CommentsXp Best movie ever!

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Yash Wade Close shines in drama with strong language, adult themes.

Married Baby Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

SnoopyStyle Gary Newman (Josh Charles) is a Silicon valley engineer in Paris for business. Audrey Camuzet (Anaïs Demoustier) is an University student working as a maid in an airport Hilton where Gary is staying at. Gary has a breakdown. He skips his flight out and resigns from work angering his business partner. He's also leaving his wife Elisabeth (Radha Mitchell) and kids. Then an extraordinary transformation happens to Audrey.First of all, this needs to be condensed. Parts of this is as compelling as watching surveillance video. I'm not advocating rushing this but it needs to be faster than a meditation. It's also static at times. Gary's confrontation with his wife is visually static but it is filled with tension. That's not always the case. This movie often lacks tension. There is a big change in the second half of the movie. It's a head scratcher. While it's interesting, I wonder what's the point. It lacks direction and it's also very odd that Gary is rarely in the second half. There is only one scene where there is any tension in that second half and that cat really scared me for a second. I doubt that I could recommend this to anyone but at least, it does something different.

WilliamCKH I sometimes feel that watching movies nowadays is like ordering a meal at a restaurant. You order something on the menu with certain expectations, and declare it a success if at the end those expectations are met.It would be grand to go into movies as an adventure, like a trip, not knowing where the film takes you and experiencing as it goes and only at the end do you know realize that there is no end, the journey was the destination.Ferran takes us on such a journey...The film begins with fantastic scenes of everyday people all in their own little worlds, set in Paris, all with their phones, music, issues, problems, and hones in on Audrey, a housekeeper at an airport hotel and Gary, a tech exec, in town on business..... After a few scenes of their respective stations in life,...we are half expecting the two to meet, perhaps have an adventure or two, and eventually fall in love...But Ferran is not interested in putting together a ROMANTIC COMEDY... it is not on the menu. Instead, she focus not so much on the lives of these two characters... but uses them as a springboard for her main goal, to introduce us to the transcendent in the everyday world and everyday people that surrounds us. I won't go into how she achieves this but, she does it unexpectedly and wonderfully..This film reminds me of some of the wonderful French films they used to make in the 70's by directors like Resnais, Tanner, Sautet, etc. with touches of Jacquot Benoit's A SINGLE GIRL, social commentary thru characters representing a whole generation of young men and women who are trying their best with modern life, but somehow seem out of sorts with the way their lives, and the world is turning out. We need more movies like this.... BTW, I have no idea how Ferran filmed the little sparrow, if it was real or computer-generated, but thru this film. I've become quite enamored with them. It's crazy that people say things like cruelty, violence and so forth in films are just for entertainment and don't really influence people's behavior. Of course films influence how we feel about the world. Just watching this film has made me like birds.

dansview This is actually a big day for me, because I witnessed the worst movie in the history of the universe. That's a milestone. I was actually quite excited initially by the plot summary and setting. I love stuff that involves airports, Paris, and hotels.The first half hour held me, because I assumed they were establishing the setting for what was to come, and the payoff would be later. I really enjoyed the scenes of the hotel basement, and the housekeeper girl's routine.But then something went completely haywire. There was a narrator coming out of nowhere. It wasn't even the character narrating. Just a random French male voice talking about the male character in third person. Then an endless Skype conversation that bordered on voyeurism for the rest of us. Then a bird flying around looking for snacks. I was looking for a rope and a stool."Experimental" is one thing, but completely discombobulated fantasy mixed with reality is yet another. Make up your mind and roll with one style. Like other reviewers, I got the metaphor about feeling trapped and wanting to fly free. But I would have preferred more interaction between the two main characters. That would have made for a decent film.

Pasky I saw this film in Amsterdam at a sneak preview, quite late, and it was incredibly hot. In the beginning I thought: Ouch! Another brainy French film... But no! I haven't seen such an original film in a quite while. Not only in its most amazing parts (a sparrow hovering above an airport, sometimes funny, sometimes scary; a real adventure in itself). But it is more in its entirety that this film impressed me, going from one story to another, combining realism and magic. Even the music is bewitching, like with Bowie's Space Oddity, at a key moment. This non-standard film is both spectacular and experimental, sensitive and cerebral, ultra-contemporary and timeless. Free as air, this films is about mutation, reincarnation, rebirth. A real jewel!