Train To Tombstone
Train To Tombstone
| 16 September 1950 (USA)
Train To Tombstone Trailers

One of the passengers on a train to Tombstone decides to rob it of the $250,000 it is carrying.

Reviews
SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
mraculeated The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
bkoganbing Elements of the plot of the classic John Ford film Stagecoach are to be found in Train To Tombstone where 90% of the film takes place in a passenger car on said train. In fact star Don Barry joins the trip just as John Wayne as the Ringo Kid did in Stagecoach, after the train as pulled out of the station heading for Tombstone.And as in Stagecoach the passengers are a good cross section of western America and all are not as they seem to be. Considering that Lippert Pictures is a low budget outfit they did not do a half bad job in staging both a real Indian attack and an outlaw made up to look like Indians attack. Wally Vernon had a nice role and a funny one as corset salesman looking to keep waists from showing unnecessary waste. I also enjoyed Minna Phillips as the inebriated spinster aunt who likes to commune with all kinds of spirits.Train To Tombstone is economical on plot and filled with action, your perfect B western.
django-1 TRAIN TO TOMBSTONE is one of the films Don Barry made at Lippert after leaving Republic. These films are often a bit different from the norm (Red Desert, for instance...) and usually have excellent supporting casts. Barry wrote the story for this film also, and it's cleverly constructed as we have a train that throws together a diverse lot of people, PLUS we have the suspense of knowing the someone on the train is a criminal, PLUS we have the added suspense of knowing that the train will possibly be attacked along the way, but we don't know for sure or when or how or by whom. So there are a few different levels of suspense, yet most of the film can be shot on a small, static set. Barry, considered a young Cagney when he first came on the scene before his western star days, was always one of the better actors among series western stars, and he commands attention well here. Robert Lowery, with added mustache and now in his "supporting actor" days, adds more tension to the proceedings as a marshal overseeing the train (or is he?), comedian Wally Vernon is funny as a salesman trying to sell corsets to Indian women, and Tom Neal plays a doctor, although his character is not really developed very much. While it's easy to fault the film (there are external shots of bad guys chasing the train, but usually there's just a mediocre projection screen out the window that looks about as real as the one used in THE GREAT TRAIN ROBBERY, and in one scene the characters are firing guns out the window at the projection screen!), if you come to it with enough willing suspension of disbelief, it's an exciting ride, and it only takes less than an hour. The same director and four stars also made I SHOT BILLY THE KID the same year--one wonders if they were made back to back, although Berke and three of the four stars were Lippert regulars anyway. Overall, this is solid b-movie entertainment. The train plot device was a nice change of pace, and anyone who has enjoyed Don Barry's work in other films should check this one out.
bux When his popularity began to drop at the box-office, Barry signed with Producer Lippert to make a series of low-budget entries. This one has Barry posing as an outlaw during train ride to Tombstone. This movie was shown so often on local L.A. TV stations, it soon became a euphemism for repitition! If it's on late, turn in early.