Exoticalot People are voting emotionally.

MamaGravity good back-story, and good acting

XoWizIama Excellent adaptation.

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

ivo-cobra8 Tomorrow Never Dies (1997) is my seventh favorite James Bond 007 movie and Pierce Brosnan second best movie he did in my opinion. It is not better than GoldenEye but it is good decent action movie with great explosions, dangerous stunts and great action. Who is my favorite James Bond 007? That will definitely be Pierce Brosnan no one else, since his first film GoldenEye. I saw this movie as a fifteen year old teen I even have a poster at home from this movie. I love this movie I thought Roger Spottiswoode did a good job directing it. I thought it had decent stunts, decent action, less humor than Roger Moore. If you agree with me good, if you disagree with me that is your opinion. Tomorrow Never Dies is the 18th entry in the official James Bond film series.Pierce Brosnan makes his second appearance as Agent 007, James Bond heads to stop a media mogul's plan to induce war between China and the UK in order to obtain exclusive global media coverage. I love the opening scene in which in Russia Bond steals airplane with military missals and weapons who are been sold to international terrorist and brings them home. We see Pierce Brosnan flying an airplane. In real life Pierce Brosnan was scared of that airplane he thought the crew will killed him. You have a beautiful explosions from those airplanes. In Hamburg, Germany Bond breaks into the headquarters of Carver's media company and finds the office occupied by Henry Gupta, Carver's communications specialist and known techno-terrorist. He is been chased from security guys, because Wai Lin (Michelle Yeoh) makes entry and she touches the alarm. Bond is being fired by machine guns in which he flees great action sequences.Bond drives a new car BMW 7 Series with a remote control on a cell phone Ericson. I miss those times in which we used Ericsson cell phone. In 2004 I had that phone for a year until it got broken and I had to buy a new phone. Bond with cell phone drives with his cell phone as a remotely without touching the steering wheel. I did read a complaint about this scene on IMDb that is not realistic and it shouldn't have been in this movie. Listen folks it is a fiction not realistic, it James Bond so who cares. I never mind that scene it was great action sequence in which Bond eluded his attackers and he drove his car off the wall ha ha.James Bond and Wai Lin in Saigon, Vietnam jumped off the building in Carver's HQ. They escaped Carver's henchman and the flee off the building. They slide down Carver's poster while been handcuffed. Great action sequence in which Pierce Brosnan and Michele Yeoh drove handcuff on a motorcycle. That was incredible dangerous stunt. I read Michelle Yeoh did her own stunt on the motorcycle and it was really painful too sit on that bike her legs and body hurt her. Cars and helicopter chased them until they hanker the helicopter and it explodes. Practical effect real explosion no CGI or shaky cam real action. Bond in Vietnam that was interested story well done acted. Bond on the ship a stealth craft that is invisible on the radar uses hand grenade and he actives with his watch the grenade explodes and he makes the ship visible on the radar. Bond kick's ass and he kill's on the end Carver. He throws Carver in to the sea drill excellent. Bond is fired with machine guns and he fires back killing several Carver's man.Jonathan Pryce plays a good memorable villain, 'the emperor of the air,' Elliot Carver who was prepared to go to any length to increase the power of his media empire. If you think actor Jonathan Pryce did not a good job playing a bad guy. Watch him Ronin (1998) with Robert De Niro a year after this movie he played another bad guy.Götz Otto plays Stamper, the loyal psychopath henchman who follows Carver's orders murdering a group of shipwrecked British sailors. He was a good second bad guy but he wasn't memorable like Famke Janssen as Xenia Onatopp.Judi Dench is once again as M and she is more handsome and awesome than she was in GoldenEye. She is a good heart person in this movie I thought the actress did her job well. Samantha Bond, Joe Don Baker and Desmond Llewellyn - all reprise their "GoldenEye" roles.Michelle Yeoh did a good job as Wai Lin the new Bond girl she was awarded for the role of Wai Lin. A martial artist of considerable skills, she preferred to work alone - until she begins to trust 007.Carver's wife Paris was played by the great beauty, Teri Hatcher was excellent as Paris Carver's wife. She was good in her role and her performance. After an assassin kill's Carver's wife here we seen Bond's remorse and feelings, not a stone killer like Daniel Craig in Quantum of Solace.Tomorrow Never Dies (1997) is the eighteenth spy film in the James Bond series to be produced by Eon Productions, and the second to star Pierce Brosnan as the fictional MI6 agent James Bond. Directed by Roger Spottiswoode, with the screenplay written by Bruce Feirstein.10/10 Great Bond theme, it is my seventh favorite James Bond 007 movie in top ten favorite Bond films. I love this film to death and in my opinion it is way underrated.

