Hellen I like the storyline of this show,it attract me so much

Dorathen Better Late Then Never

Twilightfa Watch something else. There are very few redeeming qualities to this film.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

evanston_dad "Tomorrow Is Another Day" is an example of why I love TCM.Included as part of the station's "Summer of Darkness" series, highlighting my favorite genre, film noir, "Tomorrow Is Another Day" aired at 10:45 pm. I had no intention of watching it, since I was tired and I'd already sat through two other movies in the series that evening: "The Gangster" and one of my all time faves, "Gun Crazy." But then the host started talking about how "Tomorrow..." is a "dark gem" in the noir canon and how it's relatively unknown, and I started to think about when I would ever have the chance to see it again and decided I had to sit down and watch the damn thing.And man was I glad I did. A gem indeed, "Tomorrow..." stars Steve Cochran and Ruth Roman as a recently released con and a dance hall hostess, respectively, who move away from the city and set up house, only to find that his criminal past will not be left behind so easily. There's a whole sub genre of noir that involves flights from big cities into the open spaces of America and how those open spaces are no longer safe; the decay of urban environments will follow relentlessly, and the open spaces are even more dangerous because there are fewer places to hide. Cochran and Roman have incredible chemistry together, and the movie really makes you root for both of them, even though he comes across as perhaps a tad off his rocker.In case I've oversold it, don't think this film is going to change your life. There's nothing groundbreaking to be found here. But it is a fresh surprise in a genre that's full of fresh surprises.Felix Feist (who?) provides the playful direction.Grade: A

LeonLouisRicci Steve Cochran is an Underrated Actor with Smoldering Good Looks and Usually Played the Heavy. This is a Challenging Role Because the Character Must be Vulnerable, Naive, and a Child in a Man's Body. After being Released from Prison, Sentenced to Serve 18 Years, at 13, for the Shooting Death of His Abusive Father, He is a Lamb Among the Wolves. A Noir Tradition of a Cruel, Cut-Throat World where "Danger Lives" Around Every Corner. Ruth Roman's Character is a Difficult Part as well. She Must Go from from Dime-a-Dance Dame, Always Looking Out for Number One, to a Caring Wife and Completely Unselfish Woman.This May Not be a Pure Film-Noir and is a Film that Compromises. Starting in the 1950's Film Studios were Under Pressure from Anti-Communist Crusades and Film-Noir, with Some Exceptions, saw Capitulation Brought On by a Cultural and Political Paranoia. Careers were Lost and Campaigns Begun by Right-Wing Groups "Forced" Movie Makers to Light the Dark Shadows of American Life Appearing that they Didn't Exist.Overall, this is One of Those Film-Noir from the Fifties and Stickler Fans were Finding Their Noirs Beginning to Soften.This One is Upbeat and More Conventional Movie Making. It's What We Got in the Fifties and Audiences were Given a Rose Colored View of Life. If Only that were True.

graham clarke "Tomorrow is Another Day" is a B movie; those often looked down upon stepchildren of the Hollywood system peopled with so called second stringers. When a B movie is as good as "Tomorrow is Another Day", one realizes just what an amazing factory Hollywood was in its heyday. Helmed by the not too well known director Felix E. Feist it stars Ruth Roman and Steve Cochran in the leads. They were both dependable performers with a fairly strong screen presence, but here they both turn in compelling performances and indeed carry the film wonderfully. These characters have come from tough backgrounds and as the film progresses we sense them softening as their relationship develops. The transition is subtle and well handled. While the story itself may have its pitfalls, the dialogue is crisp and credible with some of those wonderful noir one liners one comes to expect from such fare. What elevates "Tomorrow is Another Day" so far above its peers is the wonderful work of cameraman Robert Burks. No wonder Burks was often chosen by Hitchcock for his masterly work, ("The Birds" and others.) Despite the modest proportions of this B movie, Burk takes great pains with each shot; selecting interesting and effective angles. It's his work that puts the stamp of class on this movie. While certainly not a classic, the poorly titled "Tomorrow is Another Day" offers a very satisfying movie watching experience.

bmacv Tomorrow Is Another Day is NOT the sequel to Gone with the Wind but a lovers-on-the-lam story, and a surprisingly alert and moving one as well. For a supposed hack relegated to B-minus features like The Devil Thumbs A Ride, Felix Feist proves adept at filling his work with unexpected, inventive details. Steve Cochran leaves prison after 18 years for killing his brutal father when he was only 13, and now he's still a tentative, gawky pubescent operating inside a man's hulky frame. Lonesome, he visits a 10-cents-a-dance palace and falls for brassy, grasping Ruth Roman. But the sudden shooting of her police-bigwig boyfriend causes the ill-matched couple to hit the road, ending, like the Joads, in a California migrant-worker camp. Roman's the revelation; in her best-known role, as Farley Granger's fiancee in Hitchcock's Strangers on a Train, she was ill- and under-used. Here she modulates persuasively from bottle-blonde taxi dancer to sacrificing wife and mother-to-be (and a brunette, to boot). Cochran's almost as good, waffling between the suspicion of a wounded child and the explosive reactions of an under-socialized male. And the ending, while unconvincing, is nonetheless welcome. Along with They Live By Night and Gun Crazy, Tomorrow Is Another Day displays a redeeming sweetness and warmth that belie its film-noir pedigree.