Blucher
One of the worst movies I've ever seen
Sharkflei
Your blood may run cold, but you now find yourself pinioned to the story.
Mehdi Hoffman
There's a more than satisfactory amount of boom-boom in the movie's trim running time.
Lela
The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
stancarter
Any movie with Virginia Bruce in it is worth watching, and I enjoyed Jessie Ralph's tantrum, similar to the ones she threw in The Thin Man. But this movie doesn't make a lot of sense. For one thing, people can't be hypnotized to kill themselves, unless they're suicidal in the first place. You might be able to hypnotize someone to jump off a bus if you tell them it's on fire and they'll land on a soft mattress, but not if they know they're going to die, as the character in this movie does, and states very clearly ahead of time. Also, there's an annoying scene -- repeated in so many movies -- where someone tells the detective they know who the killer is. Naturally they don't give them the name at the time, but promise to reveal it later. Which of course they never do because they're killed before they can. Yes, Philo, by all means make sure the person doesn't give you the name over the phone, because... why exactly? And the "dueling pistol" looks like a modern gun to me, not an antique. And when the killer tries to hypnotize Vance, does he really think it's that easy, just flash your shiny cigarette case in his eyes and he'll go under?
gridoon2018
All the Philo Vance films I've seen so far contain the element of clever misdirection, and "The Garden Murder Case" is no exception; although the "how" of two out of the three murders is not that hard to spot (even if you haven't read Leonard Maltin's review, which unfortunately gives the secret away!), the "who" and the "why" are more difficult to answer. This mystery is like a well-put-together puzzle. And this being an MGM production, it's considerably slicker and more expensive-looking than most of the other Vance films I've seen - lavish sets, incredible amount of extras, etc. It's also very well-cast in all parts, big and small; the one cast member I would like to single out is Virginia Bruce, who combines old-style beauty with a quite modern and individual acting style. And Frieda Inescort, in one scene, appears in a nightgown that shows just enough to make me wish the film was made a couple of years earlier, before the Code! **1/2 out of 4.
whpratt1
Edmund Lowe plays the role as Philo Vance a detective who tries to solve a series of murders in the Hammle Family who live in a 22 room apartment in NYC. The first member of the family is murdered, Edgar Lowe Hammle,(Gene Lockhart) and then Zalia Graem, (Virginia Bruce) appears on the scene and is accused of being a murderer when a woman falls to her death from a double decker bus. Zalia Graem and Philo Vance gave an outstanding performance together and there is a spark of romance between the two of them as Philo tries to help prove her innocence in the murder case. This is a low budget B film from 1936 but has a great story with even hypnoses being utilized. Enjoy.
blanche-2
Now it's Edmund Lowe as Philo Vance as he tackles "The Garden Murder Case." It's a neat story concerning murder by hypnosis - which, as other posters point out, is a fairly obvious one, although the murder is not. The denouement makes for an exciting last minutes of the movie. Virginia Bruce costars and serves as a love interest for Vance.Lowe is certainly very attractive and extremely likable as Philo. It's a good fit, and to me, better than either Paul Lukas or Basil Rathbone. I haven't read the books, so I am just going by the films and the fact that the definitive Philo seems to have been William Powell. "The Bishop Murder Case" features a good performance by Rathbone, but it is an early talkie and the actors are still making the transition, so the film is rather awkward. Lukas was enjoyable and certainly embraced his character but his accent got in the way.This is an enjoyable entry in the exploits of a character who certainly served Hollywood well.