Tetrady not as good as all the hype

Comwayon A Disappointing Continuation

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Petri Pelkonen Will Tenneray and Abe Cross, two aging gunmen decide to fight each other in a bullfight arena. The winner gets the cash, the loser dies. Lamont Johnson's western A Gunfight from 1971 takes death pretty lightly. Of course western movies usually do, but I have a particular problem with this one. Both of these men, Will and Abe are pretty likable guys, and they're both friendly to each other. And Will has a family to protect. So why risk everything with a pointless gunfight, where you know you might lose your life? Money isn't everything you know. And I didn't like the bullfight scenes in this movie. Animals are not meant to die for the entertainment of people. But sure there are some good things in this movie, too. Let's start with the actors. The legendary, now 101 years old Kirk Douglas plays Will. He never fails. And then you have Johnny Cash (1932-2003) as Abe. The man could really act. You also hear his singing in this movie. Jane Alexander is superb as Will's wife Nora. Kirk's late son Eric Douglas is here in his movie debut as the son Bud. Karen Black, who we lost about five years ago, gives an outstanding performance as Jenny Sims. Keith Carradine plays Young Gunfighter. The late great Dana Elcar, who I remember as MacGyver's Peter Thornton, plays Marv. The western view is great as always. When you see the camera move with Johnny Cash in that western town, it's really something. And I liked the what if- part in the end. Abe wins the real battle, but in a slow motion moment with Abe and Nora looking at each other you see a glimpse of how things would have turned out, if Will had won. Not the best western, but also not the worst.

Spikeopath A Gunfight is directed by Lamont Johnson and written by Harold Jack Bloom. It stars Kirk Douglas, Johnny Cash, Jane Alexander, Karen Black and Raf Vallone. Music is by Laurence Rosenthal and cinematography by David Walsh. Will Tenneray (Douglas) and Abe Cross (Cash) are two ageing gunfighters who after meeting each other in town hit it of straight away and actually like and respect each other. However, with both men in need of money and the whole town intrigued as to who would win in a gunfight between them, Tenneray hits upon the idea of the two of them having the gunfight and selling tickets to the event, with the winner receiving the ticket proceeds… It was the first mainstream American film to be financed by American Indians—the Jicarilla Apaches—but this in now way was a propaganda move since the narrative has nothing to do with Native Americans. It's a most unusual Western in a lot of ways, off beat and deliberately played for fun at times, yet it pulses with dark thematics involving the human condition. Stripped bare is the fickle value of celebrity status, deftly cloaked with the ignorant blood-lust of a paying public. Director Johnson keeps the pacing smooth as we get to know both men and watch their relationship unfold. All the while we are getting a grasp on the townsfolk in general, while the two ladies of the men's world are impacting greatly due to the sensitive screenplay. All roads lead to the ironic venue of a bullfighting arena across the border, where a full house of paying patrons come to see one of the men die. Whoever that is doesn't really matter, the caustic insertion of a dream sequence at film's end leaves us in no doubt that the winner really hasn't won at all. With great performances from Douglas and Alexander, and good ones from Cash and Black, film also holds up well on the acting front. But the real stars here are Johnson and Bloom, for they have produced a clever picture that doesn't over reach itself by trying to be cerebral. It deserves to be better known and appraised. 7.5/10

ma-cortes When an outcast gunfighter (a recently deceased Johnny Cash) with battered hat and black dressed goes to a Western small town called Rio Bajo , he meets an old time gunslinger named Tenneray (Kirk Douglas) stranded in the location along with his wife (Jane Alexander) and son (Eric Douglas) . Today he's a big guy with an enjoyable family . Meanwhile the drifter named Will falls in love with a Saloon girl (Karen Black) , the girl who could give the big guy a hard time . The two gunmen get a friendship ; Tenneray says him that he earns in a month it that he spent in one day and which killed the famous gunfighter Ringo . The 'Rio Bajo' folks expect a gun-down and they'd never forget the day the confrontation between Cross and Will . Before they paid to see a man murder a bull , nowadays they pay to see killing men . Needing money , both arrange a showdown for paid entrance and the winner take all . They're got to face a gunfight once more to live up to their legend once more to win just once more time and more money . The excitement starts at the duel when the hands point straight up . They've nothing like'em together in a duel but in the heat and hate of the small town nothing can tear'em apart . Thus, a bull square will become the scenario of the most spectacular duel ever attempted . Who will survive and what will be left of them? .The picture concerns upon a gun-battle pits two individualist characters . It's a serious , mature Hollywood Western with particular character studio about an aging gunslinger looking for peace and quiet , but also money and unable to avoid his reputation and the duel-challenges it invites against the baby-faced gun-fisted kid (Keith Carradine). So many good actors , such excellent actors as Raf Vallone , Robert J. Wilke , Keith Carradine , Dana Elcar among them , consent to appear in what amount small roles , besides make their film debut Johnny Cash and Eric Douglas (Kirk's true son and recently deceased for drug abuse). The lion's share of the acting meat deservedly goes to Johnny Cash in spite of his first film . There is , in addition , Johnny Cash's catchy theme and equally an impressive roaring climax with an amazing final showdown . It's a better than average Western although a little slow moving . The motion picture was well directed by Lamont Johnson (Little Annie and Little Britches and Mackenzie break) . If you're a Western fan you can't go far wrong with this .

Nazi_Fighter_David The Western showdown is a duel, a matching of gunplay skills in which the faster, more professional gunman wins... The logical extension of the show is without doubt a gladiatorial Roman circus combat between two fighters and such is the elemental structure of Lamont Johnson's film...Kirk Douglas is a retired gunman sick enough of his life, and Johnny Cash is a weary gunslinger who knows that even if he wins, he will eventually lose... Both are famous, veteran gunfighters who provide their talent as the quick and the fast... The auditorium chosen is a bullfight ring...Whether the two men are considered as gladiators or bullfighters, the film deplorably smashes the traditional conception of the showdown, twisting it from a clash between good and bad into a show of a very poor quality...The situation exposed is certainly ambiguous, implausible and anti-climactic against popular blood lust...The film captures the viewer with a double-ended showdown... One with Douglas as the winner, and the other with Cash...Our feeling is that the strands of myth and honest re-creation which connect the American Western to the real American West are being cut by those whose roots are far removed from the actual frontier... To the Western purist, such tendency can only be seen with alarm... The screen showdown has been undermined and ruined... There are no white hats and black villainy anymore...