Tedfoldol everything you have heard about this movie is true.

Stephan Hammond It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

fwdixon Oy gevalt! What a disaster! Danny Thomas croons (badly), Danny Thomas tells jokes (badly) that are so corny and ancient Al Jolson would have been embarrassed to crack them, Danny Thomas emotes (badly, almost laughably). Opening scene had me wondering what all those goyim were doing in the temple! Peggy Lee was entertaining and a standout in this otherwise dreary film. The supporting cast were more-or-less adequate, with the mother and father characters well cast. Look for character actor William Schallert in a bit part, along with some other familiar faces. The Technicolor photography was superb. Watch all the scenes taking place in clubs across the nation and you'll notice that Danny and Peggy are using the exact same microphone in each one! My advice - stick with Jolie's groundbreaking original.

harveytk I saw this film back when it opened in the very early 50's at , I think,The Brooklyn Museum with my aunt and cousin. I must have been 6-7 years old at the time, and to this day I have never forgotten the film. I particularly remember Danny Thomas singing wonderfully in the film and was very taken with not only his performance of Jerry Golding but also of Eduard Franz who played his father. Wonderful remake of Jolson's original version which opened almost 20 years before I was born. I have always been a huge Jolson fan since I was a small boy, and I wonder if this film did not reinforce that. Sorry it is rarely shown on any Cable network. I have the original soundtrack and listen to it all the time. Great songs, great story, great acting, great film! By the way, I did not like the 1980 version at all.The story of a Korean war veteran returning home to start a new life as an entertainer instead of taking over the reins of succeeding his father as a Cantor was, I think, very relevant for that time and I think was depicted beautifully. Glad the plot had Mr. Franz recovering from his illness to enjoy his son's success at the end of the film. Nice touch!

anthonyrwaldman The Jazz Singer is one of a number of films made in the late 1940's and 1950 about the Jewish experience in the United States. Other than Crossfire(1947) and Gentleman's Agreement(1947) which dealt with anti-semitism they usually had a musical-theatre background. These films included The Jolson Story(1946), Jolson Sings Again(1949), The Eddy Duchin Story(1951), The Eddie Cantor Story(1953),The Benny Goodman Story(1956) and Margorie Morningstar(1958). The leading actors in these "Jewish" films were always played by non-Jews. For example Larry Parks a non-Jew played Al Jolson and Gene Kelly played Noel Airman in Marjorie Morningstar. This casting was probably done to make the Jewish theme palpable to a mainly non-Jewish audience. The Jazz Singer(1952) is no different. Danny Thomas was a devout Catholic and Peggy Lee was certainly not Jewish although she plays a non-practicing Jewess in the film. The clue to her background is when she attends the Golding's family meal before entering she says "I haven't been to a sader (passover service) since I left home".The film is about a cantor's son who has just left the service after seeing action in Korea. His dilemma is whether to become a cantor, a family tradition or to be a singer in musical theatre. His choice of theatre leads to an inevitable conflict with his father.However, there is much more to this film than this. This film was made after the Rosenberg trial during the McCarthy whitchhunts and the Hollywood blacklist. Therefore in this film the Jews are shown as good loyal citizens andare quintessentialy American. The synagogue choir would rather play baseball than practice. The cantors friends also talk about baseball in fact one of them is a Major League umpire. The synagogue itself dates back to 1790 and George Washington is said to have visited. Therefore Jews are presented as part and parcel of American society. Nobody in this film has a Eastern European accent. Peggy Lee appeared in very few feature films. In this film you get to see her sing "Lover" and "Just One of Those Things" wonderful. Danny Thomas is quite credible and he acts and sings the part very well. The comedic routines could have been left out. Yes, the film is schmaltzy and sentimental but it is well worth seeing. I enjoyed it very much.

Spuzzlightyear Good grief.. to think I've seen it all.. Danny Thomas looks SO out of place in this mishmash. He seems really uncomfortable. He can't sing worth a lick, and when he's paired up with Peggy Lee (PEGGY LEE???) she easily.. EASILY outsings him! Maybe the director saw this and made him do the reall really bad comedy routines that he sometimes does in the film. Peggy Lee is okay, but the whole thing is a shambles. Good for a laugh, maybe.