Sarentrol Masterful Cinema

BroadcastChic Excellent, a Must See

Tacticalin An absolute waste of money

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

sneeka2 The 20th Century Boys trilogy shoves a science fiction story in your face, while actually telling a completely different story about a group of boys growing up in the 20th century. This is made plain by the title alone, but as with many Japanese works, what you see is not actually the important part. And yet it turns out it was all along. In fact, pretty much everything that happens after Kenji's school reunion in the film's timeline is practically irrelevant. There's a robot or two, (dysfunctional) laser guns, UFOs, epic explosions, a world-wide plot to extinguish mankind and lots of blood… but these things are all simply tools used to advance the real story.And the real story could barely be any more simple. It's the old human drama about what could have been, what should have been, mistakes that were made in the past that continue to haunt the children and the whole of mankind.The story is told by alternating between bits and pieces of the boys' youth and the consequences they bear in the future. There are many main characters, some mere caricatures and others more detailed. None of them is really elevated above the level of a stereotype though. "Tomodachi" creates a cult which grows to become a world-wide movement, Kenji becomes the legendary leading figure of the idea of resistance, Kanna the leader of a more tangible resistance group, Occho the lone wolf who does the hard work. And that's all you really need to know about them. Other characters play more or less important roles on the sidelines, but what exactly they do is rarely more than hinted at. In fact, what exactly the main characters do is also never really more than hinted at. Part of this may be due to the constraints of condensing the epic story of the manga into under 8 hours of film, but it doesn't really matter in the end. The appeal is in the why, not the what or the how. And the "why" is told through repeated important scenes in the characters' childhoods and subtle conversions between the children's future selfs.The movie is an homage to growing up in the 20th century, with 1960's Japan revived, throwing in many cultural references that viewers not very acquainted with Japan will simple overlook. It's a celebration of rock music and melancholy for the past, both the past of Japan in general and specifically the past of all characters involved. The movie is wearing the mask of a science-fiction/action movie, just as "Tomodachi" is wearing his mask, but what it's actually about is for the viewer to find out.

Brian Harris (wildsidecinema) 20th Century Boys has more twists and turns than you can count and it pulls no punches when it comes to waving "Bye-bye-bye" to main characters. Unfortunately, in my opinion, that was one of this film's drawbacks, the characters. There was at least a dozen characters to keep track of and it becomes a bit daunting figuring out which friend is which and who is who. It wasn't physics or anything but careful attention to the film will be required.Outside of that, 20th Century Boys was thrilling and the production design fantastic, my 11-year-old loved it and I was thoroughly entertained. Decent dialog? Check. Meaningful character arcs? Check. Heartwarming moments? Check.After having the privilege of watching the first and second films in this series, I'd say I'm a fan of the 20th Century Boys series and I'm undoubtedly looking forward to the third installment slated for fall. This first installment can indeed be a slippery beast if you don't pay attention but if attention span isn't a problem for you and a bevy of "Who the hell was that again?" characters don't bother you, you're in for some major entertainment! I honestly couldn't find anything that I didn't like about this film, really. Sure there were quite a few "childhood flashbacks" but they're necessary so suck it up, plug it in and have a ball! Hopefully when this hits the states it's not trimmed down by an hour for the ADHD crowd.

siderite The story is interesting to begin with, with a bunch of kids creating an "end of the world" story and then watching it made come true when they are adults. They embark on a mission to save the world, as their original story prophesied.However, the plot is really weird. There is a virus that kills people by making their blood explode, but it seems it is not contagious, it needs to be sprayed on. A giant robot smashes through Tokyo and the police stop in front of it to shoot guns. The leader of a hypnotic cult becomes the leader of the most important party in Japan, and so on and so on.Then, as world saviors go, the heroes are the most inept I have ever seen. The movie is very long, at 142 minutes, and it is only the first part of a three film story. The acting is pretty bad, too.Bottom line: it seems this is a failed attempt to mix the success of the Death Note franchise (I don't know what that thing was successful either) and the comic book/manga craze that is taking over the movie world in the US and the rest of the world. There is a feel reminiscent of Watchmen in the film, but only a trace. I am not saying that it is not worth watching, but I can't say I liked it.

