What's in a Name
What's in a Name
| 25 April 2012 (USA)
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Vincent, a wealthy real estate agent, is invited to dinner by his sister Elizabeth and her husband Peter, both professors in Paris. Claude, a childhood friend and trombonist in a symphony orchestra, is also present. Vincent brings news from the prenatal examination of his and his wife Anna's unborn son. The name chosen by the soon-to-be parents strongly offends the others for many reasons. The dispute between the guests quickly escalates and before long the resurgence of old grudges and hidden secrets is unavoidable ...

Reviews
Evengyny Thanks for the memories!
Platicsco Good story, Not enough for a whole film
Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Brooklynn There's a more than satisfactory amount of boom-boom in the movie's trim running time.
thiagoneves-28871 I highly enjoyed Le Prénom. The dialogs are so dinamic, with such a fluidity and the perfomances are sublime.
WilliamCKH Based on the premise, I had high expectations for this film. I was not disappointed. The film, however, started out, I thought, too quickly, too cleverly, a la Amelie Poulain, with its introductions and back stories of the main characters. When the film settled down, inside the apartment, the film got back on track to a pace I could enjoy. The dialogue is wonderful between the characters, each character having a unique voice and talking about subjects I would talk about at a dinner party. Each character had a certain point of view, unique yet relatable. Although the title is only a springboard to other subjects, it does start the film rolling, and roll it does, from jokes, to misunderstandings, to secrets, to childhood resentments, to pent up rage reaching it's climax during Babu's meltdown. Although all the characters are interesting, it is Babu we are rooting for. I loved Valérie Benguigui's amazing performance. I'd never seen her in films and I hope that I get to see more of her. The other actors are also fine in their roles. I must also say that Francoise Fabian has just aged beautifully. The first time I saw her was in Eric Rohmer's MY NIGHT AT MAUDS'S which was released in 1969. She still looks amazing.....I wrote this review before reading all the credits and was saddened to learn that Valerie Benguigui passed away in 2013 from cancer. People are here for a short time and they leave us. Some, if lucky, leave behind something that is forever in the cultural landscape. I'm glad I was witness to this beautiful film and beautiful performance ..Rest in Peace
phoenix 2 Five friends gather for a dinner party and they end up revealing secrets. The main story doesn't sound much, however the movie is very funny and entertaining. Simple jokes, without the vulgar additions that the comedies tend to have these days to produce laugher. But, as the story proceeds, the humorous atmosphere turn into a dramatic, as the secrets are being revealed one after the other. The transition is very smooth and you don't really realise it. Great performances, without overdoing it (well, most of the time anyway). The characters are clear and you can easily get them and understand their next moves. All in all, a nice movie.
richwgriffin-227-176635 I had a big smile on my face during the end credits because I thoroughly enjoyed this French movie from 2012! Yes, it's essentially a stage play, almost the entire film is set in the upper-middle class Parisian living room of the couple who have invited another couple and a single friend over for dinner. The dialogue is exceptional, the acting is superb (it's my understanding they performed this as a play with the same cast in Paris before making the film; this is why they seem so cohesive).Two of the cast members were known to me: Charles Berling and Patrick Bruel. Three of the cast members were new to me: Cesar winners Valerie Benguigui and Guillaume de Toncquedonc; and Judith El Zein (as Anna, Vincent's wife, who is very late arriving at the party, so she can reveal that they aren't really naming the baby Adolphe/Adolf, but rather Henri). Francoise Fabian has the small role of Vincent and the wife's (Babu) mother.I didn't like the film version of Carnage at all, and this film resembles it very closely. This one is MUCH better.I was surprised the film didn't feel static. It moved right along without any sagging. It's almost all talk but interesting talk. I would be interested in other plays by Matthieu Delaporte, who co-directed and co-wrote the screenplay.I love French cinema. It's a cinema of actors and dialogue more than cinematography. Films often look similar but feel different.The one suspenseful moment is that I thought Claude was going to declare his love for Babu. We are misled into thinking it's Anna he's having an affair with, but it's actually Francoise, the mother! Nice touch! Especially since everyone, including the audience, thinks he's gay! (: