The Sleeping City
The Sleeping City
NR | 20 September 1950 (USA)
The Sleeping City Trailers

A young doctor taking a break from work is shot in the head, and the police can't find a clue even as to a possible motive. Inspector Al Gordon (John Alexander) decides that he has to put some men on duty at the hospital, and one of them is Fred Rowan (Richard Conte), a detective with experience as an army medic, masquerading as an intern. What Rowan finds is a high-pressure world in which interns are hopelessly squeezed for time, sleep, energy, and -- most of all -- money, and walk a fine line on the edge of personal and professional disaster.

Reviews
Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.
Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
jdeureka Within New York City's Bellevue Hospital in post-World War Two America there is a drug racket, the interns are supplying "the white stuff" -- heroin -- to an intermediary who's selling it illegally, with the help of the head nurse. The interns get suckered into the racket but the head nurse and the bad guy villain do it for the dough. Great dialogue. Superbly dark setting. Fine, competent acting with a semi-documentary feel to their simple, profound human weaknesses and strengths. All of which is caped by the physical-psychological setting. The hospital is where patients are asleep with their illness and the weak may be manipulated by the strong. Or is it America itself which is "the sleeping city"? "The Sleeping City" is film as a visionary reading of the corruptions inherent both in a medical system where people are overworked and underpaid, stressed to their breaking point and hence easily manipulated -- and where the single, myopic solution for all problems is money. Almost.For into this mix comes Detective Fred Rowan, aka Richard Conte, in an under cover sting operation. Conte acts his grim, good-Judas role beautifully, tough as a slowly sniffing, plodding bull; secretive as a spider. In the end, Rowan's/Conte's tactics solve the immediate problem. Not without irony. For this story wisely offers no long-term strategy to the sleeping sickness of corruption at work in the vast hospital complex and in America's medical system. Good men and women, ordinary folk, are lost in a vast concrete moral maze. The world is far more grey than black and white. People die but are not redeemed. Doctors are lost and not replaced. All of society suffers, although a few of the guilty are punished.Finally, the dialogue is superb. With give and take like: (-) "How is he doc?" (+) "Breathing from memory." And "Don't ever argue with a cop, son. Just answer his questions." And the ending rises out on a beautiful, urban long shot, dark and double-edged as a pleasing sunset with no rain, peace without quiet, and reminiscent of the city finalés of King Vidor's "The Crowd "(1928), Mike Nichols' "Working Girl" (1988) and other films which use the city setting for perfect enhancement of trenchant storytelling.
RE D Very interesting plot, not just the same old, same old. It is unfortunate that this film is not more readily available. The story line is different from any other film I have seen. The story is developed and unpredictable. The cast and acting throughout leave nothing to be desired. Acting and camera use is wonderful and the characters are well developed. I would not consider this a boring film by any stretch of the imagination. The Sleeping City is a great example of a classic film noir. I would not have been able to view this film if it wasn't for a store I found online that sells a DVD copy of it, if you look around you should be able to find it. Hope more people can enjoy this great work too!
