Think Fast, Mr. Moto
Think Fast, Mr. Moto
NR | 27 July 1937 (USA)
Think Fast, Mr. Moto Trailers

When his import/export business infiltrated by international diamond smugglers, Mr. Moto must follow a trail of clues littered with beautiful women, glittering gems and deadly assassins. Making his way from the mysterious streets of San Francisco's Chinatown to the dark and dangerous alleys of Shanghai, Mr. Moto will stop at nothing to bring the culprits to justice...even if it means making the ultimate sacrifice!

Reviews
Diagonaldi Very well executed
Matialth Good concept, poorly executed.
Spidersecu Don't Believe the Hype
Stephanie There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
MartinHafer Mr. Moto was a B-movie series from 20th Century-Fox Studios and it was made at the same time they were cranking out Charlie Chan films. Both series are similar in that Western actors played Asians and both usually fought against crime and offensive vocal stereotypes such as Moto saying "chop-chop". However, unlike Chan, Mr. Moto was more of a mercenary and his conscience was not particularly bothered by killing his enemies--one difference that made the Moto films more interesting. This was most evident in this early film--later, unfortunately, the films were almost indistinguishable from the Chan movies. In this film, he drowns one man, shoots another and arranges to have one bad guy murder another! This certainly is NOT Charlie Chan!! As for the plot, it's very similar to Chan films in that Moto is working to uncover the truth about a smuggling ring--something that Charlie did in at least a couple movies himself. However, given that there is no Number One Son or other sidekick, the film does seem more serious and not quite as entertaining--but also more intelligent. Had Keye Luke or Victor Sen Yung been on hand, the film might have been a tad more interesting. Plus, the son of the shipping line owner seemed like a bit of a lazy weasel, so it was hard to care about the secondary characters--a weakness of the film.By the way, for a Russian expatriate, the lady sure has an unusual accent--and it's even less authentic than Peter Lorre's Japanese accent. Still, despite these shortcomings, it's a dandy film and along with the next film, probably the best ones in the series
classicsoncall It's nice reading the largely warm and positive comments on this film, fans of the genre like myself seem to seek them out and enjoy them for the entertainment value they offer of a simpler time. I became a Peter Lorre fan with my first viewings of "Casablanca" and "The Maltese Falcon", and was lucky to come by the entire Mr. Moto run over the weekend. 'Think Fast' is the first entry in the 20th Century Fox series, and as first impressions go, I'll be anxious to get through the rest of them.Right off the bat, comparisons to the Charlie Chan and Mr. Wong films of the same era offer a host of differences. The Moto character plainly enjoys getting a lot more physical with his adversaries, and I did a double take when he threw the steward Carson overboard on the cruise ship. This was one Oriental detective not afraid to mix it up Dirty Harry style.Though the ensuing films in the series may prove different, this one didn't seem to be as blatant in terms of racial references. I caught a single 'chop suey' remark, but it didn't come from any of the principal players, but a passenger on board the ship. Another consideration, whereas Charlie Chan was almost always assisted by a Number #1, 2 or 3 son, and Mr. Wong had Detective Street, Peter Lorre's Moto appears to work alone, though interacting with other characters in the story. In this one, Moto befriends the son of the cruise line owner, Bob Hitchings (Thomas Beck).Keep an eye on the scenes that focus on the tattoo convincing Moto the costumed character in San Francisco and the steward Carson are the same person. In the earlier scene, the tattoo is shown on the inside of the disguised character's arm as he closes a door. However on board the cruise ship, when Carson reaches up to close a vent, the tattoo is on the top side of his arm below the wrist!In this, Mr. Moto's first film adventure, he successfully uncovers a diamond smuggling operation, with hints for the viewer along the way as to who the villains are. However there was one surprise a la Charlie Chan, when Moto slaps the cuffs on Wilkie (Murray Kinnell) it seems to come out of left field. Not that he couldn't have been involved, it's just that his involvement wasn't telegraphed along the way. Still, it made a lot more sense than a lot of Chan's solutions, which required the detective to explain how he managed to solve the crime.Anyway, I'm on board with Mr. Kentaro Moto, and will be looking forward to the rest of his adventures. Next in the series is "Thank You, Mr. Moto".
bensonmum2 When I arrived home from work today, I found the Mr. Moto Collection waiting on me. I decided to watch the movies in order and start with the first in the series, Think Fast, Mr. Moto. It's the story of a diamond smuggling ring operating aboard a luxury liner between China and the U.S. The mysterious and ever present Mr. Moto is on hand to put a stop to the illegal activity. Think Fast, Mr. Moto is the kind of movie that's best enjoyed curled up on the couch late at night when you want to put your brain on hold and just be entertained. It's like that favorite old, ratty shirt – comfortable and always welcome. The plot in Think Fast, Mr. Moto may not make much sense (even after everything has been explained) but it's a lot fun. The film would hardly be as good without Peter Lorre in the title role. Unlike most everything I've see him in, Lorre gets the chance to be the hero here and is excellent in the role. The final cat and mouse game between Lorre and the always entertaining Sig Ruman is the highlight of the film (although I must admit that it's difficult to watch Ruman and not want to laugh as images of the Marx Brothers pulling off his toupee went through my head).I can't wait to watch the other three films in the collection.
John Wayne Peel I love these Moto flicks. I'll tell you that right out of the gate, and the history of these low budget detective films is almost more interesting then the films themselves. First of all, Peter Lorre was one of the most underrated actors in cinema history. In fact, those who knew him thought he would have been a psychiatrist had he not been an actor, which tells me he studied people and learned a lot about how a little goes a long way in a portrayal. The director reportedly wanted character actor J. Edward Bromberg to play the lead but the studio gave him this Hungarian Jew just out of Hitler's Germany to play the part, which made the director go berserk. He needn't have worried. Forget the fact that Lorre was in such poor health in those days after starving in Europe for most of his adult life and had to have a stuntman do his jiu-jitsu scenes for him. (Harvey Parry was his name. Another underrated genius in cinema history who did stunts for everyone from Douglas Fairbanks Sr. to Buster Keaton and Harold Lloyd) Lorre is just terrific and with almost no make-up, he is damned convincing as a Japanese detective. A short side note here. Please pretend that there was never a 1960s Moto movie with Henry Silva. The eight 20th Century Fox Motos are to be treasured. It's only a shame that World War II stopped the series for good.As for J. Edward Bromberg, he even acted in one of the Moto films as a Rajah in Thailand (which acerbic yet clever critic referred to as "Indoors China") before he was hurt by the blacklist and died a sad and broken man, who unintentionally hurt the career of actress Lee Grant when she attended his funeral and was herself blacklisted until the movie "In The Heat Of The Night."Watching Peter Lorre in any film is always a delight and the Motos never disappoint for pure entertainment value.