Aedonerre
I gave this film a 9 out of 10, because it was exactly what I expected it to be.
Roy Hart
If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
Calum Hutton
It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...
thebc-86158
About Alex (2014) is about an estranged group of college friends that get together years after school when one of them attempts suicide and fails. It has a great ensemble cast of people that I've seen but weren't sure if they were great. Gladly every actor and actress was fantastic Aubrey Plaza (whom I love) is great, Maggie Grace, Jason Ritter, Nate Parker, and (my favorite) Max Greenfield among others. I love the characters and the banter along with the history of them that slowly unfolds through the drama and romance. About Alex is an amazing dramedy. Check it out on Netflix 9.5/10.
crispin_13
I would like to start by saying that the dialogue was—for the most part—well written, the characters were good, and the actors were really good. It sounds like a good movie right? Well, it would have been if it hadn't all been done before. I mean REALLY ALL BEEN DONE BEFORE.The Big Chill was the aftermath of a suicide in a group of college friends. The same thing here except he didn't succeed. Both characters are even named Alex! Several of the characters are carbon copies of Big Chill characters. One of the characters in About Alex is SO similar to a character in The Big Chill that they even dressed him the same right down to the horn rimmed glasses and THEN went out and found the actor that most resembled the original—Jeff Goldblum —cast member!! It was laughable! I've never experienced anything like this before. Some of the conversations were direct lifts as well regarding music of eras past. One cast member even refers to movies from the eighties. Unbelievable! The only way to logically explain it is that someone (the writer? the director?) wanted to remake The Big Chill but couldn't get the rights. So the changed as much as they had to for legal reasons. The movie closes with a flashback of the group meeting for the first time. Lawrence Kasdan also fined this scene but cut it from his film. I found myself enjoying that because I had always wanted to see that scene in The Big Chill. By the time I reached the end, the two were almost interchangeable. Oh, one more thing, the group shot at the end of About Alex i the same as the group shot on the cover of the video box for The Big Chill. Unreal.
Nicole of ArchonCinemaReviews.com
Five college friends and a plus one physically come together to watch a friend after he tries to commit suicide but in all other regards they spend the majority of the weekend egocentrically delving into their own unresolved self-generated baggage.It is hard for a film, when it's basically a remake pretending not to be because this time the suicide victim isn't a victim but an attemptee but is hypocritically self-aware and gives homage to its predecessor, to do what it wants authentically without resembling a rip-off. And, fair warning, I have seen The Big Chill, and unintentionally watched it again a week before watching About Alex.From the get-go you know to expect self-indulgent intellectualisms but About Alex is nothing but pretentious ramblings, giving it a loathsome hipsterly quality. The atmosphere of the entire movie is bordering on combative as they angrily banter through the tension. Maybe this was a deliberate decision from writer/director Jesse Zwick; to put a mirror to the disjointed self absorbed nature of the generation and act as a representation and critique of the Facebook age. One would think that people coming together to help another through the days immediately following a suicide attempt would be kind and loving but for the most of the movie you forget they were even friends. The acting is good and roles fully formed, of which Jane Levy and Max Greenfield are most successful, but they can not save their faulted characters.The directing and composition of shots was uninspired, average, and literal. There is an art to telling a story without having it plainly done with the characters' dialogue and that is completely missing from About Alex. This is evident from the very beginning when Zwick decides to waste five minutes showing: the suicide attempt, everyone getting the call about the suicide attempt and making their arrangements to go and deal with the suicide attempt. Instead he could have saved five minutes, had everyone somberly encounter one another, leaving the dialogue as-is where the true subject for being together is implied and pussyfooted around and then cut to the one friend left at the cabin as he tries to clean the bloodstained bathtub. All conversations between two characters are over the shoulder framed close-ups that cut back and forth as they talk to one another.I wanted to like this movie, the trailer had me so hopeful and the cast is sublime but About Alex is masturbatory and decidedly not The Big Chill of our generation.Check out our website for more movie and television reviews!
GoldieCharm
I just saw this movie and I am really hoping that many people will go see it. While I found myself comparing it to the Big Chill in several spots, the characters do a good job at making it their own. The casting is incredible. I was fully immersed in the story, hoping for certain outcomes in the character's lives, feeling deeply for some, finding comedic relief in others. Being that the attempted suicide by one member of this group of friends is at the heart of this "reunion", I have to applaud Jesse Zwick for not only taking it on, but for also not shying away from showing the many layers of human emotion that surround it ... the misunderstandings, outrage, fear and blame, guilt, and above all love and forgiveness, and hopefully different choices that can be made as an outcome. Good job to the new director/screen writer. You had me at hello.
