Cathardincu Surprisingly incoherent and boring

Ploydsge just watch it!

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Comeuppance Reviews Now here's a weird one. Imagine if someone threw a bunch of film reels from different drive-in movies in the air, and used Robert Ginty's chainsaw you see above to wildly slice them at random. Then they spliced them all together and stuffed the result in a projector. The result would undoubtedly be...WHITE FIRE! In this highly entertaining monument to nonsensicality, Robert Ginty and Belinda Mayne play brother and sister Boris "Bo" Donnelly and Ingrid Donnelly. When they were children, their parents were killed by soldiers. The man who saved them, Sam (Jess Hahn) is now their friend in adulthood, and they live in Turkey. He has a sleazy associate named Peyton (at least we think that's what his name is). What are they up to? Apparently, Bo and Ingrid stole some diamonds and some bad guys want them back. Gordon Mitchell plays Olaf, a man who works in a futuristic diamond mine where they wear crazy outfits and torture and kill people. A gigantic diamond called "White Fire" is in the mine, but if anyone touches it, they melt. Then it gets really crazy.Many bad guys are after the Donnellys, including the Italians Sophia (Banti), who has a hilarious accent, and Barbarossa (Benito Stefanelli), not to mention an army of mustachioed Turks. During a brawl, Ingrid is "killed". Bo is crushed because they had such a close relationship (a little too close...more on that later) so he goes to drown his sorrows at the local watering hole. After the prerequisite barfight, a woman named Olga (Diana Goodman) comes home with him. She has blonde hair like Ingrid did, so, naturally, Sam suggests, "She could be Ingrid. We could replace her", or something to that effect. Of course, Olga goes along with the plan and goes to a bizarre castle populated only by women in diaphanous scarves and gets plastic surgery. Now she looks like/is Ingrid. Now Bo can fall in love with her without technically committing incest. But there's yet another wrinkle. Noah (Williamson) is after Olga because he is a pimp and she is a prostitute that escaped without paying him some money (that's the best we could make out of that unfollowable jumble of a subplot).SO! Will Bo and Olga/Ingrid ride off into the sunset with the White Fire? Or will Olaf and Noah get their way? And one other thing...what the HELL is going on? I'm sorry if any of the above came off in a negative way. Despite the fact that the "plot" is as jumbled, silly and nonsensical as any Godfrey Ho epic, White Fire is actually a lot of entertaining fun. You just have to be the type of person that can accept the fact that the plot is, let's just say, "non-traditional".White Fire is a cinematic oddity consisting of crazily choppy editing, nutty sound effects, loud, laughable dubbing, and riddled with bizarre jump cuts. And that's just the technical side. The plot is just a bunch of loose strands that make no sense. Add to that the Jon Lord-related soundtrack (two songs, the fast, title song and a sensitive ballad they repeat over and over, presumably by the band Limelight). It has all the exploitation goodies, over-the-top nudity and violence, and of course the "bad" acting...but what really sets this apart is the relationship between Bo and Ingrid...and Bo and Ingrid/Olga. It's just so weird all the way around.Fred Williamson is here in a rare bad guy role, and Ginty and the others wear some pretty amazing fashions. For fans of true cinema weirdness, if you haven't already discovered it, there's a rich mine of greatness to be found in White Fire.

ElijahCSkuggs White Fire has so much going for it. With Larry Bird look-alike Robert Ginty leading the charge blazing away with his fabulous hair and super macho mustache, the movie soars above other low-budget actioners. The charisma he has in this makes Tom Selleck look like a putz. With Ginty beating up everyone, the movie only rises in awesomeness when a story of diamond intrigue enters into play. Then add in Fred Williamson, some frontal bush, chainsaw attacks and some awesome incest themes....this flick ends up delivering on all cylinders. If you're looking for some awesome B-Action, this is where it's at. Now, if I can just get my hands on that soundtrack.

Coventry Superbly trashy and wondrously unpretentious 80's exploitation, hooray! The pre-credits opening sequences somewhat give the false impression that we're dealing with a serious and harrowing drama, but you need not fear because barely ten minutes later we're up until our necks in nonsensical chainsaw battles, rough fist-fights, lurid dialogs and gratuitous nudity! Bo and Ingrid are two orphaned siblings with an unusually close and even slightly perverted relationship. Can you imagine playfully ripping off the towel that covers your sister's naked body and then stare at her unshaven genitals for several whole minutes? Well, Bo does that to his sister and, judging by her dubbed laughter, she doesn't mind at all. Sick, dude! Anyway, as kids they fled from Russia with their parents, but nasty soldiers brutally slaughtered mommy and daddy. A friendly smuggler took custody over them, however, and even raised and trained Bo and Ingrid into expert smugglers. When the actual plot lifts off, 20 years later, they're facing their ultimate quest as the mythical and incredibly valuable White Fire diamond is coincidentally found in a mine. Very few things in life ever made as little sense as the plot and narrative structure of "White Fire", but it sure is a lot of fun to watch. Most of the time you have no clue who's beating up who or for what cause (and I bet the actors understood even less) but whatever! The violence is magnificently grotesque and every single plot twist is pleasingly retarded. The script goes totally bonkers beyond repair when suddenly – and I won't reveal for what reason – Bo needs a replacement for Ingrid and Fred Williamson enters the scene with a big cigar in his mouth and his sleazy black fingers all over the local prostitutes. Bo's principal opponent is an Italian chick with big breasts but a hideous accent, the preposterous but catchy theme song plays at least a dozen times throughout the film, there's the obligatory "we're-falling-in-love" montage and loads of other attractions! My God, what a brilliant experience. The original French title translates itself as "Life to Survive", which is uniquely appropriate because it makes just as much sense as the rest of the movie: None!

thecaptain_uk Absolutely fantastic trash....this one has it all: nudity, good fight scenes, gore, action, explosions etc. It also stars the wonderful Belinda Mayne as Ingrid - not Olga as the other reviewer pointed out - although Olga turns into Ingrid later on in the film (you'll have to watch it to see what I mean).I won't bother to go into the story as it's far too long winded and not very interesting. The relationship between Ingrid and her brother Bo (Robert Ginty) is interesting - watch the towel stealing scene to see what I mean.The fight scenes were at once quite good and then spoilt by some really shoddy gore effects that looked like they were done by the team who did City of the Walking Dead (i.e. strange coloured blood gushing out of neck wounds).I'd advise fans of low budget trash to check it out if they can track down a copy - its pretty rare though and I couldn't ever see anyone bothering to re-release it so it'll become all the rarer in a few years.Anyway I'd recommend it solely for Belinda Mayne's great nude scenes! That lady's a fox!