Filipe Neto Directed by Roger Spottiswoode and produced by Barbara Broccoli and Michael G. Wilson, has Bruce Feirstein script and is the eighteenth film in the franchise. In this film, Pierce Brosnan plays 007 alongside Michelle Yeoh, in the role of Bond-girl Wai Lin, Teri Hatcher, on the role of Paris Carver and Jonathan Pryce, in the role of Elliot Carver. In this film, James Bond will investigate a mysterious act of war between Britain and China, allying to an agent of the Chinese secret services. Quickly, the two spies will focus their attention on a mysterious and egocentric mogul media, which doesn't look at ways to keep himself at the top of the audience.This is the second movie where Pierce Brosnan gives life to Bond and, as in the first appearance, he failed to surprise the audience. The actor is good and strives but failed to give authenticity to his Bond, even in action scenes, and convincing the public. Not to mention that, increasingly, advertising products will invade the film as if it were a plague. The plot, however, will help getting to forget such problems. In fact, the way the mass media influences the world thinking is still a concern for many people, particularly the anti-mainstream groups. Still, it's sad to see that, as happened with the previous film, this movie also has not sought a drop of inspiration in the novels of Ian Fleming. Another very positive point of this film is the excellent interpretation of Jonathan Pryce, in the villain's role. He managed to become truly relentless. The curious Q-branch gadgets back to deserve a positive note thanks to a BMW, which not only walks alone but also has a female voice. The opening theme of this film, sung by Sheryl Crow is, in my opinion, striking and worthy of being heard and appreciated.

Python Hyena Tomorrow Never Dies (1997): Dir: Roger Spottiswoode / Cast: Pierce Brosnan, Michelle Yeoh, Jonathan Pryce, Teri Hatcher, Ricky Jay: Exciting 007 outing with explosive action and wit. Title regards the promise of a secure future with James Bond investigating a sunken ship that was attacked on International waters. Jonathan Pryce plays the villain who creates havoc to boost his news coverage. Teamed with Michelle Yeoh and aided with gadgets including a car controlled by pad. Interesting setup descends into high powered action handled effectively by director Roger Spottiswoode. This is a vast improvement after having directed the embarrassing Stop! Or My Mom Will Shoot. Pierce Brosnan brings charm and charisma to Bond while Michelle Yeoh is excellent as the lady agent. Both find themselves within compromising situations where luck plays a factor. Jonathan Pryce portrays a delightful villain in that he has Bond's obituary written before he has the opportunity to kill him. Teri Hatcher is a memorable Bond villainess. She is the trophy wife of the Pryce character but she also use to be involved with Bond. It is through this where he seduces her thus leading to fatal consequences. Ricky Jay plays a techno terrorist who makes an escape early on with an encoder needed by Pryce. Entertaining installment paving the way for the 007 flicks of tomorrow. Score: 9 / 10

