Karry Best movie of this year hands down!

Contentar Best movie of this year hands down!

Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Celia A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Jonathan Zsofi I have seen no greater film than this so far.It's sensibility to the conflict of people groups, as well as the personal experiences in the spiritual, intellectual and emotional are beyond any other film's treatment. The actors live out the natural confusion on screen effortlessly. Ultimately, the way in which lives, yearnings, love and hate is weaved into resolution, beauty and peaceful reflection is unparalleled.It's superb cinematic style makes the story not only brilliant; but a masterpiece in its entirety.For a film that confronts, and questions much of your heart, mind and soul - I suggest seeing this as soon as you can.

gradyharp While the world continues to struggle to understand the constant schism between Palestine and Israel and yet permutations of that unsettled hot fire whose coals continue to smolder between aggressive flares, along comes a film such as this one - THE OTHER SON or Le fils de l'autre - and provides some insights that at least for the moment offer a better understanding of a very long struggle. Based on an idea by Noam Fitoussi who wrote the screenplay with Director Lorraine Lévy and Nathalie Saugeon, this is a gentle film about resolution of conflict - at least on the family level. It is a French production filmed in the West Bank and Israel under the sensitive direction of Lorraine Lévy.It's not uncommon for those who rightly resent being biologically categorized on government questionnaires, to defiantly write in 'human' when asked to indicate their race. And the same holds true in its own compelling but curious way for the switched at birth DNA-driven identity crisis drama, The Other Son.The relative stability of the two families in question - the Israeli Silbergs (Emmanuelle Devos and Pascal Elbéand) the Palestinian Al Bezaaz (Areen Omari, Khalifa Natourkin, and older son Mahmud Shalaby) in the West Bank - is shaken up when eighteen year old Joseph Silberg (Jules Sitruk) puts his musical aspirations on hold to report for mandatory military duty. But an army blood test confirms that he could not be the child of his parents, an odd stratagem, that a military on such permanent alert would be so thorough, especially since Joseph's father is a high ranking commander. But during a Gulf War missile attack near the Haifa hospital where Joseph was born, a Palestinian mother gave birth at the same time. And in the ensuing confusion, the babies must have been released to the wrong women. Joseph's distraught parents first waver, then seek out the Al Bezaaz family. And Yacine (Medhi Dehbi), their designated 'other son' in question, who has returned home for a visit from his medical school studies in France. While alternately fearful and hopeful mixed emotions become entangled, compounded by a profound cultural divide along with two fathers into deeply disapproving denial. Yet it is the coming together of the three 'brothers' that offers a ray of nope that in time this festering conundrum may be resolved.The cast is splendid, especially Jules Sitruk and Medhi Dehbi whose humanity holds the story together. Highly recommended. In French, English, Arabic, and Hebrew with subtitles. Grady Harp

darcymoore I'd reached the point some time ago where I stopped watching films about the holocaust and the intractable Palestine-Israel situation. Then I saw a review of this film that suggested something other than bleak, bleak, bleak and get out the razor for humanity's wrist. So I watched it.It took the life-affirming premise that even in the worst of situations, which the dispossessed Palestinians have been enduring for more than 60 years, people generally want to live, laugh, have friends, love and, most of all, stay alive. Strapping explosives to your chest is NOT the norm there, even for impressionable young men.What I saw was a very human story of parents and children trying to come to terms with a sudden reversal of reality. Messy, untidy, forcing a rethink of lifelong prejudices in the face of a farcical bureaucratic mix-up.The mothers ache with a visceral sense of loss. The fathers quietly rage (and in one sequence not so quietly) in their dumbfoundment. The kid sisters take people as they find them. The boys are stupefied .. to begin with. Then the everyday takes over. Having to absorb it all, then go on living. And all get wiser, a little more worldly, a little less inclined to stereotype. A little richer.Unlikely? I don't think so. As has often been observed, "Travel broadens the mind." And there's nothing like a good emotional somersault to do exactly that. People can and do change. It didn't feel like a film, more like watching through hidden cameras as life unfolds.

Larry Silverstein I found this rather unique film, directed by Lorraine Levy, to be an engaging and touching drama.When Joseph Silberg (Jules Sitruk) goes for his pre-induction physical into the Israeli army, his blood work shocks his parents, Orith and Alon (Emmaneulle Devos/ Pascal Elbe), when his type A+ cannot genetically be possible with theirs of A-. When their doctor investigates it, he finds out that, at the beginning of the Gulf War in 1991, right after Orith gave birth to Joseph, the hospital in Haifa was evacuated during a SCUD missile attack.The hospital mistakenly switched her baby boy with a Palestinian woman's baby and DNA tests have confirmed this. The Palestinian woman, Leila (Areen Omari) had been visiting a relative in the area but is now living in the Israeli occupied West Bank with her husband Said (Khalifa Natour), the boy Yacine (Mehdi Dehbi) now nearly 18 years old and the rest of her family.When the parents of the two boys are brought together in the doctor's office, it triggers an enormous amount of emotion and dramatic interplay. I thought it was fascinating to see how each family member reacted to the shocking news, as well as each of their respective communities. Could decades of conflict and mistrust be overcome by kinship and family? I'll let the viewers see the results for themselves.All in all, I thought Levy and her co-writers did an excellent job of presenting the material in a very engrossing manner. The acting, I thought was first rate as well. Even if it is a little contrived, I enjoyed this different type of drama.