DICK STEEL I had earlier written about comic books being rich material for filmmakers to raid and adopt them into a cinematic version, and with the success of the Death Note franchise, it's more than apparent that such movies will have its built in audience, and in this case, to skyrocket the movie to box office success.Depending on how the story is adapted, some will take liberties to gear the material for non- fans, to introduce it to a new audience. Death Note for instance, does this quite perfectly, drawing those unfamiliar with its mythos, and at the same time entertaining the fanboys. Mushishi on the other hand, assumed that one goes in with a bit of background knowledge, as it doesn't dwell too long, if at all, on the character backstory. 20th Century Boys however managed to take the middle ground, though I felt its presentation was somewhat left wanting.We're introduced to Kenji (Toshiaki Karasawa), a supermarket manager who's about to be thrown into the adventure of his life. In a school reunion, he gets acquainted with his old pals, most of whom he already cannot recognize, before they launch into a discussion of a strange series of happenings which involve the emergence of their secret logo created during their childhood. As they catch up with one another, we also learn that collectively amongst the group, they vaguely recollect their 9 members, and hence sowed some suspicion as to the identity of who the new cult leader is, one who always hide behind a mask and calls himself Kira, oops, wrong movie - "Friend".Throw into the plot yet another device in the form of a book called the Book of Prophecies, which Kenji is chief author, in somewhat of a create your own adventure with his pals, as they dream of the world coming to an end at the turn of the millennium, what with strange plagues, terrorist attacks, and a giant robot taking the place of the stay puff marshmallow man. They realize that world disasters are unfolded as per the sequence in their childhood book, and thus, with their sense of responsibility, work to try and put an end to the madness.For the first half of the movie, the story really plods on, as it took great pains to try and introduce to us the array of characters important to the series, including an infant heralded as the Chosen One. While most of the characters remain rather one-dimensional with nothing much revealed about their background despite the frequent flashbacks (some which do get repetitive), Kenji is the focus of this installment, as we see an emergence of a resistance fighter from within a mild and meek, and often clueless supermarket manager. He doesn't really strike you as charismatic or well skilled to lead a group of do-gooders, but the second half would address all those concerns.In wanting to remain unconventional, the story moves forward and back so frequently, that it'll give you a headache. It seemed to be wanting to shovel down character backgrounds incessantly, as every opportunity found to go into flashback mode, will be utilized, so much so that it becomes mentally tiring after a while to keep track of current time. Time plays an important part in the story as it hinges everything on D-Day of 31 December 2000, where a foretold apocalypse is expected to happen.And here's where it really shines, even when the arrival of D-Day involved plenty of droning pep-talking. Looking at the locations, sets, and big action sequences throughout the film, it's indeed a relatively big budget production with no qualms about throwing money to achieve some form of visual perfection. The finale is nothing short of breathtaking, and with well filled tension, though if you're not expecting this to be the first episode of an franchise, you'll find yourself swearing at its cliffhanger ending. It's not a complete story per se even though it managed to remain self-contained, as it retains just about as much mystery as it did from the onset, with nothing much revealed or addressed.For those looking into something more, I thought it had drawn some interesting parallels about the dangers of cults, and how enticing the promises made by preacher could be, with the followers blinding adhering to every word like it's the gospel. There are enough false prophets in the world, but those who can command a huge following, could grow and if their aspirations do find their way to the political arena, then just as how a manga-turned-movie would have its ready audience, then these political parties would already come with their congregation as ready supporters and voters.For the eager beavers, it's not until January that you can watch the next part, so do remember to stay until right after the end credits roll for the trailer to Part 2.