SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

Bene Cumb The film has a gripping start, possessing great possibilities for the development of a good thriller with twists and flashbacks, but, in its stead, we see an over-sophistication of drama with mental issues, loose ends and weakly or trivially substantiated motives. The source mood is nice, major performances are promising, but overall accomplishment did not meet my expectations. When the credits appeared, I just shrugged my shoulders and thought that The Killing type of suspense and unknowing is much more fascinating. Events in someone's mind should be handled in a more versatile manner, it is rather easy to get stuck into uniformity and attempts to create horror.So, 8 points for performances, 4 for the script. The film is no flop, but do not expect persistent thrill and/or witty twists.

Joris There's a lot of good stuff coming from Scandinavia these days, both in movies (Jagten, A Royal Affair, King of Devil's Island, Sons of Norway, Dead Snow 2, Trollhunter, Sound of Noise, Turist, We Are the Best!) as in television (The Killing, The Bridge). This is not one of them though. I lossens time (aka. The Hour of the Lynx) is as boring and conventional as Kvinden i buret (aka. The Keeper of Lost Causes). It feels like watching a very average made-for-television movie. The editing is often irritating, the characters have no depth whatsoever and the backstory is plainly predictable. Sofie Gråbøl, who plays the female priest Helen, keeps everything from falling apart. Although her acting resembles Sarah Lund a bit too much, she nonetheless portrays a convincing Lutheran priest. Apart from that, this film has almost nothing to offer. Especially the emotional uppercut where this movie aims at, is virtually inexistent. But maybe I'm a robot.

OJT To appreciate this piece of film making 100 percent you should devolve into the story telling, without expecting an action story, but rather the thought of the effect of a religious wishes in an otherwise chaotic upbringing.The Danish film "I losses time", also known by other titles like "In the hour of the Lynx" or "Den 25. Timen" ("The 25th hour"), which is explained in the film as an hour where the cat animal lynx reaches another dimension. The lynx is told to sleep for 21 hours of 24, uses 3 hours to find food being very alert, and having a 25th hour of deeper consciousness, the hour outside it all, when we are at our most happy At least that is the theory of the inmate after being told stories about it by his grandfather. The film grabbed my interest right from the start, made up as a mystery, as it is. The story is based upon a stage okay by Per Olof Enquist, and is filmed in both Sweden and Denmark.The narrator voice of a female priest starts off this, and tells the story if a teenage boy being imprisoned for a double homicide seemingly without reason. The boy gets the attention of a young female researcher which is allowed a project at the mental prison concerning the use of pets amongst inmates. Pushed calls upon the priest when the boy attempts suicide, and the priest enters the prison just as the young researcher experiences her projects immediate shut down, due to a conflict.I can't help being impressed by the Danish films made these days. For the last 20 years Danish film industry has constantly grown, just as we've seen the Nordic countries Sweden, Island, Noway and Finland follow up. Now especially the Danes and the Norwegians are turning up A-class films over and over. "In the hour of the Lynx" is another one of these great films.The film manages to get immediate response from me as a viewer dud to great character development. All main characters seem interesting, and are of course well played. The film uses an advanced time structure off the story telling, and uses retrospective technique in both memories and in several of the persons minds. Quite advanced but also effective, like in a solving of a crime story, though it might give some difficulties in following the storyline. Photography is brilliant, as is the use if light to express the modes.Another Nordic noir both story's use as well as in depicted colors. The story had two female characters in main roles, and the story is told during a time span of less than 20 hours. Susanne Gråbøl is captivating in her main role as a priest, and the rest if the cast is equally brilliant. Frederik Christian Johansen as the boy, is a great talent, and does his best role so far here. He is his role here. Søren Kragh-Jacobsen has done another great job. The story telling almost becomes amazing, when we go back in time to the boys childhood living with his religious grandfather.The story rises a lot of questions about upbringing and religion, and if you have respect for that, you won't get disappointed. The too low rating here I'm IMDb tells that not everyone was happy with the wrapping if he story. I found it beautiful.

anders-913-315918 This is not so much a review, it's more a recommendation. I write this mainly because I've read a few negative comments on the message boards.If you are into popcorn flicks, easy going stories without any deeper meaning, if you are a narrow-minded person..etc. etc (you get the point, right?) If you are any of those, then this movie is obviously not for you.If you are a searching soul and attracted to the darker and mystical realms of the human mind and understanding of the spiritual language, then you will enjoy this little masterpiece."Whoever Fights Monsters Should See To It That In The Process He Does Not Become A Monster...and When You Look Long Into The Abyss The Abyss Also Looks Into You"