sol ***SPOILERS*** Shocking film noir that takes places in one of the country's largest hospital Bellvue, called City Hospital in the movie, involving a combination bookie loan shark and drug trafficking operation under the very noses of the hospital staff running it.It's when Bellvue Hospital intern Dr. Foster, Hurbert O'Neil,is found shot to death outside after taking a smoke break that the NYPD gets involved in finding what was the reason behind Dr.Foster's murder. Foster had been acting very strange before he was blown away and one of the things that the NYPD is very interested in is what his relations with head trauma nurse Ann Sebastin, Coleen Gray, was. It was minutes before he was popped that a very troubled Dr.Foster was trying to get in touch with Nurse Sebastin as if his life depended on it!Getting undercover cop Fred Rowen, Richard Conte, into the hospital as a new intern from far off L.A he's given the name and medical background of a Dr. Fred Glibert with only his boss Insp. Gordon,John Alexander, knowing his true identity. Bunking with fellow intern Dr. Steve Anderson, Alex Nicol, Rowan notices that he's very troubled in what he's involved in which has nothing to do with medicine. Dr. Anderson is in hock playing the horses with hospital elevator operation "Doc" Ware, Richard Tober, who's always giving him sure bets that don't come in!Rowan tying to get his bunkmate Steve Anderson to quite betting with "Doc" and stick to his work at the hospital as well as pay more attention to his fiancée Kathy Hall, Peggy Dow, has just the opposite effect in him going from bad to worse. Anderson finally ends up killing himself by jumping into the East River when the pressures of being an intern who makes $50.00 a month with debts, in playing the horses, just about breaking him became too much for Anderson to handle!***SPOILERS*** Realizing that "Doc" is somehow involved in both Foster and Anderson's deaths Rowen himself starts to make book with him and ends up over his head in owing "Doc" money that he can't come up with! It's then that the cagey "Doc" plays his trump card giving Rowen the only way out he can find: Write out prescriptions for the white stuff, narcotics, that Doc and his contact in the hospital can sell on the street for as much as 100 times it's value! Rowen now has to make the pinch on the drug dealing "Doc" Ware before he gets wise to him before he himself ends up where both Foster and Anderson did! It the Bellvue Hospital morgue! But before that Rowen's got to find out who "Doc's" contact in the hospital is before he could do it to make it stick. Which can very well jeopardize not only the undercover NYPD drug operation but the person trying to crack it Det.Fred Rowen himself!Amazing performance by actor Richard Tober as the creepy manipulating hyena like "Doc" Ware. Even though he was in less then ten films, with the most notable being the taxi driver in the movie "Kiss of Death", in is more then 40 year acting and writing career Ware's performance in the movie "The Sleeping City" should have easily won him an Academy Award in the best supporting acting category.
bmacv Two well-known titles in the noir cycle are The City That Never Sleeps (1953) and While The City Sleeps (1956). Before them, there was the less familiar The Sleeping City. In this last (or first), what seems asleep is not so much New York as a city-within-a-city – the huge old fortress of Bellevue Hospital, where, at night in its wards and among its staff, skulduggery is afoot. Bellvue opened its doors to the film's cast and crew, perhaps not wholly grasping that the resulting portrait might be less than reassuring to prospective patients. But it's not a story, at least explicitly, about malpractice. A jumpy, distracted intern on his break goes outside to grab a smoke. He ends up with a bullet through his brain. Since the murder appears to be an inside job, an undercover department of the city police plants a detective (Richard Conte) in the hospital among the interns. He's had some medical training in the army and so should pass casual muster. Taking lodging in the building and going on rounds, he makes acquaintances. Among them are his bitter roommate, Alex Nichol, nursing some resentments about not being rich, either by birth or through wedlock; ward nurse Coleen Gray, raising a young son from an unhappy first marriage; and chummy elevator operator Richard Taber, who bunks down off the boiler room – where he runs a book where the cash-strapped interns can play the ponies. What Conte's after is not just the killer but the source of an infectious but non-microbial malaise that will claim Nichol, too, the night before he was to marry. Conte finds himself the prime suspect in his roommate's death and comes close to blowing his cover before his own superiors intervene. But Conte's suspicions about Taber's bookmaking operation aren't quite on the mark; it turns out that a 'white-stuff job' is the real racket....Light and portable equipment developed during World War II made location shooting finally feasible, and the low-budget second-features in the post-war years pioneered its use. The Sleeping City affects a pseudo-documentary style that also came into vogue as a complement to the new cinema-verité look (a chase through the bowels of the massive institution stays particularly sinister). Despite a nifty shot of the new interns descending an endless stairwell en masse, the vast hospital looks underpopulated, especially during the graveyard shift. But the claustrophobia (the whole picture is shot in and around the hospital) pays off. The main characters aren't many, but not so few that they can't deliver a final twist.