The Major and the Minor
The Major and the Minor
NR | 16 September 1942 (USA)
The Major and the Minor Trailers

Returning to her hometown from New York, Susan Applegate learns that she hasn't enough for the train fare and disguises herself as a twelve-year-old to travel for half the price. She hides from the conductors in the compartment of Major Philip Kirby, a military school instructor, who takes the "child" under his wing.

Reviews
ThiefHott Too much of everything
Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?
Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
Phillida Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
jpstewart-02578 I cannot claim this as among the great comedy films which would come later for Wilder (I'm thinking Some Like It Hot Kiss Me Stupid and The Front Page) this is certainly very good. Ginger Rogers looks glossy and glamorous in the opening shot and is in the last shot too, giving an excellent performance in a part which could easily have fallen flat on its face. In this she is helped along by Ray Milland who gets every little thing right in another performance which could easily have fallen on its nose. There are plenty of plot twists and turns. The plot ground covered is unusual. A nice touch is that Ginger Rogers' mother is played and very well by her real-life mother.
evanston_dad An adorable screwball comedy with a sitcom premise that involves Ginger Rogers having to pose as a teenager firstly in order to afford train fare back to her Iowa home and secondly to protect the reputation of a military man she meets on the way and falls for. The man is played by Ray Milland, and he displays some real comic chops as well as a lot of chemistry with Rogers. As films like this always do, it goes around the world and back again to justify the joke at its center, and you can probably guess even without watching it how realistic it is that so many people would actually believe that Ginger Rogers is a fourteen-year-old girl. But suspending disbelief is what movies like this are made for, and to resist its charms is to resist a delightful comedy.Grade: A
SnoopyStyle Susan Applegate (Ginger Rogers) is a hair massager making hotel calls in New York. She's tired of men making passes and decides to go home to Iowa. She's short on cash and pretends to be 12 for a train half-fare. She hides from the suspicious conductors in Major Philip Kirby (Ray Milland)'s compartment. He's protective of the scared little girl. His fiancée Pamela Hill comes looking for him and finds Susan in his bed. Pamela's father Colonel Oliver Slater Hill is Philip's commander.Ginger Rogers is 30 and looks nowhere near 12. That hill is always going to be tough to climb but it would help if she's younger and more fresh faced. Billy Wilder keeps it light and fun in his first directorial efforts. It's a comedic romp as long as one ignores Ginger Rogers' obvious age. In addition, there are some underage awkward hijinx.
gavin6942 Susan Applegate (Ginger Rogers) gives up on pursuing her dreams in New York, and decides to return home on the next train. Not being able to afford an adult ticket, she pretends to be 11 (12 next week). This plan is rough to start with, and gets more difficult when she meets a handsome military man (Ray Milland) on the train...Billy Wilder had gotten sick of his writing being taken by directors and butchered from his original vision. This marks his directorial debut, and it is a brilliant piece of film. Is it his masterpiece? Probably not. But I'd say it is better than many other of Wilder's works.Can Ginger Rogers pull off being 12? On one hand, clearly not. But, at the same time, any actress that could would probably not be able to be the woman that is hidden underneath the child disguise. For the most part, the transformation is impressive, even if not completely believable.I absolutely loved this film, and have not found myself more engrossed by a classic film in a long time (and I do watch plenty of classics). If you love Billy Wilder or Ginger Rogers, or want to get acquainted with either one, I would say this is the film for you.