Whitewash
Whitewash
| 19 April 2013 (USA)
Whitewash Trailers

In the harsh, wintry woods of rural Quebec, Bruce (Thomas Haden Church), a down-on-his-luck snowplow operator, accidentally kills a man during a drunken night joyride. Stricken with panic, he hides the body and takes to the deep wilderness in hopes of outrunning both the authorities and his own conscience. But as both begin to close in, Bruce falls apart mentally and morally and mysteries unravel to reveal who he was before the accident, the truth behind his victim, and the circumstances that brought them together in a single moment.

Reviews
Laikals The greatest movie ever made..!
Connianatu How wonderful it is to see this fine actress carry a film and carry it so beautifully.
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
Que no me toque un alto delante The script is the best feature of the film. It has details of personality. Could have made a better movie with it. Haden Church achieves a commendable performance, even throughout the movie, but without big moments. Good intentions are seen in the feature film debut of the director, but it doesn't go all the way. It could have been a much more intense film. With inevitables reference to "Fargo", especially the snow as the big star and a crime as a starting point. Very interesting as the plot unfolds, fragments, and it will illuminate the reasons why the protagonist is in the situation he is. We can also highlight the ethical problem: good action, evil deed, guilt and punishment. This director can be to follow. The rhythm is a little slow. The best scene are the final 15 seconds.
a_baron This film might be described as a psychological thriller, if there were any thrills in it. How best then to describe it? Confusing, disjointed, pointless?Set in the middle of the Canadian winter, it begins with a man driving a snow plough, hitting a man who is walking in the middle of the road, and killing him. At worst this would be causing death by dangerous driving, most probably a tragic accident, but for one caveat, well, two actually, or maybe three, depending how much of this rubbish you decide to watch.The first is that he is drinking alcohol. The second as we learn later is that he has been banned from driving after a bizarre incident involving a snow plough crash which has left him unable to work, perhaps not simply because he has lost his driving licence. The third is that he knows the man in question, who had actually been crashing at his place on account of his being up to his ears in debt, through gambling, and not having the courage to go home and face his wife.This man had also been caught stealing from our non-hero, and had fled into the night on that account. There is no doubt his death was an accident, but understandably the authorities might be more than a little skeptical. Which leaves us where? Well, it leaves him carrying out a series of acts pointless and bizarre in equal measure, not to mention incriminating, and no, that does not mean simply driving his car.
Larry Silverstein Although I thought this movie got a little tedious and that some of the plot elements didn't quite add up, I still found that it pulled me in right from the start and kept me intrigued throughout.It's basically a two person film with the fine actor Thomas Haden Church leading the way and starring as Bruce. He's been drinking heavily since his wife died a year before, while living in the Canadian wilderness. However, his livelihood as a snow plow driver has been shut down, as his license has been revoked for driving drunk and crashing into a restaurant.Marc Lebreche, as Paul, is the other major player here, and rather than write too many spoilers here I'll just say we learn a lot more about him as the film progresses. I can say that the movie opens with Paul running desperately through the snow covered streets of the town, while Bruce is shown driving his snow plow in a snowstorm with very poor visibility. Suddenly, we see the plow crashing straight on into Paul.Through flashbacks, we'll eventually learn how these two men got to the opening scenes, and it is quite a journey we're in store for. We'll also see what amounts to a wilderness survival story and a slow descent into madness, which, as mentioned can get a little tiresome, but still kept me quite engrossed.I thought this was quite a good effort for a directorial debut from Emanuel Hoss-Desmaris, who also co-wrote the script with first time screenwriter Marc Tulin.Overall, I felt this film had its' limitations, but I still found it to be an intriguing and engaging watch.
MartinHafer Whitewash is the first full-length film from Emanuel Hoss-Desmarais. Because he is not that experienced with writing and directing, I feel I should be gentle with this review, as I do not want to discourage Emanuel—he shows some definite promise with this film. Whitewash has many qualities that show he's on the right track with his career and he should definitely keep working at improving his craft. The problem, however, is that the movie has very, very, very limited appeal and I cannot see it being a commercial success.The film stars the familiar actor, Thomas Hayden Church and it was quite the coup getting him for this project. You'll probably know him from such TV shows as Ned and Stacy and Wings but he also has been in quite a few films—including the critically acclaimed Sideways.The story is set in Canada and most everyone, other than Church's character, speaks French. It begins with him driving his snow plow down the road during a bad storm and running over a guy who is standing in the road! Inexplicably, instead of contacting the police, since it appears to be just an accident, he buries the body in the wilderness. Soon after this, he wrecks his plow and is stuck—and it might just be because he's drunk…though you really aren't sure. Why he doesn't just go for help is difficult to fathom initially and slowly during the course of the film you realize that there's more to the story. This film is told through a very familiar method in recent years—telling the story out of sequence. It seems like the story was chopped up and pieces of the beginning middle and end are all mixed together. I have liked this style in some films, though I must say that perhaps this style is a bit overused and it makes the film a bit confusing. This is not the only reason that I think that the film is for a very select audience. I say this also because Church is pretty much THE star of the film and he is in all the scenes in the film. Much of the time, he's all alone and talks to himself while hiding out in the woods—and this sort of film is certainly not one to appeal to anyone wanting action or traditional story telling. Additionally, he's not a particularly sympathetic character in the film—further lessening the film's appeal. Now none of this is to say it's a bad film—it isn't. It is unique and may appeal to some people who feel like they've seen it all and want something different. As for me, I respect the project—but I also didn't particularly enjoy it nor could I see myself recommending it to friends. Instead, I say let's see what else Emanuel Hoss-Desmarais can do in the future, as his directing style seems solid—I just think the story was one that doesn't have widespread appeal. A very curious film, that's for sure and I can easily say that I've never seen anything like it. Considering that I've written over 16,000 reviews (mostly on IMDb), this is saying a lot.