Dorathen Better Late Then Never

Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Christophe Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

lossowitz Jane Fonda once said she would only play in movies that had relevance, and with this one she does herself proud.Landed as a film that concerns itself with the aging population in Europe, it is often paralleled with the Best Exotic Marigold Hotel. But that British film is set on aging with courtesy (strangers getting on with each other) this French one focuses on aging with love.A set of old friends become aware of the fact that if your health leaves you, one is left in an institution where the last days of your life feel like a school camp. They decide, spontaneously, in the spirit of their 60's rebel years, to beat the system, and live together, taking care of each other. A boy hired to walk the dogs, turns out to be an ethnologist, and he starts observing them, in order to determine 'how Europe deals with its elderly'.Every one of the five friends has longings and flaws, and the movie keeps from judging them which is quite beautiful. For example, one is a womanizer, in his last years resorting to the care of prostitutes, which is nearly his undoing, but never is his behavior portrayed as evil, all human flaws are first of all human.Acting always shows tension between vanity and shamelessness. These five actors have reached an age in which the vanity has changed in to its meaning: vain. All five give a depth and humor and realism to each role that astounds. (Maybe Fonda is the only one that demanded wardrobe approval, and is sometimes dressed as a twenty year old.) A good film has three things: a message, a good story and great acting. This one scores high on those three points: the message, so profound and so topical, is never lampooned or annoying. The story is well crafted and keeps the right balance between humor and drama, often using two at the same time. (An inundation is both comical and tragic.) And as mentioned before, the acting is great: no one is trying to be an Actor, or reaching for an Award, I assume the must love their characters after the filming.Please, see this movie, as it makes a profound point on the future of us all, how to live, how to take care of our last years. And thank the actors for being old, not trying to be young, but old, old.

guy-bellinger "Old age is a wreckage", Charles de Gaulle once said. A statement which is verified in certain cases (for instance if you have to live the very end of your life alone, weakened by illness and forsaken by others), but should not be considered unavoidable. This is at least the central thesis of this pleasant movie directed by Stéphane Robelin (his second feature after "Real Movie", 2004). One of the solutions to this difficult problem lies is the very title of the film "Et si on vivait tous ensemble ?" (What about living all together ?), in other words: join forces with friends of your age when you are old and support one another so as to make life easier and more enjoyable. This interesting theme is dealt with quite competently (and surprisingly so) by Stéphane Robelin, a director in his late thirties, more likely to take an interest in the problems adults of his age have to go through than to examine the hardships of the third and fourth ages. Young adults are not forgotten for that matter with the character of Dirk, a German ethnologist who has settled down in the Colins' house to study the community formed by the group of old friends, notably his difficult relationships with a girl companion who will not accept him as he is . But Robelin concentrates the bulk of his attention on the five old chaps and manages to tell us on the difficulties linked to old age (loss of memory, illness, sex, being cut off from one's children and grandchildren, the conditions in old people's home, the nearness of death, etc.) without falling into complacent pessimism. Instead he makes the right choice of a dynamic approach to the issue by suggesting a possible solution. And isn't it known for a fact that a light tone, just like the Spoonful of Sugar of the song helps the medicine go down, is a much more powerful ferment for thought than the spectacle of despair ? As for the way out of old age problems suggested by the film, you can find it debatable, over-optimistic, unrealistic or valid only for too limited a number of people but you cannot deny that it paves the way for fruitful discussions of a major social issue and/or self-reflection. The second strong point of the movie is undoubtedly its amazing cast. In what other French comedy indeed can you find brought together so many great international talents as in "Et si on vivait tous ensemble ?". The answer is easy : none. For those who love actors, seeing Guy Bedos, Claude Rich, Jane Fonda, Geraldine Chaplin, Pierre Richard (in one of the most poignant roles of his career) and Daniel Brühl work together is a real treat. As a conclusion, you would be well advised not to skip such a worthwhile effort. Unless you have any objection against a movie that is at the same time wonderfully well acted, intelligent, funny and moving!

gradyharp ALL TOGETHER (Et si on vivait tous ensemble?) is an important French film written and directed by Stéphane Robelin that addresses the ever more important question of aging. People are living longer and while that has its benefits it also poses problems not only for the aging population who must learn to cope with their diminishing facilities but also for the families of those who may not be content with their fading importance and individuality. In other words, how will we each cope with getting old without loved ones that are willing to hold our hand and be comfortably at our side until the end? Films such as this are being created more frequently (The Best Exotic Marigold Hotel form this year also addressed similar issues as The Bucket Plan and other in the recent past). Where ALL TOGETHER differs is in the honest way the feelings and expectations and coping codes are managed with dignity without losing the lightness of comedy.Annie (Geraldine Chaplin) Jean (Guy Bedos) are a married couple who live in a home large enough to accommodate others: their grandchildren no longer visits, a fact the Annie feels could be rectifies by building a swimming pool but Jean objects: Claude (Claude Berhnard) is reaching 75 and since his wife died he has been satisfying his needs with hookers until a heart attack impedes his performance abilities and he must seek pharmacologic enhancement; Albert (Pierre Richard) has Alzheimer's and is increasingly forgetful while his wife Jeanne (Jane Fonda) is hiding the fact that she has terminal cancer while at the same time planning her own rather lighthearted pink coffin funeral. These five 70ish people have been friends for over forty years. But they are growing old and old age tends to be synonymous with reduced autonomy, loss of memory, illness, retirement home and, worst of all, separation. One day, one of the five friends suggests saying no to isolation and loneliness: what if they lived together? How this group of friends, with their accompanying old secrets and jealousies, interact in the new development of living in Annie and Jean's home - with the added assistance from young ethnology student Dirk (Daniel Brühl) who happens to be writing a thesis on the aging population - results in many credible, tender stories of need and interaction in the 'golden years.' An uplifting film about the better aspects of growing old - with friends. Grady Harp

blogurious As much as we try to believe that we may do better when we hit that old age mark, it is hard not to be skeptical about how much we may think we know. "Et Si On Vivait Tous Ensemble?" is a lovely movie that, in spite of its comic look at our possible destiny, raises that issue that most of us are afraid to accept: getting old without loved ones that are willing to hold our hand until the end. We are all born alone into this world, but from the moment we experience the comfort of people's company we are hooked for life. And realizing that that company may not be there when our time comes is a hard reality. In the same line as "The Best Exotic Marigold Hotel", although less fancy in its production, this movie is a lovely dose of optimism to those who already feel like they are left behind, as well as any young generation who think that old age is something to ignore instead of embracing with love and respect.