Hulkeasexo it is the rare 'crazy' movie that actually has something to say.

Catangro After playing with our expectations, this turns out to be a very different sort of film.

Sabah Hensley This is a dark and sometimes deeply uncomfortable drama

Asad Almond A clunky actioner with a handful of cool moments.

bcstoneb444 One could make a case that 'Tony Rome' is the best private eye movie of the 1960s. Also we could argue that it's the first neo-noir, depending how one defines these things. In any case a lot of the film's success can be attributed to Sinatra, who is just terrific. The Tony Rome persona is clearly in the tradition of the classic private detective. However, Sinatra gives the character a more laid back, hip quality than the usual Old School tough detectives we saw in the 1940s, played by the likes of Bogart, Mitchum and Dick Powell. Given the setting and lifestyle, the character of Rome is also an obvious first cousin to Travis McGee of the John D. MacDonald novels. Moreover, in its way the film anticipates Miami Vice of two decades later. The style and mood is more early than late 60s, and there is a whiff of 007 with the lush Miami Beach backdrop, zingy repartee, frequent consumption of alcohol, top-notch production values, and beautiful women. And like the Bond films of that era, some of the sensibilities are, by today's standards, decidedly un-pc. To wit: Rome's penchant for violence, to the point of sadism; and the depiction of most of the women characters as little more than sex objects. Still, the film provides a good time capsule-like view of what Miami Beach was like a half century ago. Perhaps the best thing about TR is the cast of quirky secondary characters, played to perfection by the fine supporting cast. Refreshing to see Richard Conte as a cop instead of a mobster. And Jill St. John makes for a fetching (semi)romantic interest for Rome. There's not much that's new in 'Tony Rome,' but there's not a lot that's wrong with it either.

MartinHafer This is an interesting and very modern detective film. Frank Sinatra plays the title role--a private detective who seems very cool and disaffected. Of the three detective shows he made in the late 60s, I'd rate this one #2--behind the superior film "The Detective". However, this exceptional film is not related to "Tony Rome" or its sequel "The Lady in Cement". Regardless, Sinatra's world-weary performances were excellent--even if he seemed to try to make it look like he's not trying.The film begins with Tony doing what seems like a very mundane and not at all dangerous task--bringing home a drunk young lady to her rich daddy (Simon Oakland). Oddly, however, this good deed ended up leading to an apparently minor task--to find the young lady's missing earring. And, this task led to murder...in fact, a LOT of murders and mayhem. By late 60s standards, this film is awfully violent and Tony isn't exactly always the macho hero. Although he generally gets the best of it, he, too, gets the crap knocked out of him a few times in this rough and tumble film.As I said, I preferred Sinatra's "The Detective", but not by much. "Tony Rome" is a very good private eye film--a bit like a grittier version of "The Rockford Files"...minus most of the laughs. It's also odd that Tony is NOT the perfect manly sort of hero--especially since he repeatedly shows a stronger desire to wrap up the case than unwrap the very alluring Jill St. John--who spends much of the movie pursuing Tony. A very good film--especially since the mystery turns out to be a very interesting one. Worth your time.By the way, a couple interesting parts in the film are a cameo by the ex-champ Rocky Graziano as well as a VERY unusual sort of role for the comic Shecky Greene. Also, I just loved Tony's line "This is not a family. Just a bunch of people living at the same address." Priceless and indicative of the sort of smart-allecky stuff he tosses about during the film.

JLRMovieReviews Sinatra's take on Dino's "Matt Helm" is "Tony Rome," with a rousing theme song sung by his daughter, Nancy Sinatra. It starts out flashy with Ol' Blue Eyes as a bachelor/private detective and loving it, with plenty of eye-candy like Jill St. John. Her presence makes it feel like Connery's Bond movie "Diamonds Are Forever." They do have great chemistry and their scenes together make for most of the film's charm. "Tony Rome" does have some recognizable faces and names for die-hard film buffs, including Gena Rowlands, Simon Oakland, Richard Conte, a fun role for Joan Shawlee (one of Billy Wilder's constant actors) as a "lady" Sinatra interrogates and who propositions him, and a rare 60s role for 1930/40s actor Jeffrey Lynn, who you'd miss, if you didn't know him. But, the film's major flaw is its length and its emphasis on characters introduced late in the film, which makes the viewer confused, having to deal with so many interested parties in "the case of the missing jewelry," and of whom the viewer has not invested any interest in. Therefore, the viewer is left wondering what happened and feeling rather unsatisfied. A movie similar in tone, but done much better is Paul Newman's "Harper." But, I give it a 5 for a good beginning and Jill St. John making the most of her role.

bensonmum2 Frank Sinatra does his best to bring the tough talking, hard drinking, womanizing detectives of the 1940s into the 1960s. Sinatra plays detective Tony Rome much like I would image Bogart would have had he been alive. Sinatra doesn't do much of anything that Bogart wasn't doing when he played either Philip Marlowe or Sam Spade. In fact, beyond the characters, there are other similarities. Much as Bogart had his falcon, Rome has his diamond stickpin. And just as Bogart was forever carrying Carmen Sternwood home after one too many, Rome seems to be always at hand to make sure the Kosterman daughter gets home safely. In a way, it's this familiarity that makes me enjoy Tony Rome more than I probably should. Realistically, I've probably overrated the movie. You're not going to find anything award worthy here and Sinatra is doing little more than playing Sinatra. But it is fun and I always have a good time watching it. The mystery surrounding the stickpin keeps my attention even after having seen the movie three times. And what more can you really ask of a movie. Other highlights for me beyond the plot include some really cool scenes of Miami in the 60s and Jill St. John in a bikini.