PlatinumRead Just so...so bad

Infamousta brilliant actors, brilliant editing

CommentsXp Best movie ever!

Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.

MaximumMadness If there's one thing that can and should be said for the popular cult- franchise "Tomie", it's this: despite an extremely shaky and underwhelming start, the series does make a noted improvement each time with its first round of sequels. It's a franchise that can be well-worth investing in as a result, despite also being one that has the most extremes of up's and down's throughout it's numerous entries.Yes, despite being a massive fan of the horror genre and particularly of Japanese creep-shows, I've never been particularly taken with the original "Tomie" movie. Based on a popular ongoing manga of the same name by author Junji Ito, the first entry in the film franchise was a messy swarm of under-developed ideas, sloppy attempts at atmosphere building, trite and hackneyed writing and direction and poorly established rules. It was a fundamental failure both as an example of horror and as a film in general. Thankfully, it's first sequel in "Tomie: Replay" was a marked improvement in virtually every capacity, with fun direction, decent writing and generally strong performances.And I do think that this third entry, "Tomie: Re-Birth", is another step in the right direction for the franchise. With a nice, slow sense of pacing and a great sense of direction from famed director Takashi Shimizu, this entry has a lot going for it. It stands as one of the better early entries in the series, and can be a great deal of fun.A young woman named Tomie is modeling for a painting by an artist named Hideo. After she defaces the painting in a jealous fit, Hideo kills her. But, as any fan of the series will know... Tomie will not die. And thus she returns to torment the artist and his friends, leading to an intense and disturbing story filled with twists, turns and subversion of expectation...I firmly believe the main strength that sets this entry apart is the wonderful direction of Takashi Shimizu, who is best known for creating the very popular haunted-house series "Ju-On" and for also directing the first two entries in its American remake series "The Grudge." Shimizu is a fine director when it comes to slow-build, atmospheric horror, and he excels here with some great, creepy sequences of bodily terror. It's arguably the most disturbing of the first three films, and Shimizu it helps to give it a grand sense of dread and intrigue. Especially in some of the very trippy-yet-grounded visuals that he relishes in. We also have one of the best Tomie's of the series here thanks to actress Miki Sakai, who excels in the role in a way not many of the other actresses to portray the character have.The film does have some faults to it, however. Much as many entries in the series do. I found that while it is a good time, it can often move a bit slowly. To the point it can be boring even. Some scenes feel a tad out of place and wonkilly inserted into the narrative. And much like virtually every other film in the series, it wrongfully assumes that the viewer is intimately familiar with the source material, causing some confusion with those who aren't. And it is a serious problem- adaptations should be able to stand on their own without knowledge of what came before. The films should try and explain the rules and goings on more than they have been to this point. It causes an unnecessary level of confusion for the viewer, and not in an intentional way. That being said, I'd rank this one right about on par with the previous entry- the very enjoyable but mildly flawed "Replay." It's a lot of fun. It's very watchable. It runs laps around the sub-par original. But it still has a few faults holding it just shy of being a "great" movie. As it stands, it's merely decent. Worth watching for fans of horror and Asian cinema... but probably not for general movie-goers.I give "Tomie: Re-Birth" a slightly above average 6 out of 10. Another step in the right direction for the series. But not enough of an improvement for me to call it a great film.

crossbow0106 This is a very creepy horror film/psychological drama starring Miki Sakai as Tomie. In this one Hideo, an aspiring artist, kills his girlfriend/model for the painting girlfriend Tomie. With his friend's help, they bury her in the woods. However, Tomie shows up at a party. Her aim is not only revenge but to haunt the lives of the guys who did this to her. This film is okay, on a par with "Another Face". Not having read the source material of these films, as film value alone it is passable. While the revenge aspect is not only deserved to these guys but necessary to the continuity of the film, the part of her coming back more than once after she has been "re-killed" gets a little tired. So, not bad but not near the best of the series.

