White Comanche
White Comanche
| 21 June 1968 (USA)
White Comanche Trailers

William Shatner plays two roles: cowboy Johnny Moon and his ruthless Indian twin brother, Notah. Notah likes peyote and gets the crazy idea that he's the Comanche messiah sent to lead the Comanche nation against the white man but more specifically the dusty desert town of Rio Hondo. Moon, estranged from his brother, decides to stop Notah either by words or by bullets.

Reviews
NekoHomey Purely Joyful Movie!
CommentsXp Best movie ever!
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Benedito Dias Rodrigues I wondering how William Shatner was involved in this average Spanish western, the premisse wasn't so bad at all,in fact make sense,a twins brother half bread comanche & white man,but to consider it a crap there a long distance,the picture has a bad reputation by a large majority IMDB's users,but to me was an easily appreciation,therefore l find the answer,in fact the people fount a outrageous Captain Kirk got engaged in poor picture like that,a step down in your career,a place which he didn't dare to go,the picture itself is watchable and there good and bad moments,in time Joseph Cotten also has some criticism too????Resume:First watch: 2018 / How many: 1 / Source: DVD-R / Rating: 5.75
funkyfry The temptation to make weak and obvious jokes about this film is simply too strong for me to resist.... but the punchlines I'd come up with couldn't be as much of a joke as this movie itself. A sad Spanish production that somehow managed to wrangle movie icon Joseph Cotten and rising camp icon William Shatner into a hackneyed film about a death feud between twin "Commanche" brothers. Yes, we are supposed to believe that William Shatner of all people is half white man and half native American, and nothing in Shatner's bag of overstated expressions and mannerisms is going to help much in the matter. One of the brothers wants to live in peace as a white man, but he's continually being mistaken for his brother who still lives to rob and kill on the edges of civilization (while continually popping peyote buttons, which might explain the acting). Hilariously, the film is so naive that it expects us to respect the white-bread Shatner's wishes that his brother and the other Commanches would go back to the reservation where they will have some kind of idyllic life according to him.The physical aspects of this production are embarrassing. There's actually some attempt by the director to bring visual nuance to the film, such as an interesting shot of a man disappearing from the frame which is revealed to be a mirror. But even the unfortunate director, Jose Briz Mendez, is undone in his ambition by the rock-bottom nature of everything associated with the film. The actors in the film are generally terrible, and all of the dialog is of course dubbed. There's a lack of scope to everything, as if the director was constantly aware that moving the camera in one direction or another would reveal unfinished parts of the set. In the end of the movie the good Shatner is supposed to be settling down with his generic showgirl girlfriend in this town, but we really can't imagine anyone wanting to live in such an ugly place for more than 5 minutes.The production is so incompetent and lazy that when we start to see the clichéd "vultures overhead" towards the end of the movie, they sound exactly like crows. You see this vulture in the sky and then there's a voice going "Ca Ca Ca!". What's worse is that they didn't even bother to use an actual crow -- it's just some guy making animal noises dubbed onto the soundtrack. These people went to the Bert I. Gordon school of post-dubbing apparently.It's just a horrible, rotten movie.... oh shoot I didn't mention that Joseph Cotten is in it. How Cotten ended up in so many bad movies around this time in his career is really difficult to understand. It actually fills me with sadness to see this great actor, who had been a leading man for Orson Welles and Alfred Hitchcock, reduced to being the nominal "star presence" in a pathetic and pointless film like this one, which doesn't even have the class that Mario Bava could bring to some of his other European films. There's no excuse for this movie -- if it had been a TV pilot, the show would never have been picked up. To expect people to actually pay money for a ticket to this mess is almost criminal. I was able to survive and even enjoy the experience thanks to 4 pints of Stone IPA.
dickzie32-1 Actually saw it so many years ago that I don't remember much of the film. However, knew Gil Kay, the director, when he was living in Madrid in the late 60's and wonder if he is still around and writing and directing. At the time he had a screenplay, that he wrote, and was trying to produce it in Spain. Madrid was a hotbed of film activity, fueled mainly by Samuel Bronston's productions. Big names and, for those days, big budgets compared to the Spanish economy. Gil was an integral part of the ex-pat community of film makers, most of whom came over to work on specific projects but, seduced by the extraordinary life style in Madrid, remained, sometime for years, trying to put together productions. A few succeeded but most returned to Hollywood poorer but wiser. So, anybody know if Gil is still alive and active? What was his last effort? Would appreciate an update at my email address: dickzie32@Yahoo.com
andrewsarchus Hilariously bad western with Shatner playing the dual "good twin/bad twin" roles. This was made in Spain during his Star Trek years (hey, it seemed to have worked for Eastwood before him!). The incomprehensible back story winds up with a gun battle between fractious factions in the town of Rio Hondo (does anyone know what they're fighting about?). It also supports some other characters running around trying to hang innocent people. But the main clash is between the two twins which proceeds to a mano-a-mano finale in which Shatner gets to bare both his chests. I personally found his characteristic staccato delivery perfect for the Comanche twin Notah (speaking sterotypically of course). And for Star Trek fans - only one of him gets the girl! The film also suffers from a jazz influenced musical score, but, hey, that's the least of its problems.