StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

sribornagain-394-460163 " Yudham Sei " is yet another thriller from Myshkin presented in a lyrical manner. Myshkin seems to have mastered the act of presenting an action-thriller in a poetic style which did with élan in "Anjathey" . Though the movie has the "Anjathey " hangover all through , "Yutham Sei" keeps one at the edge of the seat right from the scene one to the last. Though the screenplay is slow paced , Myshkin succeeds in weaving a storyline which engages the viewer glued to the screen all through.The basic plot is strikingly similar to that of Sasikumar's latest dud "Eesan" .The basic difference is the clarity of thought & purpose shown by Myshkin which was totally lacking in the former which led to its downfall.The background research is thorough & almost all the medical jargon mouthed in the movie is authentic & to the point .The manner in which director has managed to showcase reality is awesome though some sequences may be off-putting for many.Myskhin has once again done away with the structuralistic model of Tamil cinema in that there is a protagonist who is not that all powerful but has his own shares of vulnerabilities & greyishness. There is no heroine or a comedian as such as well as there is no duets or romantic angles.This clarity of purpose that the director has shown coupled with courage shown by the producers in supporting that purpose has culminated into such a thoroughly enjoyable movie for the movie buffs.One scene worth mentioning among many is that fight sequences in which Cheran takes on the assassins with just a nail-cutter.This will go on as one of the best action sequence of Indian cinema history. One can only see the policeman J.K on screen not actor Cheran which is in itself speaks volumes of the manner in which he has acquainted well with the character. Almost every other character is well casted & the actors have done credibly well. Be it Selva , Y.G.Mahendra , Lakshmi Ramakrishna , Jayaprakash , Manickam Vianayagam or the new comer Dipa Shah & many other unknown artists , the whole cast has performed exceedingly well.Cinematography by Satya is another brawny point why this movie is a must watch. He has strictly followed Myshkin style of film making .The numerous low angle shots as well as the slow-motion shots which has become a signature style of Myskin is abound here too. Can't help the thought that the low angle shots may be a bit overdone here .Music is by K , which again has the typical Myshkin tough all through. Basically who ever the music director may be the background score of all Myshkin movies follow the same pattern. More so that invariably the dialogs are bare minimum & the music has to fill-in in most of the places which it does commendably. To sum it up , "Yutham Sei " is yet another movie from Myshkin which will make Tamil Cinema proud among the larger audience .Though he seems to have got trapped in to his own stereotypical mould , the end product is still worthy . May be he should try to break from the mould of his in the future , else his movies make become hackneyed .Bottomline : Commendable.

Prasanna Srinivasan V The movie portrays a dark theme and tries to justify violence as a means to curtail crime that are not really effectively handled in the legislature of the country. Leaving aside whether I buy the argument or not, there isn't a good attempt made in the first place. Screenplay is too slow for what could have been an excellent thriller. The plot has enough details and has been etched meticulously. The characters are not, unfortunately. Music by first timer K uses strings well but nothing notable otherwise. Mysskin's characteristic trademark shots like focusing on the feet of the characters and a "dapanguthu" song with some female model showing her hip movements wearing yellow saree and all have grown to irk you. Would be nice if he gives a break to these. Overall, a good movie that could have been great. Definitely doesn't meet the bar that the director set himself with Chithiram Pesadhadi or Anjaadey. Would love to see more such original themes though.

durgadada001 well...when you have a plot driven script, Indian movies fail to etch out the characters clearly. One can always argue that the characters are not as significant as the plot and does not require much development.guess that is Mysskin's argument via Yutham Sei. A non-linear narrative, a dark setting, lots of blood and gore are its chief constituents. However, you cannot relate to the protagonist or to much of the cast of characters. In some instances it seems that the writer has deliberately thrown in complicated sequences just to increase the audience's intrigue. In others, the state police's confusion as to why the killings are going on and who is doing them, seems genuine. Whatever be the case, the film is definitely worth a watch.Cheran's acting is mature and he does a neat job. Jayaprakash (Dr Judas) is perfectly cast to suit the character and he does his part well too. Lakshmi Ramakrishnan's acting in the climax is commendable while the under-utilized veteran, YG Mahendran shows that even a few screen moments are sufficient for him to create an impact. Cinematography is quite good but the background music tends to irritate in some scenes. Thankfully, the director does not leave any loose ends at the close and manages to fairly interest the audience throughout.Small films are making it big in the Indian Film Industry these days and Yutham Sei rides with that tag. By no means is this a great movie, many would call it a very good film but I will say this - For the tamil movie goer who has wasted precious time and money on disgusting movies, this will be a relief. So grab that popcorn and enjoy !

omfgitsrohit The general consensus of Yudham Sei: "An edge of the seat thriller." I agree with the choice of words. I was actually on the edge of my seat contemplating on walking out of the theatre. That was thrilling, compared to the film.Yudham Sei is self-indulgent pretentious garbage that I wouldn't watch even if I was to get paid for it. Homeless beggars would rather sleep on the streets than sleep in an air-conditioned theatre that screens the film. Director Mysskin has tried too hard to make a powerful film by playing with the audience's emotions. With the film he shocks, provokes, inserts twists, milks sentiment as and when he wishes.The lead character is J.Krishnamoorthy. He runs fast, he takes on eight people with a penknife and wears leather shoes. The man is labeled as a "good" guy. That's how the central character of the film is written. He has hardly any depth. All you know is that he is "the best police officer" and that he wants to find his kidnapped sister. How are we to understand him and his wants? He is glorified by making every other character around him seem insensitive. This is the limit of Mysskin's talent. He might be able to capture and invert beautiful shots of cobwebs, cardboard boxes, watermelons, snakes, skies, lampposts and water, in various colors of light, but a consummation of all that doesn't qualify as a film. It's no more than a power point presentation of google image search results.You know right from the beginning that it's a talented crew and they could be good at what they do. Unfortunately, they're in the wrong hands. Mysskin uses them in all the wrong ways. He has an eye for detail but not the honesty of an artist. He goes to the extent of making a direct reference to Rashomon by using the film's name. It wasn't a tribute or a token of appreciation; it was a shameless attempt at letting the audience know that he's someone with international exposure to films. As if we've forgotten about him not giving credit to the original material that Nandalala was adapted from. Mysskin has low self esteem, he doesn't have faith in his script and therefore he tries to get the music to drive the film. Newcomer K certainly has talent but it's the truth, everyone has to start at the bottom.The screenplay is laughable. It's so horribly contrived. Half the story is narrated by a nearly dead man who laughs and drinks despite having two bullets lodged in his intestine. The characters keep doing things that are out of character. Mysskin, the director should never hire Mysskin, the screenwriter again. From Mysskin's films, it's pretty obvious that he's a film-maker only because he wants to be one, not because he enjoys making films. It's shabbily overdone and the visual metaphors just make it worse. Yudham Sei is like eating a burger filled with just mayonnaise. You're going to feel like throwing up. I could write another thousand words about why the film sucks so hard, but I'm going to spare you of that. It's poison. Stay away from it.Rating – 0/10