him into the wilderness it becomes apparent that the tables have been turned, with Chato given further cause to inflict harm upon his pursuers.The first of six collaborations between Charles Bronson and Michael Winner, Chato's Land finds the pair setting the marker for what would define their work. With the Western genre going thru a resurgence, Chato's Land is very in-keeping with the type of Western that was being released in the early 70's: namely violent, uncompromising and certainly gritty. These things, as history now shows, were tailor made for Winner, who perfectly utilises Bronson's silent and brooding assets to great effect.Often suspected to be an allegory of the United States' involvement in Vietnam, it's thematically correct in that respect. But the timing of the film would suggest this to not be the case. Chato's Land is more than just a revenge Western; a film about white men out of their usual terrain being pursued by a man of a different ethnicity, it wants to, and does quite well, be a picture dealing in racism, violence and the folly of hypocritical justice. But even tho Wilson's script brings these issues to light, they are not fully formed, with Winner at times dragging the film to a stand-still. However, the group dynamic is a good one, with the inevitable character differences creating a tinderbox waiting to ignite, while Winner doesn't skimp over the violence, puncturing the narrative with savage thrusts.Bronson was 50 years old when making the film, his physicality here is very impressive. The role of Chato is hardly a stretch for him, in fact it's very much a perfect fit. He's basically asked to be a phantom in the landscape, but he casts an imposing presence each time he's called on to deliver some Chato justice. In pursuit are a mixed bunch of actors, with Palance, Whitmore and Baseheart the obvious professional standouts, while Simon Oakland leaves an indelible mark as grizzled father of the Hooker boys, Jubal. Fielding's (The Wild Bunch) score is efficient, but workmanlike, and Paynter's (Lawman) photography never really makes the landscape as imposing as it should be. Overall it's a mixed bag, but for fans of revenge type Westerns, and Palance, it's easy to recommend, but it still should have been more intelligent than it ultimately is. 7/10

TedMichaelMor I enjoy these seventies Westerns. In their way, they explore salient issues of American history in terms of the struggles of justice during the late sixties and early seventies.Some like this film feature's beautiful photography, literate scripts, intelligent acting, and able direction. This film celebrates all of these traits as well as careful editing and attention to detail and nuance. I like the use of camera movement and quick cuts. This makes even pedestrian scenes visually engaging.Mr. Bronson does not have much screen time in this film, but his presence dominates the film. The director plays close attention to detail. Editing involves good interplay of shots to produce an excellent story.When I rank a film, a score of three is, for me, a recommendation to watch the movie. I very much recommend this movie. It is what it is, a good seventies Western.