PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

mraculeated The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

Asad Almond A clunky actioner with a handful of cool moments.

Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

mark.waltz It's ironic that over the credits, a tornado is seen over an account exotic setting as the titles appear. But that's a minor detail in a delightful adventure, up there with the dozen or so sarong films starring Miss Dorothy Lamour. It's her and a cute chimp named Coco on a deserted island, and it's up to the audience to be smart enough to realize that it was her character in the opening scene as a little girl, facing a tropical storm as the ship her father captains prepares to go down thanks to a nasty typhoon. She makes her home all alone, that is until shanghaied sailor Robert Preston and the creeps who knocked it out show up. How Lamour managed to survive a decade with just Coco to help her is too bizarre to try to comprehend, so all you can do is take it all in and accept it.This colorful adventure is typical cheezy fun, with Preston wearing nothing but a sarong made into tight shorts and looking pretty sexy as well as gifted. If the idea of the music man striving to be Tarzan for an hour seems amusing, this will be fun viewing. Lynne Overman is a comical villain as the shangaiing skipper, and J. Carroll Naish speaks with a hysterically bad Polynesian accent. Coco makes it clear why little kids of every generation wanted a chimp as a pet. MGM kept the Tarzan series in black and white, but Paramount realized the benefit of putting Dorothy Lamour in color. The one common quality they have is camp, and this one has a ton of it.

xerses13 Once more in the 'Golden Age' of Hollywood a major studio, Paramount, ventures forth into the South Seas. These films follow pretty much the same formula. A exotic tropical island, the adversary, in this case Pirates, romance and finally the concluding disaster. Where the attractive couple always survive and true love is fulfilled.TYPHOON (1940) follows this formula with a few interesting variations. Pearls are the objective and to help get them Skipper Joe (Lynne Overman) has a pre-WWI Submarine at his disposal. He is assisted by shanghaied Johnny Potter (Robert Preston). They are pursued by Pirate Kehi (Chief Thundercloud) and threatened by mutinous Mekaike (J. Carroll Naish). Who manages to lose the Submarine, forgetting that you have to close the hatches before diving the boat.All is not lost though, on their island is Dea (Dorothy Lamour) back in the Sarong again! Rehabilitating the perpetual drunk Johnny with the help of her Chimpanse companion and finding romance. The Pirates make a reappearance, but fortunately are dispatched by the TYPHOON arriving in the nick of time to wrap up the film. In a brisk seventy (70) minutes.Lamour had first donned the Sarong in THE HURRICANE (1937) the best of these epics, Directed by John Ford. Lamour is always good to look at even in material like this. She was capable of more as in JOHNNY APOLLO (1940) and looked just as good in contemporary fashions. Filmed in TechniColor the ending disaster benefited from Paramounts SFX Wizard Gordon Jennings. Though lasting only about five (5) minutes it is impressive, though not the equal of THE HURRICANE. This is a light entertainment and should be enjoyed as such.

bkoganbing There is some kind of story behind Typhoon or at least the making of this film. Academy Award nominations for Special Effects are not given out to films that only run slightly over 70 minutes. I have a feeling that this film was a lot more ambitious undertaking than what eventually arrived on the screen.There is a 10 minute prologue where young Norma Gene Nelson is cast adrift in a raging sea as her father Paul Harvey and first mate Jack Carson go down with his trading schooner in the South Seas. The young girl has seen the effects that alcoholism has done to her family as she drifts toward what she hopes is survival.Fast forward several years and Lynne Overman kind of shanghais an alcoholic Robert Preston who was cashiered from the Navy and now lives hand to mouth in those South Seas. Overman knows where there's a bed of oysters who give off with pearls as we know and he's thinking of striking it rich. But the native crew he has needs someone else to keep them in line. One of them J. Carrol Naish is a real sneaky one with his own agenda.In addition Overman got one of the native chiefs against him when he picked a fight in the saloon where Preston is drinking for the purpose of getting Preston into the battle. It works only too well.Overman has a surplus submarine from World War I and he's forced to put in on a deserted island. Not quite deserted because Dorothy Lamour is the grownup version of Norma Gene Nelson. She's grown up like Brooke Shields on the island without Christopher Atkins. Preston got separated from the rest and she finds him. Let's say no one's explained the facts of life to Dottie, but the girl has instincts.Overman, Preston, and Lamour and her pet chimpanzee have to face mutiny, a forest fire, and finally a Typhoon before this film is over. Quite a lot packed into a 72 minute running time. What's left a really silly film with state of the art special effects for their time. That does not compute so I know Paramount had much bigger plans for this film when it started out on the drawing board. It ends up really as a B picture. But Dottie in a sarong singing South Sea island songs from Tin Pan Alley is what the movie-going public wanted.

jotix100 Dea, a young girl of about 10, or 12 years old, finds herself in the middle of a typhoon in the South Seas. Her father, the skipper of the ship, drinks too much. Dea resorts to tie him up in his cabin, when this happens. The storm proves to be too powerful. The father realizing they face an imminent death, puts Dea in a lifeboat hoping she will make it to shore.Years later, we are taken to an island where Johnny Potter a young adventurer down on his luck, tries getting drunk on credit. When Skipper Joe, a man in search of black pearls, happens to meet Johnny, and after a brawl in a bar, they depart in his vintage submarine looking for the treasure. As they begin sailing, the Skipper realizes they are out of fuel. So, they must abandon ship and sail to a nearby island.Left on the beach by the Skipper, and his men, Johnny is rescued by Dea, who is now a grown up woman. Her companion Koko, helps her bring Johnny up to the tree house she has built. An idyllic sort of life is found by Johnny, but trouble comes when a rival ship lands in the island, setting it on fire in order to kill Johnny and the Skipper. At this point a typhoon hits, causing havoc, but Dea leads them to safer ground.This 1940 Paramount release was shown recently on a cable channel. The copy is faded in part, but yet, the great tempest at the end is a marvel of special effects at a time where the technique had not been what it is today. Louis King directed this 70 minutes film that, although predictable, is still worth seeing, if only for the final part of the film.Dorothy Lamour looked ravishing as the girl that grew up by herself. Robert Preston plays Johnny. Lynne Overman is seen as the Skipper and J. Carrol Naish appears as a devious crew member that wants the black pearls for himself. Allen Davey and William Mellor are credited with the cinematography, a great achievement for those days.