Matthew Kresal
As a fan of author John le Carre I've slowly been working my way through both his books and the adaptations of them. I found this 1987 adaptation of le Carre's masterwork at my local library and sat down to watch it thinking I would know what to expect. I was surprised to discover that my expectations were exceeded in this miniseries, a fine cross between a spy thriller and a human drama.Peter Egan gives a great performance as Magnus Pym, the perfect spy of the title. Carrying on in the long tradition of le Carre's strong main characters, Pym is also quite possibly the best. Egan plays Pym (who in fact contains many shades of author le Carre) as a man forced to spend his entire life lying and betraying sometimes out of circumstance and other times just to survive with the consequence of him becoming "a perfect spy". Egan plays Pym to perfection as a man always on the run, if not from others then from himself. Egan alone makes the six or so hours of this miniseries worth seeing from his performance alone.Surronding Egan is a fantastic supporting cast. Ray McAnally gives one of his finest performances as Pym's con man father Rick who (as le Carre has said) is based strongly on the author's own father. McAnally plays a man who comes in and out of Pym's life and is one of the those responsible for Pym becoming "a perfect spy". In fact if it wasn't for McAnally's performance a year after this in A Very British Coup this would the finest performance of his sadly too short career.The rest of the supporting is excellent as well. From Caroline John as Pym's mother to Alan Howard as his spy mentor to Rüdiger Weigang as the young Pym's friend turned controller to Jane Booker as Pym's wife the supporting cast is fantastic. Special mention should be made of the three young actors who played the younger Pym (Jonathan Haley, Nicholas Haley and Benedict Taylor) who establish the young man who would become the man played so well By Peter Egan.The production values of the miniseries are strong as well. As the miniseries adaptations of Tinker, Tailor, Soldier, Spy and Smiley's People proved these stories can only be told in miniseries format. The locations are excellent from the English locations to the those scattered across Eastern Europe and the USA as are the sets by Chris Edwards. The cinematography of Elmer Cossey adds an extra layer of realism to the world of the miniseries. Yet the highlight of the miniseries is really the script.Screenwrtier Arthur Hopcraft tackled the job of adapting the six hundred or so page novel excellently. The novel was largely (at least in its early parts) autobiographical in that Pym's early life echoed much of John le Carre's life. The script for this miniseries is no exception as it traces the development of Magnus Pym from young boy to "a perfect spy". Never once does the miniseries deviate from its purpose of telling a fine human drama in the context of the world of espionage. If one ever wants proof that a spy thriller can be tense and fascinating without ever having one gun fight, fist fight, or James Bond style car chase this would be the proof. While the miniseries is six plus hours long it never wastes a moment and it all the better for it.Though it might be overlong for some for those who don't have very short attention spans here is a must see. From the performances of Peter Egan and Ray McAnally to fine production values and a fine literary script A Perfect Spy is one of the finest miniseries who can expect to see. It is a fascinating trip down the history of the Cold War yet it is more then that. It is also a trip down what John le Carre has called "the secret path": the path of the spy the man who must lie and betray to survive. As much a human drama as a spy thriller A Perfect Spy isn't to be missed.
Tord S Eriksson
Having just seen the A Perfect Spy mini series in one go, one can do nothing but doff one's hat - a pure masterpiece, which compared to the other Le Carré minis about Smiley, has quite different qualities.In the minis about Smiley, it is Alex Guiness, as Smiley, who steals the show - the rest of the actors just support him, one can say.Here it is ensemble and story that's important, as the lead actor, played excellently by Peter Egan in the final episodes, isn't charismatic at all. Egan just plays a guy called Magnus Pym, who by lying, being devious and telling people what they like to hear, is very well liked by everyone, big and small. The only one who seems to understand his inner self is Alex, his Czech handler.Never have the machinery behind a spy, and/or traitor, been told better! After having followed his life from a very young age we fully understand what it is that makes it possible to turn him into a traitor. His ability to lie and fake everything is what makes him into 'a perfect spy', as his Czech handler calls him. And, by following his life, we fully understand how difficult it is to get back to the straight and narrow path, once you've veered off it. He trundles on, even if he never get anything economic out of it, except promotion by his MI5 spy masters. Everyone's happy, as long as the flow of faked information continues! Magnus's father, played wonderfully by Ray McAnally, is a no-good con-man, who always dreams up schemes to con people out of their money. In later years it is his son who has to bail him out, again and again. But by the example set by his dad and uncle, who takes over as guardian when his father goes to prison, and his mom is sent off to an asylum, Magnus quickly learns early that lying is the way of surviving, not telling the truth. At first he overdoes it a bit, but quickly learn to tell the right lies, and to be constant, not changing the stories from time to time that he tell those who want to listen about himself and his dad.His Czech handler Alex, expertly played by Rüdiger Weigang, creates, with the help of Magnus, a network of non-existing informants, which supplies the British MI5 with fake information for years, and years, just as the British did with the German spies that were active in the UK before and during the war - they kept on sending fake information to Das Vaterland long after the agents themselves had been turned, liquidated or simply been replaced by MI5 men.The young lads who play Magnus in younger years does it wonderfully, and most of them are more charismatic than the older, little more cynic, and tired, Pym, played by Egan. But you buy the difference easily, as that is often the way we change through life, from enthusiasm to sorrow, or indifference.Indeed well worth the money!
DigIt
Illudere (to delude) comes from Latin verb 'ludere' (to play), so you're introduced to the 'spy game' as a cruel and yet elaborate and intelligent (!) activity stemming from a complex and as it may appear absurd and vain personal history, whatever it may be; and yet I feel fascinated by the mechanism of treason and loyalty that we are presented in this narrative, the raw material of any relationship, from the personal to the social. Many years ago when I finally finished reading the book it was a revelation! At the beginning I was so bored if not for the surprising style of the writing (I really started to love Le Carre after that novel). The main character is not wavering at all: he has made a choice to redeem his weakness by following the path of faith to friendship and love, or is he not? After this novel you can have a clearer understanding of the darker version of Green's 'Our Man in Havana', LeCarre's 'The Tailor of Panama'; there you'll end up where there is no game left, there it ends either in tragedy or in a grotesque comical way, or both. There is no Smiley here to upheld decent human qualities in 'the service', or at least there is no point to introduce him in this case. The BBC has done a superb work with these series from LeCarre's novels: the actors are excellent, as are the locations and sets; the script here is adapted in a linear way that somehow disarm the explosive narrative of the book. Be warned though, even if someone may find the main character's end laughable in a cynical way, the after taste is bitter.
amber-26
This is an extremely long movie, which means you may become very bored before it becomes interesting, but its length provides opportunity for its characters to find permanent attachment in your sympathies.
If you are moved by the guilt of the loathsome you will find it particularly heart-wrenching, because it is a story that finds its heroes among the evil and the weak. If you can love a monster you'll cry for Magnus Pym, the spy who betrays everyone - notably his country, his friends and family - a man who has also been manipulated and moulded since childhood by those same people.There isn't one truly likeable character in the entire story, not one loyal, 'moral' personality to sympathise with. But watching the whole thing without the help of a tissue would be quite remarkable.I really enjoyed it in the end. Well worth it for people who like inciteful movies about baser human character.
