Three on a Ticket
Three on a Ticket
NR | 04 April 1947 (USA)
Three on a Ticket Trailers

A private detective, who has been shot, stumbles into the office of Michael Shayne (Hugh Beaumont), and dies before Shayne can question him. Shayne finds a baggage ticket in his hand. He claims it and finds the checked-bag contains the loot from a robbery. Now, he has about fifty minutes left of the running time to find the crooks, bring them to justice and return the money to the rightful owners. And needs all of it.

Reviews
ChampDavSlim The acting is good, and the firecracker script has some excellent ideas.
Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
Joanna Mccarty Amazing worth wacthing. So good. Biased but well made with many good points.
Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
gridoon2018 When the Michael Shayne series was revived in the mid-1940s after a four-year break, Hugh Beaumont replaced Lloyd Nolan in the title role, and there was also a significant drop in production values. "Three On A Ticket" is an extremely low-budget movie (of course, the fact that it's only available in "unofficial" and unremastered prints doesn't do it any favors, either). But if you can get used to that, it's not really a bad film. The story is half-obvious, half-clever: a private detective from New York walks into Michael Shayne's office and, before saying a single word, drops dead - he had been shot. Not long after the police take away the body, a glamorous blonde enters Shayne's office and basically asks him to help her get rid of her criminal husband. What's the connection? And what's the significance of the baggage claim ticket that Shayne found in the dead man's pocket? Beaumont, although inferior to Nolan, is OK in the role, and Louise Currie, who if IMDb is correct will turn 100 (!) in a couple of months, makes a coolly dangerous femme fatale. ** out of 4.