Solemplex To me, this movie is perfection.

Protraph Lack of good storyline.

SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable

jadavix "The Mission" is a slickly made and always watchable Triad movie. It is funny in parts and even manages a couple of tense shoot-out scenes. Fans of John Woo or heroic bloodshed might be disappointed however - this isn't the balletic, guns blazing action scenes fans of HK crime cinema might expect. These scenes are nowhere near as athletic. Dare I say they are more "realistic"? Gentlemanly Triad boss Lung has an attempt made on his life that he barely survives. He hires five guys to look after him and find the killer. Among these is legendary HK actor Anthony Wong whose unusual and fearsome appearance changes the feeling of every scene he's in. Unfortunately none of the other four make much of an impression on their own.For most of the film's length, I was aware that I wasn't entirely following the plot, but that wasn't hindering my enjoyment any. I mean, how many of these movies have a plot you can fully understand? I had to subtract a point at the end, however. The final act is played like it should have more impact than it does, perhaps because we are expected to understand something we missed. Or not? Who can say?

Guy THE MISSION is an HK film about men with guns. In this case they're hired shooters, chosen as bodyguards for a Triad boss after an assassination attempt. Their job is to keep him safe and work out who in his organisation was behind the failed hit. Basically this means a film of two halves. One half is a gentle comedy about (a very unusual) workplace, as the gunmen get bored and do things like covertly play football with a scrunched up piece of paper. The other half is a stylish action film, with it's standout scene being an ultra-cool shootout in a deserted shopping mall after hours; it's all angles and mirrors as the two sides try to outmaneuver and kill each other. It's short, unpretentious and not especially incident-packed but it makes up for that with some wry smiles and clever gunfights.

laura-magnus Johnnie To is one of the world's most underrated contemporary film directors. Working in Hong Kong he effortlessly switches between genre flicks (like The Mission, but he's equally at home in rom-coms (like Needing You or Love on a Diet) and weirder though sometimes even better material like 'Running on Karma' (or Heroic Trio is earlier times). The man is just as prolific as he is original, and even if he is derivative he is still a great, effortless entertainer. His Milky Ways production company makes studio and independent films with the same dedication. His latest film 'Election' is actually in competition in this year's Cannes. The Mission is the type of film Jean-Pierre Melville would probably make today. Its a mix of Hong Kong Noir and stylised set-piece. It boasts some of Hong Kong acting heavy-weights (many of which appear also in the Infernal Affairs trilogy). Dialogue is minimal, efficiency is the maxime. The music is so detached that the effect overall is almost hypnotising. The film is not perfect, and the flaws hurt because this could have easily been truly great. Still, it's way above average. Watch this and anything else by To you can get your hands on. It boggles

Nelson Carvajal "The Mission" steers away from the usual plot types of the Hong Kong Cinema New Wave and does not rely on martial arts for thrills. Instead, what we have here is a sort of marginal "Reservoir Dogs" since there is a sense of comradery between the five assigned hit men (though a cigarette prank isn't as charming as its played to be). Consider the scene where a sniper catches the five hit men off guard as they escort their boss to a car. One of the hit men veers off and is left behind on the conscience decision of the lead hit-man. When this left behind man returns to base, he slaps the lead man in the most offending manner for minutes. The lead man, a tough guy named "Ice," allows himself to be beaten. Why? Because in their world of corrupt organizations and tight hit groups, one does not leave a man behind. This sense of loyalty arises to a full extent in the third act, where the men must question what is the "right" thing to do.The film also contains a couple of shoot out scenes. But don't be fooled; you are not gonna watch "The Matrix." Instead, look for the wide angle lense shots of various suited hit men standing in very specific places, barely moving their feet, but the sequences are very exciting because if you step back, it's orchestrated skillfully and cued beautifully to the--music.From the opening scroll a sort of 'laughable' techno beat pumps, and all sorts of upbeat synthesized sounds fill the soundtrack to an unexpected result: an acceptance. After a while, you look forward to hearing what kind of sound matches up with what sort of scene. This type of tough, nitty genre relies on music, and the setting of the film calls for this amped up sound.