Any Number Can Win
Any Number Can Win
NR | 10 October 1963 (USA)
Any Number Can Win Trailers

Charles, fresh out of jail, rejects his wife's plan for a quiet life of bourgeois respectability. He enlists a former cell mate, Francis, to assist him in pulling off one final score, a carefully planned assault on the vault of a Cannes casino.

Reviews
Tedfoldol everything you have heard about this movie is true.
Comwayon A Disappointing Continuation
Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Married Baby Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?
Kirpianuscus For a part of public, the actors are the lead motif to see it. for other, the plot, reminding Ocean Eleven. a French Heist movie, good performance of Delon, same Gabin in inspired use of the nuances of character and the perfect end. nothing new at first sigh. in fact, the old flavors are the lead motif for see a film about a hold -up, its levels and portraits of men inside it.
Claudio Carvalho After a long period in jail, Charles (Jean Gabin) returns home and does not accept the plan of his wife Ginette (Viviane Romance) of moving to the countryside for a quieter life. He plots the heist of a casino and invites his young cell mate Francis (Alain Delon) and his brother-in-law to participate. The check-in two different hotels posing of millionaire and Charles' plan works perfectly. But when Charles finds that Francis has compromised his plan with a silly attitude, things go wrong."Mélodie en sous-sol" is another great French heist movie with Jean Gabin and Alain Delon. The story is well-developed and the ironic conclusion is very tense. My vote is seven.Title (Brazil): "Os Gangsters da Casaca" ("The Gentlemen Gangsters")
Cristi_Ciopron Verneuil made a nice,rather banal career with decent,unambitious "american movies" like this one,and also he became almost respected.I grant this was,anyway,somehow better,and surely more entertaining than his previous,French-populist phase.I guess I have seen some 8 of his films (Le Mouton a Cinq Pattes,Des gens sans importance,Un singe en Hiver,Mélodie en sous-sol ,Le Clan Des Siciliens,Le Serpent ,I Comme Icare,Les Morfalous );I grant some of them are rather good;I do not consider them extraordinary. But I think no one does.I've seen I Comme Icare when I was 12 years,in '90.I've liked much Le Serpent ."Melodie ..." is well-paced,sympathetic,clean,honest,and,above all, suspenseful.All it has to offer are its two leads,and that's not little.Don't expect Ocean's Eleven ,yet.Gabin has a honorary role in "Melodie ...",and not only his,but all the roles are simply epic conventions--no characterization at all.
ryan-277 This film deserves more credit than it gets. All the actors are top notch (Jean Gabin as the ageing theif, Alain Delon as the playboy) and the story is very well crafted and has all the great tough guy dialogue of great caper's like RIFIFI, BOB LE FLAMBEUR etc however the overall tone of the film is a bit lighter and not as serious as those films. the heist itself is pretty short and sweet but this movie is more about the planning and the aftermath.Another great thing about this picture is that even though it's black and white, it's still widescreen adding a nice touch to the look of the film. The only drawback to the DVD is that the picture is quite soft and blurry but for a film of this age and obscurity beggars can't be choosers! Another must see for heist fans (like me!)