WasAnnon
Slow pace in the most part of the movie.
Doomtomylo
a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
Darin
One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
Allissa
.Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
agro_sydney
I remember my dad watching The Edgar Wallace Mystery Theatre on Australian TV in the 1960s along with the Perry Mason series. I also saw some installments on the big screen at the cinema as a second feature during the 1960s. Excellent production values, sets, top actors and sharp cinema quality black and white photography. Very good scripts with each episode having a good twist in the tail. The series is currently being repeated on early morning free to air TV in Australia. Still stands up as a good mystery anthology series and well worth a view.
didi-5
The Edgar Wallace mysteries were originally cinema second features, supporting the big films - then were sold to television much later. So now they are often thought of as a TV series.Whatever they are, they are sometimes excellent, sometimes routine, the same as any other long running series. What they do have are interesting casts - many big names at the start of their careers such as Barry Foster, Michael Caine, Patrick Allen, Harry H Corbett. There is also a fabulous theme tune Man of Mystery written by Ron Goodwin and performed by The Shadows.These mysteries are always watchable and as they run less than an hour they have both time to develop plot and characters, and not to outstay their welcome.
Bernard-Dunne
It was never a show! or a TV series! it was a cinema film series which was then sold to America as a TV series, and now everybody (for some reason) lists it as a TV series rather than a series of films!! But it was first released to British cinemas by Anglo-Amalgamated as second features between 1962-7, sometimes as a companion to the 'Carry-on' films. Most of the films are very enjoyable, as well as seeing actors like Steptoe & Son's Harry H. Corbett doing something totally different!, in his doing a straight role as a police inspector rather than his usual comedy or seeing Londoner Sir Michael Caine in 'Solo For Sparrow' (1962), with an Irish accent!! What else is new? These were over 30 features made for the 'Edgar Wallace' film series but then (for American TV) it was filled up to 50, so how many are true Edgar Wallace??? Writers like Richard Harris and Roger Marshall have said that none of the films were based on Edgar Wallace stories, but were all original in the same way as the colour series of 'The Saint' with Roger Moore that wasn't based on any Leslie Charteris' stories. It's also good to watch to see future stars at the start of their careers in small roles e.g. Wanda Ventham as a waitress in 'Solo For Sparrow' (1962), future 'Eastenders' and 'Carry On' star Barbara Windsor, as well as Kenneth Cope from 'Randall & Hopkirk (Deceased)' and Barbara Shelly in 'Deathtrap' (1962) with Kenneth Cope again in 'Change Partners' (1965). Great to watch.