SpuffyWeb Sadly Over-hyped

Nonureva Really Surprised!

BroadcastChic Excellent, a Must See

Matrixiole Simple and well acted, it has tension enough to knot the stomach.

Floated2 Twice Born tells the story of interconnecting parallels stories upon one within the context of a story art. The film toggles between present-day scenes depicting the mother and son's complicated relationship and flashes of the tragic love affair between Gemma and Diego (Emile Hirsch) in the early 1990s that led to Pietro's conception. The boy's birth was the product of rather bizarre and secretive circumstances that places his biological kinship under suspicion, and the point of Gemma's trip is to reveal to him the truth about his filiation, but it turns out that she herself only knows half the story, if not less.We are then later to come in between. We then see Gemma and Diego's love is the sort that only seems possible in Europe. The beginning of their story has the gravitas of the destine-bound love at the center of Julio Medem's Lovers of the Artic Circle, but none of its focus, as Twice Born quickly turns out to be more interested in reveling in the secrets of its storyline than in its sentiments. Gemma and Diego grow apart as she discovers she can't have children and is scared that her sterility will make him chase other women. Although it does spark some chemistry and connections, the later scenes have a separate distance from one another, and it appears to feel more so all over the place. Twice Born does extend and could have been a little shorter, however there are an audience of these type of films.

Mike B There are many things wrong with this film:Overacted - particularly by Emile Hirsch and Adnan Haskovic (who is constantly trying to sound poetic, but its balderdash). This film defines what over-exuberance is.Bad editing - we change scene to scene with little sense of continuity. In one scene, as our heroes enter a home, there is a man standing on his head.Musical choice - this with the poor editing makes the film a Much Music spectacle. There is one scene where a new character professes her love of Nirvana - so guess which song comes up next.Pretentious - the whole thing comes off as very self-indulgent - it's simply tedious.The only rewarding factor, for me, was the conclusion which put everything together. Still, because of the poor characterizations, this film had little feeling or empathy . It's almost like the ending was made first - and weave something to make this ending.

gradyharp Margaret Mazzantini's very popular novel 'Venuto Al Mundo' (English translation 'brought into the world') has been transformed into a screenplay by the author assisted by the director (her husband) Sergio Castellitto, the film in English is now called TWICE BORN. It is complex story, beautifully sculpted with interlocking flashbacks that cover a 30 year period, photographed with great skill by Gianfilippo Corticelli, and a cast that makes this carefully integrated story of varying timeframes work splendidly. Much of the film's beauty is in the complexity of the manner in which the story develops and revealing too much of that story would spoil the experience for new viewers. Very basically the story relates a mother who brings her teenage son to Sarajevo, where his father died in the Bosnian conflict years ago. But more needs to be added.Italian professor Gemma (Penélope Cruz) visits Sarajevo with her son, Pietro (Pietro Castellitto, son of the writer and director). The two of them had escaped the city sixteen years ago while the boy's father, photographer Diego (Emile Hirsch) remained behind and later died during the Bosnian War. As she tries to repair her relationship with Pietro, Gemma is forced by revelations to face loss, the cost of war and the redemptive power of love. She re-acquaints with her dear friend Gojco (Adnan Haskovic) and together they relive the horrifying experiences of the war in Sarajevo, Gemma's attempt to provide her beloved Diego with a son (she is sterile), the eventual plan to have Diego use musician gypsy-type Aska (Saadet Aksoy) as a surrogate for the couples much desired child, and the consequences that plan takes on, leading to a series of identity crises that the now older Gemma must face with her teenaged son Pietro. The story is structured on alternate scenes from the trip taken in present in Bosnia by Gemma and her son and flashbacks from the two time periods (of the first encounter and the war), a technique that at times is difficult to follow but that definitely enhances the tension of the story.The cast is extraordinary: Penelope Cruz is dazzling, Emile Hirsch gives his most sensitive performance of his career, and Adnan Haskovic, Saadet Aksoy and Luca da Filippo (as Gemma's father) are outstanding. This is a difficult film in message but a profoundly moving drama. Highly Recommended. In English, Italian, and Bosnian. Grady Harp

Alireza Nazemi Amazing acting from Penelope Cruz, she shows the true feelings of being a mother in an ironic sense. A woman's desire for motherhood has been well illustrated! Her facial expressions throughout the movie are emotionally penetrating and make you think about this movie for quite a while. The movie has a perfect story-line. The shifting between present and past is done is professional way so you would connect the events without loosing the line.Watching this movie is like a heart-rending ride, but cinematography and acting are rewarding. The background music faultlessly matches all episodes of the movie. In one word, it's a well-directed and well-acted Italian movie.