Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

dbdumonteil Although a bit too long,"Pane e Cioccolate" features moments of unquestionable brilliance,of sheer genius ,which make him a classic of the Italian cinema any day.The scenes in the chicken cop are terrific and include idea to rival the best of the Italian cinema of the seventies ,which is saying something.It's so terrific I have to search my memory to find such terrifying scenes as those of the poor wops turning into poultry.And as if it weren't enough,those purple passages are followed by the irruption of posh young people,rich kids,who look like E.T.s .It's Italian directors' forte to walk a fine line between comedy and drama (the drag act),a thing French movies simply can't achieve ,with a few exceptions.Much more accessible than his stodgy "disordine" ,"pane" is Brusati's (and Manfredi's ) triumph :it's updated Chaplin -the scene when the hero chews his sandwich when elegant ladies are serving cakes and enjoying classical music - An immigrant will always be "tried out" .Everywhere he shows,he will be the perfect loser .Like this? try these.....They're a weird mob (Powell,1966) America America (Kazan ,1963) The immigrant (Chaplin,1918)

Jackstone54 When this comedy came out in the 70's, it was aptly described as "Chaplinesque". The hero, a coarse Italian immigrant in Switzerland, is as much an Everyman as Chaplin's Tramp. The movie was a hit in the US, winning the NY Critics' Award for Best Foreign Film. Nino Manfredi is funny and touching as the earthy immigrant, the "bread" in the land of refinement ("chocolate"). Anna Karina is stunning as the Greek stowaway who shares some of the same predicament as Manfredi. The "chicken coop" sequence is particularly hilarious. I think this is one movie that deserves to be transformed into a Broadway musical. How about it, Mr. Sondheim?

gomulch If all the film-festival awards this movie has won haven't convinced you to see it, then my review probably will not either. Regardless, it is important to know how well-done this movie truly is. Nino Manfredi does an absolutely stellar performance as a poor Italian immigrant trying to fit in in a world which dislikes him and his kind. From the start, this seems like a regular enjoyable comedy, but quickly transitions into both a comedy and a drama. On the one-hand, Manfredi's Chaplinesque "loveable loser" character is both endearing and hilarious. On the other hand, the film offers true insight into the problem of immigrational bias and cultural dissimilarity, and a stabbing insight into the premise of a national identity; how it is both meaningless and yet extremely important. This film deserves every award it received and then some.

Paul-250 This film about the struggles of an Italian immigrant in Switzerland generates bizarrely conflicting emotions; indeed at times you don't know whether to laugh or cry! I saw this years ago when I was at university and I expect it has dated in the sense that the status of immigrants has changed a lot since then. It may even be disquieting at times for those who have grown-up believing that they must never laugh at particular social groups, but the film is clearly sympathetic to those whose dignity is compromised daily by their circumstances of life. I defy anyone not to cry with laughter at the restaurant and chicken-coop scenes.