Petrocelli
Petrocelli
| 11 September 1974 (USA)
SEASON & EPISODES
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  • Reviews
    AnhartLinkin This story has more twists and turns than a second-rate soap opera.
    Griff Lees Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
    Mandeep Tyson The acting in this movie is really good.
    Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
    jc-osms Of all the imported US cops and lawyers series shown on British TV in the early 70's, including Kojak, Columbo, Rockford, Cannon, McMillan and Wife, Banacek, Harry O and McCloud (I can't remember anymore!), this is the one I liked best. Barry Newman stars as the eponymous title character, apparently reprising an earlier film role, a smart-suited, sharp-witted Italian-extraction lawyer building his own home out in the country along with his ever-supportive wife (Susan Howard), who becomes the go-to guy for a seemingly never- ending array of almost-beyond-doubt guilty defendants who he then proceeds to unerringly got off in the last reel thanks to his Sherlock Holmes-like deduction skills. In this he was assisted by his loyal, if somewhat slow assistant, Cowboy Pete.The shows took on the whodunit format of Columbo, invariably presenting an open and shut case against the plaintiff only for Petrocelli to turn things around with his own reconstruction of the actual events, usually after he's put himself and / or his wife and / or big Pete in harm's way first to get at the truth. That's the good thing about a whodunit, it keeps you guessing and watching to the very end.Formulaic it may have been, but Newman played the title role with some flair and some flint garnering good support from Howard who was far from the shrinking wife in the background. I remember in particular Newman's habit of saying "No further questions" after he'd roasted a hostile witness on the stand, plus did he ever finish building that house of theirs out in the back of beyond?Anyway, for me this is another of those vintage shows from my youth that I loved at the time and which I'm pleased to say, dodgy fashion aside, holds up well to watching again today.
    jrd-11 This became a staple diet of my Fresher's year at uni (1997). This show took over from Quincy in the post neighbours slot on bbc1 and was a massive hit in my student flat.I'd advise anyone to give this series a go, it has an awesome charm and Newman is fantastic. As far as I can remember, Pete never managed to get paid and Tony didn't finish his house - although it did progress upwards from the foundations throughout the two series.They did mess around with the format a bit towards the end, which was a little disappointing and they became increasingly obsessed with kidnappings. Having said that when Tony was stuck in the desert with a criminal and two blokes trying to shoot them it was pretty cool even if it wasn't sticking to the usual format."You gottta tell me the whole story"
    budikavlan This series was excellent in all the primary attributes one looks for in a legal drama: the setting was fresh and new, the characters were interesting, the cast was always on the mark, and the writing was both believable and absorbing. I had a major complaint, however, with the most famous aspect of the show. What "Petrocelli" did different from other courtroom dramas was its dramatization of each witness's account of the crime. Unfortunately, this meant it visually presented false accounts--things that *never happened.* I know how rhetoricians, relativists, and post-modernists of every stripe love to debate the non-existence of objective truth, but prime-time television isn't the forum for such questions. It bothered me every time I watched the show, and every time it came up in discussion with others, they (almost to a one) agreed with me.
    Cal-16 I think the best lessons "Petrocelli" teaches us are that 1) things aren't always as they seem, and 2) there's a good reason to presume a person innocent until proven guilty - because he just might be innocent, after all. This is a cast that worked very well together, and the writing, too, was excellent. I liked the fact that we would see the crime being committed from different perspectives. I don't know if "Petrocelli" was the first show to ever do that, but it sure kept me tuned in every week. It would be wonderful if TV Land would run this series again.