A Long Way Down
A Long Way Down
R | 11 July 2014 (USA)
A Long Way Down Trailers

Four lost souls—a disgraced TV presenter, a foul-mouthed teen, an isolated single mother, and a solipsistic muso—decide to end their lives on the same night, New Year's Eve. When this disillusioned quartet of strangers meet unintentionally at the same suicide hotspot, a London high-rise with the well-earned nickname Topper's Tower, they mutually agree to call off their plans for six weeks, forming an unconventional, dysfunctional family. They become media sensations as the Topper House Four and search together for the reasons to keep on living.

Reviews
XoWizIama Excellent adaptation.
PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
Freeman This film is so real. It treats its characters with so much care and sensitivity.
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
lovelypagesreviews The movie was so well put together and so thoroughly well written it sucked me in from the first scene – I mean how could it not? Four people accidentally interrupting one another from committing suicide is not something that will make me not want to see what the hell is going on with these people.What do these random people have in common, I often asked myself. Nothing. They have absolutely nothing in common and that is what they have in common.They each have a life story and they each have problems to deal with but when they meet on that roof there was an unlike, silent, mutual understanding of each other's predicament. They each were up there because they had nowhere else to be, and somehow they each found themselves with 3 new sort of friends that they were willing, for a small period of time, to postpone their suicidal plans for.Just because. And that was just magnificent.Based on what I think is a brilliant novel and an exceptionally directed movie by Pascal Chaumeil, the movie really brings the characters to life with a great cast.This movie showed me that even if you think you are right there, on the edge, there might actually be someone to pull you back and not give you a reason to live but to momentarily distract you from whatever problem you've got and go search for someone's boyfriend, just because at that moment, that is the major problem she has, even if the real and painful ones are much deeper.In my opinion and having seen too many movies to count, if a movie makes you want to read the book and explore all the details that had to be cut out, then it is a winner.The amazing sightings – I love London and unfortunately I haven't watched as many British movies, based in London, as I would like to – the witty lines delivered from those tragic but altogether funny characters made me fall in love with the story. Fast and hard. And to be honest almost a month later and after having spent a couple of weeks under the sun on the beach reading books, this story – both the movie and the book – is still with me and some lines still make me laugh and some still make me sad. If that is not a successful book adaptation then I don't know what is.I can't recommend it enough and I can't even begin to say how much this book and movie can actually change a person's life.
jimel98 I expected a comedy. I love English movies and am rarely disappointed. It had some funny moments, but a comedy, it's not. And I was STILL not disappointed. It was a very good story, a NICE story. I use that word a lot but sometimes, I can't think of a more appropriate one.As you know, 4 people who are planning suicide end up not doing it on New Year's Eve making a pact to do it Valentine's Day. It shows how they bond over the coming weeks and as has been mentioned, they form a sort of surrogate co-dependent family. It's a chance for them to talk out their issues and have someone with issues just as tough for them (in different unique ways), to listen. Misery loves company. What starts as mutual annoyance slips into reluctant friendship and you eventually see it become a loving family of sorts.Nice. Photography, done well. Acting, hey, it's a cast of real pros, so you can expect that was good. But honestly, unless the photography and acting is really wretched, WHO CARES? When I read the reviews of others, I want only to know if it was a good story executed well, not if it's academy award material.I don't know if this could win an Oscar and don't care. It was very nice movie with a upbeat story. Isn't that really all that matters in the long run?
redflax This film brought, once again, into relief the differences between American and British ways of telling stories on screen. I put my hand up to the generalisation and my bias.Spoiler In this film the characters have a scene in front of a TV day show. The event doesn't become pivotal which it often does in American movies which seem to make sacred anything with a big audience. I thought the acting was great. Toni Collette does an excellent job portraying a dowdy frightened mother. Sam Neil is also called on to underplay his poor parenting and does that well. Pierce Bronson presents a relatable, once again underplayed, humiliated celebrity, and doesn't hog the screen.Another movie cultural difference is that during the fight scene there doesn't need to be a speech or some sort of reconciliation, there's just mess. There was not a big deal made of 'why' the characters were seriously contemplating suicide. There were not problems to solve, which to me is another difference between American and British story telling. The characters unfolded themselves, flowering in subtle complexities. I loved that.
secondtake A Long Way Down (2014)There are a lot of films these days that set up this kind of comedy formula: an unlikely crisis forces strangers together, and they don't get along (at first). So you are dazzled by the odd circumstances, and by the funny ways people adjust. The plot then zigs and zags and eventually (of course) some or all of the main characters find their happiness. It's a good approach with the script sparkles and the acting is fun. "Chef" is a recent case, and even better is "We're the Millers.""A Long Way Down" can't match up to those in terms of wit and sheer fun. But it has moments that click, and it has a knock out performance by one of the four leads, Imogen Poots. See it for her alone. Of course the biggest name is the former James Bond player (often voted one of the worst to take on that role), Pierce Brosnan, and he's meant to be a dull, superficial type here, so he comes through naturally. Throw in the ever talented Toni Collette and you have a good cast. (The fourth is Aaron Paul.)The premise starts very fast, and is quite funny. In fact, I got my hopes ups that this was going to be a sizzling, truly great offbeat comedy just by the first ten minutes where it complicates quickly. You see, it's New Year's Eve and one of the four has gotten to the top of a tall London building and plans to jump. Then a second shows up and spoils his plans, and he decides to wait and let her jump so he can have the roof to himself. Then a third. And you see what is beginning to unfold.You get some backstory details that are just enough to make you see their problems— and also see that these are all really sympathetic characters. And of course they shouldn't be suicidal, not for real. There are further ups and downs as they help and then harm each other's emotional progress. And so on.I liked it. And I loved the performance by Poots, who just slashes through the crap and lights up the screen. Is this a brilliant movie—no. It's too much caught in the formula, so even the twists are expected. But I thought it was better than the reviews overall let on… you might give it a go. Expect some light entertainment and you might be quite happy watching.