Caroline in the City
Caroline in the City
| 21 September 1995 (USA)
SEASON & EPISODES
  • 4
  • 3
  • 2
  • 1
  • Reviews
    GazerRise Fantastic!
    Claysaba Excellent, Without a doubt!!
    Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.
    Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.
    SanteeFats I love this series!!!! I have every season and I find it extremely funny and entertaining. The unrequited love between Richard, the emotionally repressed, sarcastic,neurotic assistant,and Caroline is fantastically hilarious and Amy Pietz as the somewhat slutty neighbor who also is in the play "Cats" plus the on again off again boyfriend/almost husband Del makes this a great show in my opinion. The main character, Caroline, is played by Lea Thompson who I think is really hot and funny. The interplay between Salty, Caroline's cat and Richard has moments of real humor is you are one of those who either does not like cats or are ambivalent abut them.
    CosmicMission I first saw Caroline in the City during the 1996 Summer Olympics. NBC had a few hours when there weren't any sporting events to air, so they plugged the afternoon with some of their sitcoms, one of them being an episode of Caroline in the City. I don't remember exactly which episode it was, but it was from the first season and it really got my attention (I do remember a Seinfeld episode about George buying defective condoms being on earlier).I wasn't in the target demographics this show was aiming for, but I loved the humor and especially the uptight character of Richard, but Caroline was probably the cutest female character in the history of television, and Annie was pretty funny too. Del and Charlie were the weakest point of the show, but they had their moments. As described in the first episode, Caroline and the City really was "witty and carefree." The show peaked during the cliffhanger from the first to second season, when Richard left Caroline a love letter and left for Paris thinking that she had rejected him. She never found it, and after he had to return to Manhattan because of financial troubles he tried to retrieve it. Annie managed to get her hands on it, and used it to blackmail him.The show jumped the shark after Caroline appeared on the Tonight Show with Jay Leno. Shortly afterward, the character of Julia was introduced, which didn't take too long to ruin everything. I don't believe I was a regular viewer after the second season. If I did watch the third season, I remember very little of it, and I didn't watch the fourth except for a couple of episodes which happened to be on.From what I've read, Richard had a baby with Julia and showed up at Caroline's wedding to another man, and this cliffhanger was never resolved. I'm sad that the writers let it get to that point, and didn't end the series with Caroline and Richard together.Still, I'll always think of first two seasons fondly and am glad they were released on DVD, and if seasons 3 and 4 ever come out I'll be sure to buy them to see what I missed.
    Becca-37 I happen to be an aspiring cartoonist and I've submitted my work to several different newspaper syndicates and I've been rejected many times. But what I know from my personal experience is that cartooning just ISN'T a very cushy job and that it WOULD require LOTS AND LOTS of HARD WORK AS WELL AS STRICTLY DEVOUT ATTENTION!!! Not to mention all those deadlines that you would have to race against every time! So what's wrong with this little TV show here??? I don't see Caroline bent over her drawing board, hard at work, nervously drinking mug after mug of strong coffee to stay awake and fretting over every little detail and dialogue that she would make her characters emit, and so on forth. All those little things that we cartoonists usually face. Not to mention the fact all those shoddy drawings that Caroline seems to "borrow" are really nothing to sneeze at. Instead, we see Caroline dressing up, gossiping, drinking, flirting, going out on the night with her friends, going on fun vacations, aching her well-maintained body like a lovesick kitty over the graying Richard, anything at all that isn't anywhere near her very neat, obviously unused drawing board and art equipment. Sheesh...still another snobbish TV fairy-tale all about glamorous single people who live among the dazzling city lights.
    Gustave Due to a recent wave of nostalgia for the seventies, "The Mary Tyler Moore Show" has become recognized by many critics, historians and viewers of Nick at Nite as a landmark TV series that captured perhaps better than anything else on TV at the time the social changes that took place in the US following the turbulent sixties and women's liberation. The series focused on a single woman (Mary Tyler Moore previously known to America as the perfect embodiment of domestic femininity playing Dick Van Dyke's wife) whose job and friendships gave her life meaning at a time when most womenwere only beginning to realize that there was more to life than being a wife and mother. Mary Richards was the perfect seventies heroine in that she was a woman nearing middle age stylishly with the domestic social values of fifties/sixties behind her and the sexual liberation of the seventies in front of her. A woman who has been trained her whole life to be subservient to men is now working amongst them, standing up to them and gaining their professional and social respect.Lately there have been a plethora of shows that attempt to do what MTM did in the seventies. "Caroline in the City" is one of them, "Suddenly Susan" is another. Unfortunately these shows are taking place in the wrong time period because neither "Caroline" or "Susan," female characters who grew up during the sexual revolution and the AIDS crisis, have any adequate justification to feel overwhelmed by the prospect of being a working woman without a husband. A woman who choses work over marriage is no longer an edgy premise for a sit-com.Caroline (Leah Thompson) is a cartoon artist who has recently moved to New York having grown up in the midwest. She struggles to preserve her small town values in the fast paced world of the big city. In order to give Caroline's character the innocence that MTM had, the writers keep drawing on her midwestern upbringing as a contrast to her cynical sarcastic native New Yorker friends. I don't know where this woman supposedly grew up but I don't know how she could have been living in NYC for as long as she has and still hasn't gotten over it. While MTM often seemed overwhelmed by the crassness of her female friends and her male colleagues because she was brought up in an era where she just may have been innocent of such behavior, Caroline remains overwhelmed by her New York friends for no other reason than she looks cute when she's overwhelmed.A typical show goes something like this: Caroline gets really excited about something old fashioned. Her friends "wise cracking" Annie and "cynical-black-wearing" Richard (who is such a closet case and for some reason we are supposed to believe he's in love with her) get annoyed by her pollyanna attitude and make fun of her. She gets upset and gets even and the cynical New York gang sees the importance of Caroline's small town values. The End. There is no character development. There is no plot line that doesn't resolve itself within an episode or two (cept for her on-again-off-again romance with the closet homo Richard). There is no chemistry between her and her friends and Leah Thompson is simply too old to be acting cutsey.
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