What Waits Below
What Waits Below
PG | 19 November 1984 (USA)
What Waits Below Trailers

The US military is running a test for a special type of radio transmitter, to be used to communicate with submarines, in a deep system of underground caves in Central America. When the signal from one of the transmitters suddenly disappears, a team of soldiers led by Major Elbert Stevens and cave specialists led by Rupert 'Wolf' Wolfsen including scientist Leslie Peterson are sent in to find out what happened. Exploring deep underground, they stumble upon a tribe of albino cave-dwellers who have apparently been isolated from the rest of the world for thousands of years. The cave-dwellers are hurt by radio frequencies and are able to see in infra-red frequencies, tracking the explorers by their body heat.

Reviews
Palaest recommended
Btexxamar I like Black Panther, but I didn't like this movie.
Dorathen Better Late Then Never
Brennan Camacho Mostly, the movie is committed to the value of a good time.
Coventry I had to principal reasons to check out the relatively obscure 80's cave-horror movie. First of all because I read in several reviews that the film can be considered as an antecedent of Neil Marshall's acclaimed 2005 hit "The Descent", in which a bunch of extreme sport chicks encounter a strange breed of predators in a previously unexplored cave. The second reason is because this was the last meaningful film of Don Sharp. This underrated Australian-born director made a few very cool movies for Hammer studios, like "Kiss of the Vampire" and "Rasputin: The Mad Monk", as well as a few other sadly overlooked genre gems like "Dark Places" and "Psychomania" (about a gang of zombie bikers!). "What Waits Below" has a peculiar but potentially interesting premise, and dark ominous caves have always been effective settings for horror flicks. Whenever a group of teenagers, scientists or speleologists plummets down a cavern, there's always some type of monster or estranged civilization to knock them off. The problem here, however, is that takes an enormous long time before something happens and when the menace does eventually gets personified, you'll only feel underwhelmed and maybe even tempted to chuckle. Robert Powell, who starred in some bizarre horror films before like "The Survivor" and "Harlequin", plays a caving expert hired by the army to install a radio transmitter inside a Central American cave. I think it was to remain in contact with submarines, or something… I didn't quite understand that part. Anyway, not important, because the radio as well as the soldiers on guard mysteriously vanish during the first night and Powell leads an expedition deeper down into the cavern. Plentiful of dull conversations and false scares later, the group stumbles upon a whole community of albino dorks. The cave people seriously don't look the least bit scary. Earlier in the film, there' a confusing sequence with some sort of snake monster that peeps out of a hole in the stone wall and kills off one of the soldiers. Even though that creature is a lot more horrific – albeit also a bit cheesy and typically 80's – it would have been a better idea to revolve the film on. Don Sharp generates a bit of morbid atmosphere in the beginning of the descent, but it quickly becomes tedious and too enticing to fast forward. Still, good performances by Lisa Blount and Timothy Bottoms as the despicable army superior.
lost-in-limbo Well this has been hiding under the surface, as it took a friend to mention about it for me pay notice. The copy I just watched happened to be there's too. 'What Waits Below' is a minor, but completely distinctive and enjoyable horror/adventure trek in some underground caverns. Neil Marshall's 2005 feature 'The Descent' might shoot to mind, but other than featuring albinos' (known as Lemurians') living the caves, the tone is much different. The adventure aspect easily beats out the horror elements that are looming. I found it to lose its way in the last 20 minutes, as the story shows up its lack of ideas and the script's thin base. Still after a slow beginning it keeps you watching and manages some effective shocks, interesting atmospherics and sprinkles of moody suspense with Denny Jaeger and Michel Rubini's edgily wounding score perfectly streamlining (if at times overshadowing) the presentation. Eerie locations and pastel set-designs within the cave system make it like you've entered another world and the make-up/costumes for the Lemurians' are quite standard. Director Don Sharp's tight and compact handling doesn't let its budget restraints entirely bog it down and the performances are mostly good. Robert Powell is an undervalued actor and makes light work of his performance by presenting an easy-going charm and class. Timothy Bottoms is efficient and the gorgeously fixating Lisa Blount gives a hardy turn. Modest low-budget horror/adventure item that goes on to promise more than it actually delivers.
toxic-lunch If you're patient enough to stick with this film, and you dig eerie nightmarish imagery, this film is quite a treat! Personally, I really miss the atmosphere of films such as this that relied solely on the characters, and things not so human, without the use of glitzy computerized graphics, something today, in my opinion that has been over glamorized and almost used as filler. As I mentioned if you're patient you'll appreciate this film, it builds and if you hang on and agree with my review thus far you'll most likely really appreciate this film. All in all check it out, it's not a masterpiece by any means, although it rather strikes my fancy!
Al_Truist80 Contains some plot spoilers.I desperately tried to like this having first seen it aged eight, but what seemed exciting / scary back then, I find pretty lame now. It's in the style of Raiders of the Lost Ark or Romancing the Stone, but not half as good. Set in Central America (not in South America, where it claims Belize is ) the story follows the US Army setting up a low-frequency transmitter as a navigational aid to subs. As a precaution this 'beacon' is to be hidden deep underground and to help locate a suitable place is elite mercenary and caveman Rupert Wolfson. When men operating the transmitter mysteriously disappear, `Wolf' and some anthropologists help in the search which takes them deep into the mountain. Here they encounter unforeseen perils, including a race of temperamental albinos. Actually filmed in Alabama and Tennessee (Cathedral & Cumberland Caverns respectively) this suffers from dreadful acting and screenplay, plus lack of imagination as the 'mystery' unfolds (not to mention numerous continuity & editing errors) An atmosphere of intrigue and ambiguous wonder is created to (almost) good effect at the beginning, with the opening monologue discussing unexplored wonders of the Earth accompanied by eerie music. This ambience is lost after some badly directed action and almost ruins the following helicopter distorted lens sequence, meandering us through the unwelcoming landscape like a drunkard. `2001'-style wonder is paired with suspense as we enter the caverns, combining some good cave locations with matte artwork and photography. But the camera seems more interested in what our characters are doing. Before long the low budget is apparent and aside from some interesting monsters, we're treated to silly sets and costumes. Characterisation is based on racial stereotypes and the general level of stupidity of that person. Take our main character: he is suave Englishman Wolfson, acting as a consultant for the army; an expertfighter and all around good-guy. No personality flaws, only bad dresssense. Two ugly English (natch) play scientists who are specifically there to die. The female lead (obligatory love interest) is talkie (but not outspoken) Leslie. Working with the Anthropologists she helps extract long-dead remains but will scream when faced with a fresh one. Not too bright. The main American contingent play embarrassingly inept and unprofessional soldiers obsessed with working the transmitter as if their lives depended on it. Wolf's friend George's only importance to the plot is to tell Wolf about the mission. He is a lieutenant and an idiot. There are also several local Latin-Americans assisting the US, one is accident-prone Santos who acts as a plot device to attract the monsters. Acting is at best poor and veteran Robert Powell doesn't even try to get to grips with his (admittedly awful) script. Apparently the main script was being rewritten every day during the shoot and it shows! There are some good `Predator'-style effects as the humans are viewed as a pink glow through the Lemurians' eyes, but their rock-shattering scream was unconvincing. I did like the idea that the Lemurians are sensitive to ultra-sonic waves though. The plot badly loses its way. The buildup is painfully slow and when the 'mystery' is finally resolved, it's a real anti-climax (not giving anything away, let's say not exactly a Close Encounters moment) The idea of discovering creatures deep inside a tropical mountain landscape appealed to me, but `Secrets of the Phantom Caverns' is a letdown. Underground albinos!
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