taco_of_tragedy The fourth film attempt at the "Tomie" saga borrows a bit from the "Painter" chapter, as well as the "Hair" chapters. Unfortunately, as Tomie movies go, this one is no better than the three before it. While the direction was interesting, the cinematography above average, and the chills effective, the film ultimately suffers from a cast of really.. well, bland characters. Don't get me wrong -- the movie had arguably THE BEST Tomie out of them all in Miki Sakai, and the supporting actors did the best they could with the limited material the studio provided, but -- the lack of actual captivating characters and working plot really halts the whole movie from realizing its potential. Hideo was the second most intriguing person after Tomie, and he was gone within the first 10 minutes. I think the final product would've been much more entertaining had the script followed more into the Hideo and Tomie's "relationship", as opposed to his boring and dull friends. A straight adaptation of the manga chapter, in other words.And then there's the "trademark" slow pacing that seems to plague every single Tomie film in existence. I don't know about you, but I really dislike how the characters seem to slow down to an almost zombie-like state once they become involved in the main plot -- it happened to Tsukiko in the original, it happened to Yumi and Fumihito in "Replay", and now it's happened to Hitomi and Takumi in "Rebirth". And with the lack of an actual coherent plot, this slug race becomes much less tolerable, and borderline irritating. Only Tomie herself should be allowed to move in half-dead fashion because that's essentially what she is, but for everyone else? Oh, God.Nevertheless, it's not all lost; the movie redeems itself by casting Miki Sakai as the beautiful bakemono we've all come to love. Right away, she had the traditional look that had been missing since the original film (it seriously sucks that they didn't get Miki back for "Forbidden Fruit", by the way), and her portrayal of the character was much more lively and spunky than seen before. My only gripe here is that Miki's Tomie is slightly older than the ones from the previous movies and the source manga (she was 16-17 year old there; she seems about 20-ish here), but then again, it's almost a non-issue when you consider the rest of the characters also look to be in their early 20's as well. Had to bump Tomie up a few years to fit her in, I suppose. The gore and psychological scares have also been amped up slightly, although "Replay" still reigns as the better "Tomie" film in that department.All in all, if you're a fan of the "Tomie" movies so far and had little to no problem accepting them as what they are, then you will enjoy "Reborth". If your introduction to the character is from Junji Ito's manga, and you hated all the movies so far... well, things aren't much better here than before. If anything, watch the movie for Miki's performance -- you'll see why she's arguably the best Tomie thus far.

Angra After seeing the first Tomie movie i lost all interest in seeing what the sequels in the serial would bring. For a horror movie, there wasn't a single chill or climax in it, which can only leave a horror fan like me very disappointed. But then i saw that Tomie: Re-birth was directed by no other than Takashi Shimizu (The man behind the four Ju-on movies), and i thought, and (i guess) expected, that he would add a lot of his creepy imagination from his former horror movies (i cant praise them enough) to this sleeping pill of a weird love story. I was, again, VERY disappointed. Though, i have 2 good things to say about this movie. First of all, this one IS better than the first. Second, there actually was one scene in Re-birth that made my hair on the neck to stand up, and that is where a girl is sitting in her bedroom in front of a mirror and suddenly sees a girl, white as snow, peeking out of her closet. Uuhhhhhh Mufasa!! It smelled a little like Ju-on, but then the girl turns away from the mirror and the ghostly lurker is gone. BUUUUUUH!! But besides this minor chill that lasts about 3 seconds, its really hard to see that this is a Shimizu creation. Instead of taking Tomie to a new level and making it to a real creep fest, it seems more like he just goes along with the dull and not THAT fascinating theme from the other Tomie movies. And on top of that, i saw interviews with the cast and the director himself describing this movie as a blend of horror and humor? Now, without sounding like a dumb racist, but do you have to be Japanese to notice the humor? It went over my head thats for sure. But maybe some of the moments that i found laughable and not creepy, like the crawling head, wasn't meant to be scary but fun? I guess i never find out and its not important anyway. I mean, Tomie IS a horror movie right? At least, thats what it says on the movie description. But how on earth is it possible to make a horror movie where the so called "monster" dies all the time, killed by all its "victims", and not the other way around? So far Tomie hasn't convinced me that it can be done... Please Shimizu, stick to the creepy stuff. Thats what you do best.I gave it 5 out of 10