Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?

Matialth Good concept, poorly executed.

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

BA_Harrison This 1983 martial arts comedy from Shaw Brothers doesn't deliver much in the way of laughs, and takes a long time to get to the serious kung fu, but once the feet and fists really start flying, it proves to be a whole lot of fun. The first hour or so comprises of dreadfully unfunny situation comedy in which the teacher and students of a Hong Kong martial arts school discover that their new boss is the grandmaster's daughter, Chen Mei Ling (Kara Hui), who uses Western marketing techniques to bring in fresh business. When some of their new students, working girls from a local 'gentlemen's club', use their newfound fighting skills to keep the clients' wandering hands at bay, the owner of the establishment declares war on the martial arts school. Best moment within the first hour: a big breasted woman gets hit in the tits.Fortunately things get much, much better at the 1 hour 6 minute mark, with a great scene in which the good guys use BMX bikes (so '80s) to beat up the baddies, with excellent stunts and creative use of their 2-wheeled vehicles that almost rivals Jackie Chan's bike fu in Project A. There's also a fun set-piece in which cameras flashes are used during a fight in a nightclub, but the best is definitely saved for last with a wonderfully choreographed showdown in a gymnasium, actor/director Liu Chia-liang finally giving kung fu fans something to get excited about, the cast using the exercise equipment (trampoline, rings, weights and balancing beam) in innovative ways to kick ass. Liu Chia-liang performs some great moves, but being a sucker for some monkey style kung fu, I particularly enjoyed Hou Hsiao acrobatic moves (even though he is clearly doubled for some of the work on the parallel bars).6/10. Not an essential '80s kung fu flick, the first hour neither funny nor exciting, but the last half hour ends things on a high note.

Leofwine_draca THE LADY IS THE BOSS is a natural follow-up to MY YOUNG AUNTIE, reuniting the same actors and casting them in very similar roles. This one has a contemporary setting so it's very much an '80s film, full of disco scenes, BMX riding, Village People lookalikes, gay stereotypes, and very outrageous fashions and make-up styles. Once again Kara Hui plays a skilled martial artist who comes into town to take over the running of a martial arts school, butting heads with old traditionalist Liu Chia-Liang, who also directs.To my surprise, I found this a more enjoyable film than MY YOUNG AUNTIE, which was in itself pretty decent. THE LADY IS THE BOSS has a faster pace and more furious comedy to see it through, alongside an ensemble cast who really deliver the goods in the humour stakes. Sure, much of the comedy is lowbrow, dated, and very Chinese, but that doesn't stop it being amusing. The likes of Wong Yue, Hsiao Hou, and Gordon Liu play the enthusiastic kung fu students, supported by Ku Feng as a businessman and the winning team of Johnny Wang Lung Wei and Sun Chien as the bad guys.This film has a lot of energy to recommend it and the plot keeps twisting and turning so that you work to keep up. There's little action in the first half, but the second lets rip with some imaginative modern-day fight scenes, a battle between BMX riders and thugs on a building site being a highlight. However, nothing prepares you for the wonderful gymnasium climax, which is one of the best I've seen in all of Shaw. Gordon Liu plays up to his Shaolin monk persona, Hsiao Hou does some incredible monkey style kung fu, and Liu Chia-Liang really shows what he's made of; I've never seen him fight like this before. The use of the gym props is especially creative and eye-popping. Add in the naturally skilled Wang Lung Wei and Sun Chien and you have one great showdown.

chickenjackson now, with most martial arts films before the mid 90's i suspend all deep criticism of plot, acting, and all that other stuff. for what it is i feel this is a highly entertaining film. but you can't go wrong with this director for some great action choreography. it is such a creative piece that is always surprising the viewer with different styles / props / situations for martial arts. also, if you're an avid martial arts fan you'll recognize a lot of faces from a number of interesting shaw brother films (sorry, bad with the names...the disciple from "mad monkey kung fu", the disciple from "36th chamber of shaolin", the disciple from the "masters of shaolin").

Chung Mo Essentially a reworking of Liu Chia Liang's earlier comedy "My Young Auntie". The setting is Hong Kong of the early 1980's and revolves around a failing traditional Hung Ga kung fu school. This time Kara Hui is playing the daughter of the school's ailing grandmaster who is living in the United States. She arrives in Hong Kong to represent her father for the opening of the new school building. Unfortunately she is "Americanized", dresses like an aerobics instructor and causes a lot of trouble when she tries to modernize the training. Liu Chia Liang plays the head Sifu of the Hong Kong school, playing essentially the same part he did in "My Young Auntie". The trouble starts when Kara Hui teaches the "wrong people".Liang seems out of his element here as his film style doesn't fit well with contemporary settings. The comedy comes off as just stupid instead of stupid fun. Like "MYA" most of the fights are compressed to the end with lots of "comedy" padding the whole thing out. Some of the bits are not PC at all. Scenes with interesting stuff like "disco kung fu" are too short and the "plot" doesn't get going until about an hour into the film. On the plus side, the cast looks like they are having fun. There are good scenes (check out the "bike kung fu") and the final confrontation is up to Liang's usual high standard. There is a strange self- consciousness at the end I won't describe here but it works since we get to see Liu-Chia Hui and Hou Hsiao in good form.Worth a look but "My Young Auntie" is a better film.