The Old Mill
The Old Mill
NR | 05 November 1937 (USA)
The Old Mill Trailers

Night in an old mill is dramatically depicted in this Oscar-winning short in which the frightened occupants, including birds, timid mice, owls, and other creatures try to stay safe and dry as a storm approaches. As the thunderstorm worsens, the mill wheel begins to turn and the whole mill threatens to blow apart until at last the storm subsides.

Reviews
Ploydsge just watch it!
UnowPriceless hyped garbage
Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.
Brooklynn There's a more than satisfactory amount of boom-boom in the movie's trim running time.
Michael_Elliott The Old Mill (1937) *** 1/2 (out of 4) Excellent Silly Symphonies short from Disney takes place at the title location. We see an old mill and then we witness several animals take shelter there just as a major storm starts to blow in.If you're looking for some sort of plot or character driven story then you're going to be disappointed. This really reminded me of what Disney would do a few years later in FANTASIA as this here is really all about the visuals and the score that goes with it. The images are certainly quite beautiful and it's easy to see something like this and realize why Disney really did change animation and especially when you compare this to other bits of animation from this period. The colors of the creatures make them come to life and the storm itself just has so much detail that you can just feel the wind blowing on your neck. Certainly one of the studios best works.
TheLittleSongbird I can't praise this beautiful masterpiece of a cartoon enough. The animation is absolutely stunning, and the storm effects were excellent, certainly give Snow White and Fantasia a run for their money. I didn't find the Old Mill dull in any way, it was beautiful and just perfect. Another special mention has to go to the music, its lyricality somehow reminded me of the countryside on a beautiful summer's day, and the animals the swallows especially were a delight. They never spoke, but were beautifully incorporated into the story, and there was a lot of genuine fright when the storm started. Who wouldn't be frightened, it was a truly wonderful moment. Overall, just beautiful, I can't find another word to describe how good it really was. I will admit I forgot I was watching a eight minute or so cartoon, and insisted I was watching a work of art. 10/10 Bethany Cox
John T. Ryan BABE RUTH didn't invent the Home Run; yet no one anywhere, at any period of time since his heyday can think of neither "the Long Ball" nor of the "Bambino" himself without at least a brief mental cross-reference of one to the other. Yes, George Herman Ruth may not have stated this "Homer" business, but he surely blasted his way to enshrinement in Cooperstown by way of his prowess of putin' 'em outa the Park.SO then why do certain people out and out excel at a particular Art Form or other special skill; completely outdistancing the competition? How is it that often one with an equal or even a lesser degree of talent manages to finish out in front of the pack than those truly blessed with natural prowess in a given area? LOOKING at the area of the Animated Movie, be they short subject or feature film, we see that the work of Walt Disney's Studio towers above all others. Oh, sure, Max and Dave, the Brothers Fleischer, pioneered many a great technique with their Rotoscope and their Table Top Animation, among others. The Warner Brothers Animation unit's LOONEY TOONES and MERRIE MELODIES with such great of an array of characters as Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd, Sylvester & Tweety as well as many others, managed to find the right formula for tickling the American Funny-bone most consistently. There were others of course.BUT just what was it that set the Disney operation out in front and feted as being on a higher plateau than was the competition? We believe that it is Mr. Disney, himself, and his many talents above and beyond the old Drawing Board.ANIMATION, Disney Style, has some sort of internal life line; a sort of celluloid DNA or Animation Genome. Because of the Disney vision outside the proverbial box, success was built on each consecutively found success in each succeeding picture. Whereas it appears that the other animation houses did their best in getting their output completed on schedule for timely distribution; those at Disney built on any previously established successes in order that they would be constantly showing improvement.BEING the greatest example of this Animational Evolution is found in Disney Productions SILLY SYMPHONY Series. From the earliest, such as SKELETON DANCE or FLOWERS AND TREES we see a steadily improving succession of literary material, as well as illustrative acumen and animated technique. The decision early on to do all SILLY SYMPHONIES in Technicolor was another step in bringing the series up to a level far beyond anything else in the field.SO it was that with the release of THE OLD MILL, late in 1937, the combination of the scientific application of the animator's skills, outstanding Artwork (both in character & background illustration) and the implementation of a high literary standard in story content, all had brought the Art of Animation as far as the short subject would go. Walt & Company had gotten to the zenith of the Short Subject Theatrical Cartoon; but there was still another mountain to conquer; the challenge of a Full Length Animated Film lay ahead.OUR STORY…………………..Told entirely without the spoken word, THE OLD MILL relates the story of how a run-down and abandoned structure such as this Wind Mill was still very much useful and even necessary to a large number communities of flora and especially, fauna. It's sunset and we see the cows heading in from the fields, a family of ducks swims the pond to shore, birds come to a night's roost. Meanwhile, the night shift comes on as frogs begin their nocturnal vocalizations and the bats take to the moonlit skies.WE are shown how the now non-functioning mill provides home and shelter to many a great number of creatures; including a family of Bluebirds, mother sitting on a cluster of eggs. The problem is that the nest is built in a section of gear. When a great storm blows in, the rope holding the mill propeller breaks; the gear turns and the Bluebird family seemingly would be crushed. The tooth on the interlocking gear is missing and although the Birds are caught on a wild merry-go-round, they are otherwise unhurt.THE storm blows over, the sun rises, the frogs go to sleep and the bats return to the Old Mill. As the cows move back out to the fields, we see that the Bluebirds' eggs have hatched and all will continue; perhaps not 'Happily Ever-after', but they will continue to take life one day at a time.THE OLD MILL is a near perfection example of a Disney story; which also served as a morality story for a Depression Era America and the World. In it we are exposed to many dangers, of which we have little or no control; yet we will weather all by remaining together as a community in our own version of THE OLD MILL.AS in most any a Disney film, there is a very scary sequence involved with the out of control mill so nearly crushing the Bluebird family.(It really shook-up Schultz and me when we first saw it at the Carnagie THeatre in Chicago. It was 1975!) SADLY, the film marked the end of the line for those wonderful SILLY SYMPHONY Series of animated short subjects. Ahead of it was the likes of SNOW WHITE, PINNOCHIO, FANTASIA, DUMBO…………etc., etc.POODLE SCHNITZ!!.....SCHNITZ.....SCHNITZ
courage1999 I would watch this film almost everyday when I was a toddler, now that I am a teen, I still watch it often. This film has such beauty in it with the color, music, detailed animation, and backgrounds. This film also brings out my love for windmills (which I know may sound kind of crazy). The entire film was beautiful, but I felt that the love doves were kind of a little to childish.
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