Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?

Dorathen Better Late Then Never

Grimossfer Clever and entertaining enough to recommend even to members of the 1%

Yash Wade Close shines in drama with strong language, adult themes.

wes-connors Charming, college-educated Ross Alexander (as Bill McAllister) has everything going for him except a job. His wealthy uncle Joseph Cawthorn (as Fred Schultz) likes his only heir, but is tired of paying Mr. Alexander's bills. When Alexander charges an expensive engagement ring to his account, tongue-tied Uncle Cawthorn cuts him off. The ring is for pretty blonde Anita Louise (as Hazel Robinson), but she has an offer from another suitor; responsible Richard "Dick" Purcell (as Randolph "Doc" Jenkins) is also preferred by Ms. Louise's parents, Gene and Kathleen Lockhart (as John "Jackie Boy" and Ella Robinson)...Alexander decides to use flattery to his advantage...What makes this fine adaptation of Barry Conners' Broadway success "Applesauce" (1925) work so well is the use of flattery for something not as sinister as the clever trickster in Aesop's fables; with an especially engaging performance, a smooth-talking Alexander keeps you on his side. The empathetic moment when Alexander seems to accept his loss, and pauses outside her home, is a highlight. Louise is irresistible, with her eavesdropping and next scene with Alexander very well-played. Support from others is excellent, and you get a chance to see future favorite June Lockhart's parents acting together (as Mr. and Mrs. John Robinson).******** Brides Are Like That (3/22/36) William McGann ~ Ross Alexander, Anita Louise, Joseph Cawthorn, Gene Lockhart

ctomvelu1 Badly dated romantic comedy, based on play, about a shiftless, fast-talking young man who can;t seem to hold a job. Nor does he really want to. He lives off a well-do-do uncle. Ross Alexander, a sort of precursor to Bob Hope, plays the golf-loving lad. Most of the movie is taken up with a love triangle: Alexander, Anita Louise as the fetching daughter of a banker played by Gene Lockhart and a young doctor played by Dick Purcell. The movie is very stage-bound, and nothing much really happens. The best that can be said of it is that Alexander delivers his lines like a machine gunner on speed, and Lockhart and the fellow playing Alexander's uncle make good foils. Louise is amazingly pretty under all that '30s makeup and hairdo. The ending is abrupt and unsatisfying. I hate to think the play ended the same way.

ksf-2 Made a couple years into the movie code enforcement, we'll have to keep those expectations in check. About this time, the plays were all turned into movies, and a lot was lost in translation. Lots of FAST talking. Anita Louise is Hazel. Watch for real husband and wife team Gene and Kathleen Lockhart in this one. Ross Alexander is the dashing lover- boy Bill McAllister, who is all over Hazel. Alexander and his second wife both committed suicide by gunshot, acc to Wikipedia.org and IMDb, which is pretty freaky....because... in "Brides Are Like That", he ACTUALLY SAYS " Cheer up, honey. I'm not going to shoot myself" when Hazel turns down his marriage proposal. Truth is stranger than fiction. Dick Purcell is Randoph Jenkins, to whom she has promised herself. Written by Barry Conners, who had also written a couple of the Charlie Chans. Directed by William McGann who worked in various positions in the silents. It's OK... Best performances here were by Joe Crehan and Gene Lockhart the costume party dance. Looks like this was remade as "Always A Bride" with George Reeves, the original Superman; haven't seen that one; will have to try to catch it.

boblipton I have a number of problems with this picture. There is a certain weary sameness in the way everyone speaks their lines; it's not just the high-speed Warner-B style of declamation. Almost every line is spoken with anger or dislike. Even Gene and Kathleen Lockhart are annoyingly strident. Only Joseph Cawthorn, doing his usual double talk is at all amusing.The real obstacle is Ross Alexander in the lead, who only seems to have one register: simultaneously bluff and arrogant, always on in big and small scenes.That said, there is some good writing here, some amusing lines and some well-constructed speeches, but director William McGann doesn't seem to do much with them. The camera-work and editing are, as usual, topnotch. The net effect is passable, but in the hands of better players -- or perhaps simply a better director -- it could have been so much more.