Café de Flore
Café de Flore
NR | 02 November 2012 (USA)
Café de Flore Trailers

Jacqueline is a young mother living in 1960s Paris with her disabled son Laurent. Abandoned by her husband, Jacqueline sacrifices everything to care for her son and vows to give Laurent a “normal” life full of happiness. Antoine, is a successful DJ in present day Montreal who seems to have it all: a thriving career, two beautiful daughters, partner Rose, with whom he is passionately in love. However, nothing is perfect and Antoine’s ex-wife Carole remains devastated by their recent separation.

Reviews
TrueJoshNight Truly Dreadful Film
MamaGravity good back-story, and good acting
Salubfoto It's an amazing and heartbreaking story.
Delight Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.
SnoopyStyle This film switches back and forth between two stories. One is 1960's Paris. Jacqueline is a hard-working protective single mother to Laurent who has Down syndrome. Laurent develops a relationship with fellow Down syndrome classmate Véro. The two kids become inseparable no matter how infuriating it is for Jacqueline. In the other story, it is modern day Montreal. Antoine is recently divorced from Carole with two girls. He is a successful concert DJ and he falls for beautiful Rose. There is a surprising connection between the two stories.The 60's story is compelling. I love the kids. The mother son relationship is exceptional. The modern day story is not as compelling. The trial and personal tribulation of Antoine don't hold any interest for me. The back and forth between the stories disrupts the flow. The final reveal is profound, confusing, infuriating, ambitious, and in the end not all together successful. I may like this one better if it played out chronologically.
paul2001sw-1 'Cafe de Flore' is a an unusual film. It's deceptively ambitious, but unfortunately its ambitions extend only to being ambitious as an end in itself, a movie whose complexity is unmatched by actually having anything to say. It begins as a montage of heartwarming scenes and images, telling us one story of success and happiness, another of pluck and courage, and whose overall message appears to be nothing more than that love is lovely for the beautiful people. But just when you might otherwise be starting to pull out the sick-bags, the film gets darker, although the treatment of the characters' lives remains somewhat superficial: while the aftermath of a break-up between two of the leading protagonists is at the centre of one of the plots, its details are (seemingly deliberately) denied us. What gives the film its structure, however, is the link between the two stories, which at first is also denied us, but is eventually revealed: one of the characters is dreaming (or remembering, from a past existence), the life of an another. The film never quite abandons its realistic underpinnings, but ends up in no-man's land: the link is insufficiently explicit to make this a ghost story, but as a mere suggestion, it's a remarkably flimsy basis to hold the story together. Director Jean-Marc Vallee successfully adds some tension as the brings the two stories to climax in partnership, as if they were really the same story; but from a little distance, it's very unclear what this concordance is supposed to imply or signify. A final clue hidden in the credits provides a 'Shining'-esque conclusion (but one equally unenlightening as the end of that movie)
Tim Marsden This is a really unique film, its very intriguing most of the way through and once more of the story becomes clear it is then also intriguing to see how the story will end.I don't think i've explained that well, its difficult to describe. It's a film for those who enjoy going deeper in terms of thought and emotion, and ultimately seeing the spiritual path in life and how love plays a big role. And Love is not always what we first think.It's a fascinating movie, very well made and acted, and the music and cutting in and out of scenes works very well and serves to deepen the experience and make it more rewarding. It stuck with me, warmed my heart and left me feeling hope and a sense of inner joy.
Giuseppe Cicchirillo I'm a sap, I hold my hands up, Something like The American Tail sets me off whenever it's on TV. I found myself nearly wiping my snotty nose on the back of the cinema seat in front of me but was saved by a flash of on-screen comedy (not to give anything away).I went to watch this today not knowing anything about it apart that it was directed by Jean-Marc Vallée and that it was sold to me as a supernatural/romance story. Great! i'll give it a go... I was glued to my seat after 5 minutes by it's beautiful cinematography/editing and subject matter. Two stories from different eras. One man, with everything in his life but feels a sense of underlying conflict about his relationship with his ex wife. One woman, caring for her son who has Down's syndrome. The stories are inter-cut (non linear) and unrelated but as we progress we begin to see similarities. You don't want to know the whole story, it really is a hammer to the heart. You feel emotionally involved with what's unfolding (and a whole lot of stuff unfolds) that will leave you either rushing out to declare your true love to someone or, you'll end up walking on your own through a city with an icy heart (I haven't decided which yet). There will be themes that you will be familiar with, broken relationships, jealousy, Maternal obligations/ or not. A brilliant cast and script, important subject matter and a 'diluted Lynchian' ending serves this up to be an essential watch.My advice is don't read too much about the story. Leap of faith ;) Oh and it features some amazing music... but there's a point to that too.