pyrocitor Every decade, the world's least secret secret agent strives to reinvent himself to square off with the changing times. GoldenEye got the '90s ball rolling, boldly reasserting Bond's relevance and appeal in a more action-oriented, post-cold war setting, but it's Tomorrow Never Dies that charts his most topical, inevitable evolution: Bond as a video game character. But if the prospect of 007 swapping his Walther PPK in favour of dual-wielding submachine guns a-la first person shooter is enough to make you want to swig enough martinis to take you back to the '60s, take heart: this Bond may be a livelier, non-smoking, and more raucous edition, but he's still replete with more than enough charm, poise, and oddly topical sociopolitical satire to make Tomorrow Never Dies a somewhat puzzlingly rocky but reliably fun 007 escapade.With video game tie-ins on the brain, it's rather appropriate that Tomorrow Never Dies targets mass media broadcasting by way of central conceit (the opening credits, accompanied by Sheryl Crowe's silky, albeit forgettable, title ballad, drives the critique home, transforming Bond's customary slinking women into cybernetic nightmares). It's an unexpected reconciliation to have one of the most trigger-happy Bond films play as a strangely appropriate companion piece to Wag the Dog of all things, but the premise of machinating a world war for news coverage strikes the perfect balance between ludicrous and credible to play as far less fantastic, and far more ominously prophetic, than was likely initially intended. This paradoxical inconsistency proves pervasive, though. In contrast to the razor-sharp satire at its core, the film's script eschews all of GoldenEye's slick deftness in favour of a campier, flamboyant levity more befitting the Roger Moore era. This is no fault of Brosnan's, who glides across screen with a suave nonchalance. He aces Bond's more cold-blooded moments while still committing to some of the more groan- worthy one-liners of the post-Roger era ("we seem to have developed a certain attachment…"), while grounding the more bombastic shootouts by never skimping on the chance to straighten his tie after a kill shot. It's his least showy rendition of the role, but his consummate smoothness is a perfect fit for the breezier tone of the film. Regardless, this can take some acclimatizing to, particularly thanks to nemesis Elliot Carver (Jonathan Pryce, delivering a deliciously hammy Rupert Murdoch caricature), who pontificates enough to make Auric Goldfinger roll his eyes. Nonetheless, in the wake of the grimmer, more personal Bonds to follow, it's hard to begrudge Pryce for taking so much evident joy in chomping through his monstrous monologues (his self-satisfied giddiness when proclaiming "we're on a STEALTH BOAT" is palpably infectious), and thereby reminding the film around him to share in the fun.But don't be distressed: director Roger Spottiswoode is more than happy to compensate for the film's talkier political subterfuge with enough explosions to retain the interest of all the mass media drones Carver salaciously preys on. For the purists, Spottiswood sprinkles in some vintage 007 globetrotting stuntwork (a halo jump skydive turned scuba dive; a breathtaking motorcycle/helicopter chase through the streets of Vietnam) amidst the more contemporary shoot-'em-ups. Bond even gets in on the video gaming fun, with Brosnan visibly cackling with meta glee as he drags his finger across a cell phone track pad, orchestrating his own car chase remotely from the back seat of his car. It's a thrilling sequence that toes the line of being too audacious even for Bond, but is curiously restricted to the confines of an interior parking lot – a setting almost as underwhelming as Bond's boxy new BMW, comedic relief German GPS and all. Grow up, 007. Thankfully, sh*t hits the fan with the introduction of Michelle Yeoh's Wai Lin (literally, in the case of her Chinese Q-branch gadgetry, yielding the film's best pun) – arguably the first 'Bond girl' to be such a match for Bond that, rather than being subject to his customary sexist condescension, he almost pleads for her partnership. Yeoh is easily the most fun addition to the film, spicing up action sequences with her martial arts prowess, and balancing it with a perfectly acidic dry wit and oddly chipper approach to conflict resolution. She and Brosnan share a wonderfully curt but sparkling chemistry, trading barbs while shooting over each other's shoulders, that the franchise has never quite replicated since. By way of supporting cast, Teri Hatcher introduces the intriguingly dark subtext of infidelity into Bond's womanizing, even if Hatcher's affections may be a bit too glib to properly embody her character's world-weary heartbreak. Again mirroring the Moore days, Götz Otto, Ricky Jay, and the wonderful Vincent Schiavelli have fun as a pantheon of goofy yet sinister henchmen. Finally, Judi Dench's frosty M maintains an exquisite twinkle in her eye throughout, whether airly prompting Bond to "pump Carver's wife (for information)" or derisively barking at her As Time Goes By co-star Geoffrey Palmer, here fretting as an oafish Naval commander, while Desmond Llewellyn's Q saves a superfluous "insurance waiver" aside ("will you need collision coverage…?") thanks to his peerless cantankerous charisma.Imbalanced oddity that it is, Tomorrow Never Dies clips along at a tidy pace (one of the few Bond films not to breach two hours) – a clumsy but energetically competent return to the frivolity of the Moore era. Bolstered by the clever timeliness of its conflict and the winning chemistry between Brosnan and Yeoh, Tomorrow Never Dies makes for lighter and more action-heavy Bond fare, but exemplifies the escapist charm of the series without drenching it in the CGI excesses to follow. As Bond would retort, there's nothing wrong with "giving the people what they want."-7/10