Phonearl Good start, but then it gets ruined

Grimossfer Clever and entertaining enough to recommend even to members of the 1%

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

MRavenwood This little 80's-era cop series was elevated by the performance and (obvious) skillful additional writing done by the cast. It was one of the earlier U.K. imports to be played on commercial TV for U.S. audiences (as opposed to public TV like PBS). Those that saw it loved the over-the-top action and smooth, seductive style of Michael Brandon's no-nonsense Brooklyn cop, Dempsey. His counterpart, Makepeace, is the Sloaney skirt who is annoyed by the brash New Yorker's style, but can't quite seem to hate him because he's not only witty, but has good police skills. The chemistry between the Bensonhurst Badboy and the Upper Crusty Lady Makepeace heats up as the seasons progress. The other critical ingredient to the success of this project was (Ray Smith) Gordon Spikings character who is consistently yelling and dropping the hammer on one person or another, as the commander of the unit. Lots of gunplay, explosions, and stunts. Character-wise, it has a flavor not wholly unlike Scarecrow and Mrs. King, which is of a similar vintage. Ironically, the Brits espouse an anti-gun sensibility and create a cop character that fires his .357 revolver at absolutely EVERYTHING - even if he doesn't have a clean shot. As of 2010, there is no region 1 (USA) DVD commercially available from the series. An unfortunate oversight on the part of the owners, since even a small fan base here in the U.S. is as big as a large fan base in another country. They are overlooking the opportunity to re-purpose this content.

Dave Matthews Although the "buddy/buddy" cop show genre of the 1970s (in which "Starsky and Hutch", "The Sweeney" and "The Professionals" were prime exponents) had been hugely successful, most such shows utilised a male/male pairing. In 1983 Britain's southern ITV member company London Weekend Television sought to redress the balance. Additionally, despite sales to almost sixty other countries, no major US broadcaster had ever bought their previous series "The Professionals" (which had ended its six-year run earlier that year), so LWT took the view that they needed an American actor for one of the lead roles. (Despite the fact that the idea had never done Lew Grade's ITC organisation much good!)...The result was "Dempsey and Makepeace". The pilot episode laid down the show's raison d'etre: a New York cop, Lieutenant ("Lootenant!") James Dempsey has to take flight when forced to kill his partner after discovering he and one of the city's most senior police officers are embroiled with the Mob. Arriving in England, ostensibly as part of an exchange deal between the two countries, Dempsey is assigned to a police unit named SI10 (the acronym is never explained), set up to tackle major organised crime. The squad is headed by gruff boss Gordon Spikings and Dempsey is partnered with Lady Harriet Makepeace, an aristocrat who oddly chose a career in the force, Mutual antagonism ensued and the series proceeded to show the difficulties of how such different people could work together.After an interesting start, the series immediately ran into difficulties. It wasn't clear why SI10 actually existed, when its brief seemed so similar to that of the (real-life) Flying Squad. The plots themselves were usually paper-thin. Undoubtedly inspired by the 1975 film "Brannigan", Michael Brandon's Dempsey was a poor man's John Wayne and simply unlikeable, while Glynis Barber's character hardly developed at all throughout the show's three seasons. The friction between the two characters became predictable and boring, not helped by the inane dialogue. Dempsey's frustration at British Police's procedural approach to villain-taking would have been an interesting angle to explore but the character's response was consistently unrealistically macho and knuckle-headed. Ray Smith's Spikings was a poorly-observed, over-the-top and one-dimensional interpretation of Gordon Jackson's Cowley role in "The Professionals". Tony Osoba played the support role of Sergeant Chas Jarvis but was woefully underused. Other "buddy" series had relied on the two leads sharing and haranguing each other with pithy, witty dialogue - in this show, however, the humour fell flat.Overall the series was frustratingly shallow and mindless.In the second season Dempsey and Makepeace's relationship started to gel but it led to many episodes culminating in them looking dewy-eyed at each other while exchanging toe-curlingly saccharine dialogue. The plots were little better, even when "highbrow" writers such as Murray Smith were drafted in. Perhaps the "hightlight" of the season was its final episode in which Dempsey embarked on a personal crusade to catch a psychotic villain, with Chas warning Spikings about the American's obsessive behaviour and Makepeace noting that he and the villain are remarkably alike in some ways. That's how deep the "pathos" ever got in this show! At least Ray Smith was allowed to tone down Spikings: he became the most likable character in the show! The third season was an improvement overall. The opener saw the New York mob finally catch up with Dempsey. (Oddly it had taken them three years yet one of Dempsey's ex-girlfriends had tracked him down easily enough in a previous season: "I just called your mom!"). Another story dealt, albeit with little depth, with a mentally-subnormal man being dragged into the world of armed crime and weapons dealing.But there were still problems with plotting. One episode relied on endless injections of footage of the villains driving in to London to fulfill the 50-minute timeslot.In fairness to the series, it was reasonably popular in its day but seasons comprising of just ten episodes each - the minimum other ITV regions would accept - seemed to demonstrate LWT's unwillingness to commit to the show. Indeed they elected to drop it at this point and, tellingly, a repeat run on the ITV network just two years later was pulled after just three episodes with low ratings. (Contrast that with reruns of "The Professionals" which, five years after original transmission, were still achieving a position in the weekly top twenty.) Since then the series has made occasional appearances on minor UK satellite stations.Given many of its antecedents, "Dempsey and Makepeace" should have been better. Considering the sexual chemistry, wit and sophistication of "The Avengers"/"The New Avengers", the grit and depth of characterisation of "The Sweeney" and the humorously acidic banter, clipped dialogue, complex plotting and stylised action of "The Professionals", it's a mystery why "Dempsey and Makepeace" was so deficient in these attributes. Almost certainly had it been produced by the likes of Euston Films ("The Sweeney") or Mark 1 Productions ("The New Avengers" and "The Professionals"), the results would have been far superior.To its credit the show mostly avoided the inclusion of shots of London tourist traps - a sure sign that producers are desperate to sell a series overseas! - and Brandon performed much of his own stuntwork. On the other hand his presence did nothing to attract a major American broadcaster.Britain had a reputation for producing the best television in the world. If this show's shortcomings came about due to a misguided desire to appeal to American audiences, it's a terrible indictment of television executives' opinions of viewers on both sides of the Atlantic, As it is "Dempsey and Makepeace" remains an aberration that not only failed to live up to its own potential but also gave the genre a bad name. But perhaps the biggest tragedy is that it is the only show for which the late Ray Smith will be remembered.

RsPerez My brother first introduced me to this show in 1996 when I was 13 and I have been a hardcore fan ever since!!From the first episode I watched, I was hooked. I dont think I can praise Michael and Glynis enough for their performances in the show. And Ray and Tony played their parts well too. Even though the show was supposed to be serious - I found the humour and one liners from James and Harri very funny and memorable. Its part of what made the show likable.I had the great pleasure of meeting Glynis this year and she is really nice and polite, and I am thankful that she agreed to let me meet her as she could have easily had said no. (So thank you Glynis!!)I could sit and watch this show all day, and I hope that Granada Plus will continue to replay it very soon, as there are still a few episodes that I havent seen.If there are any hardcore fans out there that read this please get in touch by leaving a message on the message board!!Ciao

tracyp1121 I used to love this show as a kid and recently I've been re-watching some of it and I still think it's as good as I used to.Micheal Brandon and Glynis Barber are great as James Dempsey and Harry Makepeace. The chemistry is amazing and because it was real all the more interesting to watch.It's a shame that they only made 3 seasons - although its great to re-watch them all again.My only complaint is that they never got together romatically and I think that they should have.